The Hyde Collection Art Museum in Glens Falls, Warren County, includes a wide array of artworks and antiques – paintings, sculptures, pottery, books and furniture – spanning from the early Renaissance to modern and contemporary era. The collection was established by Charlotte Pruyn Hyde and her husband Louis Fiske Hyde, who acquired art from the Renaissance to the 19th century. Later on, the collection expanded to include 20th century modern and contemporary works.
Housed in the Hydes’ 1912 American Renaissance mansion, the collection includes works by Italian Renaissance masters Domenico Tintoretto, Raphael, and Sandro Botticelli; Spanish Renaissance painter, sculptor and architect El Greco; Baroque painters Peter Paul Rubens and Rembrandt van Rijn; French Neo-Classical painter Ingres; French Impressionists Edgar Degas and Pierre-Auguste Renoir; Post-Impressionist painters like Paul Cézanne and Vincent Van Gogh, as well as modern painters such as Henri Matisse and Pablo Picasso. American masters including Winslow Homer are also represented in the collection. In addition to its permanent holdings, the museum hosts temporary exhibitions and other educational programs.
Because of its growing collection, in the 1980s the Museum expanded with a large Education Wing, comprised of three galleries, an auditorium, an art studio as well a storage and visitor amenities area, complementing the adjacent historic Hyde House.
In 2015 we interviewed Erin Coe, then executive director at The Hyde Collection – Coe is currently director of the Palmer Museum of Art at Penn State. In 2013, while at The Hyde Collection, Coe organized the acclaimed O’Keeffe and Lake George exhibition in association with the Georgia O’Keeffe Museum in Santa Fe, New Mexico, which brought together 58 paintings from public and private collections, created between 1918 and 1934, when O’Keeffe summered at Lake George in the company of Alfred Stieglitz and his family. In fact, Coe co-authored the book Modern Nature: Georgia O’Keeffe and Lake George, which presented groundbreaking scholarship that shed new light on O’Keeffe’s work.
Painters affiliated with the Hudson River School of Painting, founded by Thomas Cole in 1825 and considered the first authentic American art movement, had painted at Lake George, including Thomas Cole, Asher B. Durand, John F. Kensett, Sanford Gifford, and others. The Hyde Collection’s most significant Hudson River School painting in its permanent collection is a painting by Albert Bierstadt, who did not paint at Lake George, however. His Yosemite Valley oil on canvas, painted in 1865, is on display at The Hyde Collection in the Downstairs Guest Room. Because of his interest in the West, Bierstadt is often grouped with the Rocky Mountain School as well. In the 1850s, he studied in Düsseldorf, under the influence of the prestigious Düsseldorf Academy, characterized by detailed, plein air paintings in muted colors. Düsseldorf School exercised influence over the Hudson River School.
In the summer of 2015, The Hyde Collection hosted the exhibition The Late Drawings of Andy Warhol: 1973 – 1987, organized in partnership with The Andy Warhol Museum in Pittsburg. Drawing was critical to Warhol’s development as an artist from his early years as an art student to the last few days of his life in 1987. The show included fifty large drawings from the artist’s late period. It was a prolific time in Warhol’s life, when the artist used as inspiration celebrities, flowers, and ads, as seen in his most iconic works. Some of these drawings were shown for the first time at The Hyde Collection. The show drew visitors from all over the world and across the United States.
Currently on view is a modern art exhibition dedicated to Pablo Picasso, Georges Braque and Fernand Léger, which explores exclusively the three artists’ work as printmakers. Organized by Contemporary and Modern Print Exhibitions, the show includes Picasso’s print series Suite des Saltimbanques (1904-1905) and Le Cocu Magnifique (1968), Braque’s L’Ordre des Oiseaux (1962), and Léger’s Les Illuminations (1950). The exhibition will remain on view through January 5, 2020.
The museum is open Tuesday through Saturday from 10 a.m. to 5 p.m., and Sunday from 12 noon to 5 p.m.
“David creates a seamless rapport with each artist, drawing out their individual personalities with meticulously researched questions. Her interviewing style is so natural and unobtrusive that the reader feels like “a fly on the wall” privy to the authentic, unrehearsed lives of the artists. They divulge their thought processes, creative developments, media, materials and muses, but David evokes them into sharing a glimpse of their souls.”
Art is at home in the Catskill Mountains. A tradition started by Thomas Cole and his disciples in the early 1800s has transformed the area into a place for pilgrimage where artists from all over the world come to create and be inspired. An influx of creatives moving out of Brooklyn in recent years has infused the area with energy and spearheaded the emergence of new projects and initiatives to create and show new works by artists at various levels in their careers and working in all disciplines.
AMR Artists, a newly formed artist coalition affiliated with the AMR (Andes-Margaretville-Roxbury) Open Art Studios Tour, which takes place every year the last weekend in July, has stepped up to the plate to offer new opportunities for artists. According to its mission statement, “The AMR Artists Coalition supports a vibrant cultural life for our community by promoting and advocating on behalf of the area’s artists and cultural institutions. The Coalition recognizes that a creative environment is an essential component of energetic civic life and sustained economic growth in the community.” The group’s motto is a quote by Albert Einstein: “Creativity is contagious, pass it on.”
Launched in 2012, AMR Open Art Studios Tour has grown into a major cultural attraction, as art tours have become more and more common all over the country. Studio visits trigger questions that aren’t often asked in formal settings such as galleries and museums, and allow for a more intimate interaction with the art work. As art historian George Philip LeBourdais eloquently articulated in a piece for Artsy magazine, “The studio is where strange magic happens, as much for the artist’s imagination as for the public’s. It’s the conjuring place of new concepts, styles, or forms. Sometimes it even comes to be seen as sacred, a place where visitors become pilgrims to the altar of art.”
AMR (Andes – Margaretville – Roxbury) Open Studios Tour 2019 will take place Saturday and Sunday, July 27 – 28 from 11 a.m. to 5 p.m. with close to thirty participating artists and artisans working in all disciplines – painters, sculptors, photographers, printmakers, ceramicists, furniture designers and textile artists. Located in a bucolic scenery, all studios will provide unique experiences for visitors to explore the area and learn directly from the artists.
Participating artists this year include: Lisbeth Firmin, Ellen Wong, Gail Freund, Tabitha Gilmore-Barnes, Gerda Van Leeuwen, Peter Yamaoka, Margaret Leveson, Helene Manzo, Frank Manzo, Gary Mayer, Gary Mead, Rosamond Welchman, and others.
Gail Freund, a new artist affiliated with the group, moved to the area in 2016 after having worked in New York City for over forty years in the fields of illustration, theater and jewelry. Formally trained at the Parsons School of Design, Freund has always drawn and painted. However, after moving to the Catskills, she became fully immersed into studying and depicting trees the likes of which she hadn’t quite seen while living in Manhattan. Her life in the Catskills allows far more time for studying and drawing nature scenes, she explains. Her approach is simple and direct.
The artist works in three disciplines: ink on paper, embroidery, and book art. Asked about her drawings, Freund explains: “I had to start somewhere, and ink on paper seemed simple and an easy way to get back into drawing.” The landscapes, all in black and white, are an invitation for the viewer to imagine a larger context than the one strictly depicted by the artist. Some of these are currently part of a show at the Catskill Watershed Corporation in Margaretville paradoxically called “Local Color: In Black and White.” The show will remain on view through July 5.
In 2017 Freund joined a group called Catskilled Crafters led by Wendy Brackman to create a project called The Ties That Bind, cutting and sewing together pieces of old ties donated by the community. The group created a piece called Big Daddy, currently on display at the American Visionary Museum in Baltimore in the Father Room as part of an exhibit called Parenting: An Art without a Manual, which will remain on view through September 1. NPR recently did a story on this, which ran on Father’s Day. The group sewed 1,462 hexagons into a nine-foot striped tie made out of hundreds of men’s ties and one wool suit. Brackman, who spearheaded the project, explains: “My dad was a bit of a dandy. He shaved every day, he looked good, he put himself together with his collar and wide ties.” Brackman is known as a performance artist (“Wacky Wendy”), as well as paper milliner (“Wacky Hat”).
Freund’s embroidery has gained attention due to its quirkiness and bold colors, but also extreme precision. Fascinated by road signs, the artist managed to capture some of the more vivid ones in a series shown recently at various locations throughout the area. One of these embroideries has received an award at the Woodstock Artists Association and Museum (WAAM) Spring Show, marking WAAM’s centennial. Asked about her interest in embroidery, the artist explains that she was looking for the perfect excuse to slow down and meditate, and that came in the form of making embroidery.
This year Freund is also working with a group of book artists led by Hedi Kyle to create fabric books, a multi-disciplinary project that will be shown in 2020. All artists are being given the same theme and size of the project, but each approach will be different. Kyle, who is coordinating the project, is a book conservator and educator, and co-founder of the Book Preservation Center at the New York Botanical Garden. As head conservator at the American Philosophical Society in Philadelphia, and as an adjunct professor in the Graduate Program for Book Arts and Printmaking at the University of the Arts, Kyle had trained and mentored a generation of conservators and book artists. The oldest artist in this group is Polly Vos, who is 94.
Freund will be showing her works during the AMR (Andes-Margaretville-Roxbury) Open Art Studios Tour, sharing studio space with painter Deborah Ruggerio. Ruggerio’s studio is located at 54096 State Highway 30 in Roxbury.
Landscape painter Ellen Wong has participated in the AMR (Andes-Margaretville-Roxbury) Open Art Studios Tour every year since it launched in 2012; she describes the experience as a positive one, and a great opportunity to show and talk about the setting where her art comes to life. Wong has been painting the Catskills since the 1970s, when she opened her studio in Roxbury. Initially trained as an abstract painter, she discovered that what she really wanted to do was landscape: “I noticed that every time I went somewhere I always brought with me my watercolors, and I always sketched where I was; somehow that’s how I got to understand, absorb or take in a new environment – I felt very sensitive to place,” she explains. “Does the world need another landscape?” she muses, but then she adds: “I can’t help it.”
The recipient of many grants and fellowships, including the New York State Council on the Arts Decentralization Grant Program, as well as a National Endowment for the Arts Fellowship, Wong studied in the Art Department at Brooklyn College with Philip Pearlstein, known for reviving realist figurative painting in the 1960s. Pearlstein’s departure from Abstract Expressionism back then made him a renegade in the art world. It’s that kind of artistic sensibility and daring attitude that Wong had learned from Pearlstein.
Capturing the beauty of the environment but also the ordinary and the banal turns her experiences into markers for posterity. “I want to have a signature,” Wong explains. I want people to say “Oh, that’s Ellen Wong,” whenever they see my paintings. I like to ask deep questions, not necessarily seeking answers, but just asking questions that lead me to a path of my own. “I’d like to go deeper. Does painting the environment, water, for instance, which is life in my paintings, lead one to think of Flint, Michigan, for instance?”
Wong’s studio, which will be open during the AMR Open Art Studios Tour, is located at 121 Shephard Lane in Roxbury.
New this year, the AMR Art Tour is partnering with Studio 190 in Walton to show works by artists affiliated with this group as part of the two-day event. Studio 190 is a collaborative art program within The Arc of Delaware County, encouraging self-expression, exploration, creativity and teamwork, and providing support for artists to work in a professional studio, equipped with all the necessary tools and guidance from visiting artists.
Leah Schmidt, the program coordinator, explains that up to 35 artists have been taking part in this program so far. They work in different disciplines, although painting is the predominant activity. Some of the artists attend the program every day, while others participate in only one block per week, depending on their skills and dedication, although the most important achievement is to maintain a level of enjoyment so that all the participants have a meaningful experience.
Since 2017 the program has continued to grow under the guidance of art consultants and accomplished artists and educators such as Alan Powell, who have been working with Studio 190 to help branch out more into the community and ensure recognition for the art created in the studio. Under Powell’s guidance the group created the “Selfie” project inviting each participant’s creativity into portraying their own vision of how they see themselves and making personalized works that then can be shared with the community. The project is documented through the group’s Instagram feed as well as its website.
The “Selfie” project as well as other works will be shown during the AMR (Andes-Margaretville-Roxbury) Open Art Studios Tour on Saturday and Sunday, July 27 – 28 at the Community Church located at 904 Main Street in Fleischmanns.
The AMR – Andes, Margaretville, Roxbury – Open Studios Tour 2019 is funded by the Delaware County Department of Economic Development – Tourism Advisory Board, and the A. Lindsay and Olive B. O’Connor Foundation, and by 28 participating artists and 44 community business sponsors. Additional community support comes from the Longyear Gallery (Margaretville) and the MARK Project (Arkville).
The Commons Building has become an important art hub for the communities in and around Middletown in Delaware County. Founded in 2007 as an artist-run cooperative, Longyear Gallery has hosted numerous solo and group shows in a 1,275 sq ft space located on the second floor. In the summer of 2016, the gallery took over a larger and better illuminated 1,425 sq ft space located on the first floor, divided into two separate rooms. Close to a hundred pieces by eighty artists were recently shown in a multi-media art exhibition titled “Artists Choose Artists,” which included works by landscape painters Ellen Wong and Kevin David Palfreyman, both influenced by the Hudson River School of Painting, poet and abstract painter Andrew Tully, ceramicist Peter Yamaoka, and photographers Frank Manzo and Helene Levine-Keating.
In the space left vacant by Longyear Gallery on the second floor, another gallery opened in recent months simply called Upstairs at the Commons. The space is available for rent to individual artists and groups in search of new possibilities to show their works. The space is currently rented by AMR Artists, an artist coalition affiliated with the AMR (Andes-Margaretville-Roxbury) Open Art Studio Tour, which takes place every year the last weekend in July. The group uses as its motto a quote by Albert Einstein: “Creativity is contagious, pass it on.”
The Spring Show hosted by the AMR Artists, which opens on April 19 and remains on view through May 13, will include works by twenty participants working in different disciplines: painting, monotypes, photography, tapestry, installation, and even jewelry.
Urban realist painter and printmaker Lisbeth Firmin, an artist whose studio is in fact located in the Commons Building, will be showing new monotypes produced under the influence of Scuola Internationale di Grafica in Venice where Firmin was a resident in 2017. For over four decades Firmin’s work has been in hundreds of solo and group shows across the country and internationally, and finds itself in numerous private art collections. “My urban landscapes follow in the tradition of earlier realists such as John Sloan and Edward Hopper, depicting today’s modern life in the streets, while reflecting modern themes of isolation and disconnection,” she explains. Firmin, who was the cover artist for the 2008 spring issue of Epoch, Cornell University’s literary magazine, and was the featured artist in the 2008 summer issue of the Gettysburg Review, often shows her work throughout New York State and North Carolina, as well as at Rice Polak Gallery in Provincetown, Massachusetts.
Hedi Kyle is a book conservator and educator, and co-founder of the Book Preservation Center at the New York Botanical Garden. She is also co-author of Library Materials Preservation Manual, one of the first books on library preservation techniques. As head conservator at the American Philosophical Society in Philadelphia, and as an adjunct professor in the Graduate Program for Book Arts and Printmaking at the University of the Arts, Kyle had trained and mentored a generation of conservators and book artists. Since moving to the Catskill Mountains, she continued to experiment with materials and seek beauty in the form of book installations. “My work is usually based on paper which I transform by folding it into book structures and three-dimensional objects. Since my retirement as a book conservator and teacher my move to the Catskills has overwhelmed me with new impressions and motivated me to experiment with other materials such as clay and fabrics,” she says. During the AMR Spring Show, Kyle will be showing a ceramic piece called Fragilo I, as part of a series that she is working on under the guidance of Michael Boyer at the Pine Hill Community Center. She continues to work on drawings and prints as well – these will be exhibited during the monthly member shows at Longyear Gallery.
Deborah Ruggerio, a new artist affiliated with the group, has been in the area for about three years. In 2018 she built her studio in Roxbury’s Historic District, and opened it to the public for the first time as part of the AMR Open Art Studio Tour last summer. Ruggerio, who also serves on the Planning Committee for the tour and had taught art in New Jersey for decades, has painted all her life, but has been particularly moved by the Catskill Mountains’ scenery and the ephemerality of all things in nature ever since she moved to the area. As a landscape painter, she often sketches in nature, but finishes the work in the studio. “Color creates emotions,” Ruggerio says, as she always tries to select a color palette that she believes captures the essence of the environment in the moment, whether be a fall or a winter scenery. In the Spring Show, Ruggerio will exhibit two recent pieces: “Rock Bridge on Lower Meeker” (oil on canvas, 18” x 24”, 2018), and “View from the Johansson’s Bridge” (watercolor, 9” x 12”, 2018); the second one was part of the Greene County Council on the Arts Holiday Show this past winter.
Another new artist affiliated with the group, Charlene McLaughlin, has moved to the area full-time four years ago, after being a second homeowner for decades. McLaughlin is an accomplished still life and nature photographer and designer who has exhibited in numerous group shows and has done event photography. Her favorite subject matter are tulips, which she says are extremely evocative. She likes to capture them either in nature or in compositions re-created in the studio.
McLaughlin bought her first camera, a Nikon EM, when she was 18-year-old, and never stopped photographing. She first learned to work on film, mastering the exposure and the demands of high-quality printing. Later on, she transitioned to digital, which she says offers instant gratification but can also lead to overshooting, conducive to spending more time to discern what is worth keeping. Although for the most part she is self-taught, McLaughlin did take classes at the International Center of Photography in New York City. Her favorite photographers are Ansel Adams and Henri Cartier-Bresson; Adams is known for his spectacular nature photographs, particularly taken at the Yosemite National Park, while Cartier-Bresson is known for pioneering street photography, and has been labeled a humanist photographer.
In the Spring Show, McLaughlin will be showing two landscape photographs: “Road to Windham” and “Spring Snow”, both 13” x 19”, taken with a Nikon D700 camera.
Textile artist and artisan Tabitha Gilmore-Barnes is a founding member of the AMR Art Tour, and has served as a tour coordinator until recently. Trained at the Fashion Institute of Technology (FIT) and the Center for Tapestry Arts in New York City, Gilmore-Barnes designs both functional and aesthetic products using traditional American patterns. Her work can be seen in museums and gallery exhibits, and at various arts and crafts fairs throughout the region. “Weaving is one of the oldest forms of a blend of art and function. The techniques of twisting fibers to make them stronger and durable started out probably in the earliest times of mankind history. From those twisted fibers men and women learned to do basketry, learned to create fabric, and also to use it for decoration.” In the Spring Show, she will exhibit four pieces which include “Maple Tree & Stone Wall” (a/k/a The Catskills), a woodblock print done at SUNY New Platz’s Printmaking Design Class, and “Snow Scene,” a tapestry that won the Fence Art Show Award from the Brooklyn Museum in 1980.
An opening reception will be hosted on April 27 from 3 to 6 pm. The Commons Building is located at 785 Main Street, Margaretville, NY.
ART CONVERSATION AND WRITING WORKSHOP WITH AUTHOR SIMONA DAVID
SATURDAY, SEPTEMBER 8, 2018, 1 – 2:30 PM
THE ZADOCK PRATT MUSEUM, 14540 MAIN STREET / RTE 23, PRATTSVILLE, NY
As guest of the Zadock Pratt Museum, Simona David, author of “How Art Is Made: In the Catskills” (2017), will talk about her experience interviewing artists, and discuss what moves and inspires the creative mind, how a new artistic project is born, how materials are used and different stylistic choices are made, how setbacks are dealt with, and how success is celebrated.
Ms. David will then teach a workshop on art writing, and discuss various research and writing techniques.
To register, call Pratt Museum at (518) 937-6120.
This event is funded in part with public funds from the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
AMR (Andes – Margaretville – Roxbury) Open Studios Tour 2018 will take place Saturday and Sunday, July 28 – 29 from 11 a.m. to 5 p.m. with close to thirty participating artists and artisans working in all disciplines – painters, sculptors, photographers, printmakers, ceramicists, furniture designers and textile artists. Located in a bucolic scenery, all studios will provide unique experiences for visitors to explore the area and learn directly from the artists.
Launched in 2012, AMR Open Art Studios Tour has grown into a major cultural attraction, as art tours have become more and more common all over the country. Studio visits trigger questions that aren’t often asked in formal settings such as galleries and museums, and allow for a more intimate interaction with the art work. As art historian George Philip LeBourdais eloquently articulated in a piece for Artsy magazine in August 2016 “The studio is where strange magic happens, as much for the artist’s imagination as for the public’s. It’s the conjuring place of new concepts, styles, or forms. Sometimes it even comes to be seen as sacred, a place where visitors become pilgrims to the altar of art.”
Participating artists this year include Adam Cohen, Amy Masters, Ted Sheridan, Alan Powell, Lisbeth Firmin, Ellen Wong, Peter Yamaoka, Gerda van Leeuwen, Frank Manzo, Helene Manzo, Tabitha Gilmore Barnes, Gary Mayer, Barbara Alyn, Oneida Hammond, Ken Hiratsuka, Roshan Houshmand, Agnes Freas, Esther de Jong, Lesley A. Powell, Rosamond Welchman, Robert Axelrod, Deborah Ruggerio, Gary Mead, Anthony Margiotta, Rebecca Andre, Patrice Lorenz, Sharon Suess and Gail Freund.
A good place to start the tour is the Wawaka Grange in Halcottsville. Several artists will be showing at this location, including painters Agnes Freas and Oneida Hammond, and photographer Rebecca Andre. Art in the Catskills will present and sell autographed books – “How Art Is Made: In the Catskills,” which features a host of Catskills creatives, including sculptor Brian Tolle and urban realist painter Lisbeth Firmin, will be offered at a discounted price.
Still in Halcottsville, ceramicist Rosamond Welchman, who has participated in the tour every year since it launched in 2012, will open her studio located at 266 Halcottsville Road. For forty years, Welchman taught mathematics and education at Brooklyn College. Since retiring and moving to the Catskills, she has returned to her earlier love of visual design and ceramics. Her professional interests in mathematics (especially geometry) and in teaching (especially problem-solving) have had a strong impact on her ceramic work as well. Welchman’s pottery is hand-built with an emphasis on surface texture, often with patterns influenced by her travels around the world. “Wherever I go, I look for new forms and textures,” she says. “This year I am particularly interested in architectural pieces made from cut slabs of clay fastened together,” she adds.
Painters Robert Axelrod and Sharon Suess will also open their studios in Halcottsville at 261 and respectively 239 Halcottsville Road.
In Arkville, painter and printmaker Amy Masters, and architect and printmaker Ted Sheridan will open their studios located at 222 Chris Long Road. Over the past two years Masters has had a prolific time producing a new host of works: etchings and colorgraphs, as well as paintings from her summers spent in Maine. The artist is inspired by the natural world and the actual objects and vistas around her studio in the Catskills, but what she mostly likes about her work is re-arranging and re-envisioning the landscape in the abstract. One can see in her recent paintings a slight departure in color and texture compared to previous works.
Masters’ husband, Sheridan will be showing new works on paper using iron and iron oxides in addition to drawings and watercolors. A few years ago, Sheridan began experimenting with metallic compounds, corrosion, and magnetic fields to create original patterns of rust on paper. Coming from the world of architecture where everything is controlled and precise, in recent years Sheridan sat to explore the randomness of the oxidation process in metallic prints, and gradually began working on more and more elaborate projects.
Painter Anthony Margiotta will be showing at his studio located at 355 Route 3 in Halcott Center, while multi-media artist Alan Powell and painter Lesley A. Powell will be showing at their studios located at 993 Main Street in Fleischmanns.
“The canvas is now my stage,” says multi-disciplinary artist Lesley A. Powell. Since childhood, Powell has been attracted to non-verbal means of artistic expression whether be dancing or painting. As a choreographer, her interest revolves around the dancer’s ability to change the performance space, working under the influence of German expressionist dancer Rudolf Laban. Over her decade-long career, Powell has produced numerous shows for whom she designed anything from costumes to posters, brochures, and playbills.
As a visual artist, Powell focuses on human anatomy and body movement to depict either dance or circus scenes as well as nudes. She is drawn however to a broad range of media and thematics. Watercolors are prone for still life because of the space required to do the work, she explains, whereas oil paintings allow for more creativity and give the artist more time for reflection and revision. The tone, the feeling and the expression, Powell adds, are also different in oil compared to watercolor. When working in watercolor, the artist uses a more subdued color palette given the spontaneity of the medium, whereas in oil she prefers bolder and richer colors.
In Margaretville, urban realist painter Lisbeth Firmin will open her studio in the Commons Building at 785 Main Street, and show recent works and works in progress. For over four decades Firmin’s work has been in hundreds of solo and group shows across the country and internationally. She was the cover artist for the 2008 spring issue of Epoch, Cornell University’s literary magazine, and was the featured artist in the 2008 summer issue of the Gettysburg Review. This summer Firmin is showing a new series of paintings and monotypes at Rice Polak Gallery in Provincetown, MA. “What’s happening these days is that I see something about the light on a figure, and this is what interests me,” she says. She insists that her work is not about the colors, but about the light and shadow in the composition, apparent in works such as Fifth Avenue (1995), and Woman on a Train (2014). Firmin is one of the artists featured in “How Art Is Made: In the Catskills” book by this author.
Still in Margaretville, poet and furniture designer Gary Mead will open his studio and gallery located at 1289 South Side Road, painter Barbara Alyn will open her studio at 806 Main Street, and painter Patrice Lorenz will open her studio at 359 East Hubbell Hill Road.
In Andes, participating artists include sculptor Ken Hiratsuka, who will open his barn at 34325 State Hwy 28, and painter Roshan Houshmand whose studio is located at 495 Main Street.
The largest group of participating artists this year is in Roxbury: painters Ellen Wong, Adam Cohen, Helene Manzo, Esther de Jong, Gail Freund and Deborah Ruggerio, ceramicists and printmakers Peter Yamaoka and Gerda Van Leeuwen, photographer Frank Manzo, and textile artist Tabitha Gilmore-Barnes, will all open their creative spaces and engage in dialogue with visitors who often enough are artists themselves. One might dedicate one of the two days to visiting Roxbury’s studios only as driving from one place to another can take a bit of time.
Poet and painter Esther De Jong, a former fashion model, will be showing her pencil drawings and Catskill landscape oil paintings while working on a new large figurative work during the open studio; visitors can watch her paint and ask questions. De Jong, who is formally trained at the National Academy of Art and Design, co-founded by Thomas Cole in 1825, refers to her paintings as “lyrical images,” reflections of her poetry. De Jong’s studio is located at 50 Maple Lane in Roxbury.
Abstract painter Adam Cohen, known for works such as Intuition (2015), a finalist in the Art Olympia International Competition in Tokyo, Japan, and Mystic Marsh (2014), shown at the Morren Galleries in Amsterdam, Netherlands, is an intuitive painter whose style has been defined as Gestural Abstraction; his paintings are very much sculptural, and have a visceral look and the kind of inexhaustibility that the artist strives to achieve in his work. Cohen is currently working on a new series of paintings as many of his works have sold out in various galleries. He was recently featured in a solo show at Abmeyer + Wood Fine Art Gallery in Seattle. Cohen is one of the artists featured in “How Art Is Made: In the Catskills” book by this author. His studio, located in Roxbury’s Historic District at 53856 State Hwy 30, will give visitors a glimpse into the creative process and the naissance of new works of art.
Still in the Historic District, painter Deborah Ruggerio will open her studio located at 54096 State Hwy 30 for the first time this year. “Through a variety of media and techniques I hope to encourage the viewer to look a little more closely at nature’s intricate beauty at different times of the day, changing with the seasons to experience and savor the essence and beauty in nature,” she says. “Whether it’s in the solidarity of a rock formation or in the delicacy of the flower petals that bloom in the spring for only a short period of time, there’s a magnificent canvas to experience every day. All one has to do is take the time to look, see and experience,” she adds.
Mixed media artist Gail Freund will also be showing at 54096 State Hwy 30.
Across the street, at 54091 State Hwy 30, painter Helene K. Manzo and architect and photographer Frank Manzo will open their studios and show works produced over the past year.
Landscape painter Ellen Wong will open her studio located at 121 Shephard Lane in Roxbury. Initially trained as an abstract painter, Wong discovered in time that what she really wanted to do was landscape painting: “I noticed that every time I went somewhere I always brought with me my watercolors, and I always sketched where I was; somehow that’s how I got to understand, absorb or take in a new environment – I felt very sensitive to place,” she says. The recipient of many grants and fellowships, including the New York State Council on the Arts Decentralization Grant Program, as well as a National Endowment for the Arts Fellowship, Wong studied in the Art Department at Brooklyn College with Philip Pearlstein, known for reviving realist figurative painting in the 1960s. Pearlstein’s departure from Abstract Expressionism back then made him a renegade in the art world. It’s that kind of artistic sensibility and daring attitude that Wong had learned from Pearlstein. She has been painting the Catskills since the 1970s when she opened her studio in Roxbury.
Ceramicists and printmakers Peter Yamaoka and Gerda Van Leeuwen met in a Boston airport in the early 1980s as they were both traveling to and from Provincetown. They married three years later. Yamaoka studied at the prestigious Rhode Island School of Design, while Van Leeuwen received a degree in art from the University of Utrecht in her native Netherlands. In college both artists studied painting, but later on they switched to printmaking. Since moving to the Catskills in the early 1990s both artists became ceramicists: Yamaoka prefers voluminous mythology-inspired vases, while Van Leeuwen makes small porcelains inspired by animal life. Both Yamaoka and Van Leeuwen work and teach in a fully equipped ceramics studio in Roxbury, while exhibiting extensively throughout the Catskills and New York City. Van Leeuwen’s latest show “Diamonds & Rust,” which includes recent works produced over the past winter, is on view at Longyear Gallery in Margaretville through August 6. Both Yamaoka and Van Leeuwen are featured in “How Art Is Made: In the Catskills” book by this author. Their studios are located at 777 Carroll Hinkley Road.
Also featured in “How Art Is Made: In the Catskills,” textile artist Tabitha Gilmore-Barnes will open her studio located at 424 Carr George Road in Denver, an idyllic hamlet of Roxbury. Trained at the Fashion Institute of Technology (FIT) and the Center for Tapestry Arts in New York City, Gilmore-Barnes designs both functional and aesthetic products using traditional American patterns. Her work can be seen in museums and gallery exhibits, and at various arts and crafts fairs throughout the region. “Weaving is one of the oldest forms of a blend of art and function. The techniques of twisting fibers to make them stronger and durable started out probably in the earliest times of mankind history. From those twisted fibers men and women learned to do basketry, learned to create fabric, and also to use it for decoration.”
The AMR – Andes, Roxbury, Margaretville – Open Studios Tour 2018 is funded by the Delaware County Department of Economic Development – Tourism Advisory Board and The Lindsay A. and Olive B. O’Connor Foundation, and by the 29 participating artists and their 35+ community business sponsors. Additional community support from the Longyear Gallery (Margaretville) and the MARK Project (Arkville).
Open art studio tours have become more and more common all over the country as studio visits trigger questions that aren’t often asked in formal settings such as galleries and museums, and allow for a more intimate interaction with the artwork.
This summer alone, four major open art studio tours take place throughout the region featuring a total of 160 artists from Saugerties to Treadwell and points in between. Building on a century-long tradition that started with the Hudson River School, contemporary artists continue to be inspired by the region once known as America’s First Wilderness, and what we refer to today as the place where American art was born.
Read my article in Chronogram to learn about Stagecoach Run Art Festival (July 7 – 8), Shandaken Art Studio Tour (July 20 – 22), AMR Open Studios Tour (July 28 – 29), and Saugerties Artists’ Studio Tour (August 10 – 12). During the tour you will meet artists working in all artistic disciplines and styles, ask questions, and purchase directly from the artists. Participants include abstract painters Adam Cohen and Tara Bach, landscape painters Ellen Wong and Richard Kathmann, still life painter Judith Lamb, and urban realist painter Lisbeth Firmin.
The Irish Hunger Memorial, a public art project designed by sculptor Brian Tolle in Battery Park City, re-opened to the public late last summer after undergoing major renovations to address damage caused by water infiltration in the aftermath of Hurricane Sandy. Originally built in the early 2000s, the monument opened for the first time on July 16, 2002. Roberta Smith from The New York Times described the monument as a “typically postmodern blend of existing art styles — Realism, Conceptual Art and Earth Art — bound together by historical fact and physical accuracy.”
A methodical thinker, Tolle had spent plenty of time in Ireland doing research for this project which occupies half of acre overlooking the Statue of Liberty, and Ellis Island. The centerpiece is an 1820s stone cottage brought from Ireland. Also, stones from Ireland’s 32 counties and Irish flora were incorporating into the project, a reminder of the Great Irish Famine of 1845-52.
Tolle had installed two miles of historical references on the base of the Memorial, in the form of a lightning shadow. The text, lit from behind with the shadow cast on glass, is changed and updated periodically, so visitors approaching the Memorial on one day might happen to read a Quaker soup recipe that was used to help starving people in Ireland in 1847, and on another day statistics about the amount of dog food consumed in the United States. The artist believes that this textural engagement with the Memorial ultimately shapes visitors’ visceral experience as they move through the monument itself.
Tolle, who teaches a course on public art at Parsons, is alert to the fact that art shown in a museum or a gallery space is dedicated to a captive audience, an audience of interested gallery or museum goers. When it comes to public art, the artist explains: “There is no way of controlling, nor would you want to control the audience in a public space, so you never know who is going to come across a project, and how they might respond to it.” With that in mind, the artist envisioned a memorial that trusts the intelligence of the audience in interpreting the event of the famine and its historic significance.
By its very nature, public art is free and accessible to anyone. When it blends well with its surroundings, it gives meaning and shapes the identity of the space. Public art is also a reminder of the shared community values and aspirational goals.
Tolle will lead a special tour of the Irish Hunger Memorial this Saturday, October 28 from 2 to 3 pm, and discuss the history of the Memorial, as well as its recent renovation. A staff horticulturalist will be on hand to discuss the Memorial’s native Irish plantings as well.
Launched in 2012, AMR Open Studios Tour has grown into a major art destination, forging new and unexpected connections between artists, and their patrons from near and far. Given its success in previous years, in 2017 AMR – Artists Making aRt ™ – Open Studios Tours 2017 expanded to include some 40 artists from Margaretville, Roxbury, Stamford, Delhi, and surrounding areas. The tours took place on two different weekends in July: Saturday and Sunday, July 8 – 9 in Stamford-Delhiart community, and Saturday and Sunday, July 29-30 in Margaretville-Roxburyart community. Both weekends attracted a myriad of visitors, many artists as well as collectors from the Catskills, New York City, and abroad.
On the first weekend, watercolorist June Lanigan who, at 91, continues to paint and make collages, showed recent works and discussed what moves her these days. Although Lanigan works in other media as well (i.e., oil, and acrylic), she is most fond of watercolors; and everywhere she goes she brings along a sketchbook to take in the environment. The portrait of a flapper draws my attention in Lanigan’s immense home that she shares with her family while painting in the Catskills. Lanigan is the founder of MURAL Gallery in Hobart, and has had a long connection with the area.
Both Lanigan’s daughters Tracy Jacknow and Toni Layden-Rodgers as well as her grandson Jess Zimmerman are painters; each has a distinctive style, and is attracted to different subject matters. Jacknow, for instance, paints abstract and impressionistic like landscapes, while Layden-Rodgers is interested in domestic scenes, still lifes, and portraits, whereas Zimmerman paints bold, urban scenes.
Jacknow is married to stained glass artist Barry Jacknow, whose work is inspired by the Art Deco movement, and the work of architect and designer Frank Lloyd Wright. Stained glass has had a long tradition in New York going back to Louis Comfort Tiffany’s Art Nouveau lamps and decorative objects that became synonym with sophistication. Jacknow sources his stained glass locally in Stamford, and works meticulously to create patterns and contrast colors for most effect.
My next stop was at Robert Schneider and Susan Goetz’s mansion in Stamford. Husband and wife, Schneider and Goetz had studied at the Art Students League of New York, and also privately with accomplished painters. While Schneider specializes in landscape, Goetz dedicates most of her time to still life and portrait. Her studio is filled with family portraits and domestic scenes signifying opulence and good taste. Goetz was commissioned by West Point’s class of 1931 to paint a series of portraits which included Presidents Eisenhower, Reagan, and Bush, and Justice Sandra Day O’Connor. Goetz comes from a family of artists – her father Richard Goetz, who passed away in 1991, was an accomplished painter as well. A portrait of her mother by famous painter Nelson Shanks illuminates the hallway.
Both Goetz and her husband Schneider were featured in American Artist in November 2007.
Schneider, who is very much fascinated by the Hudson River School of Painting, captures through his plein airs spectacular views of the Catskill Mountains and the Hudson Valley as well as the Leatherstocking region where the family has spent a lot of time. Schneider was featured at the Fenimore Art Museum in Cooperstown in 2016 in a one man show called “A New York View.”
My last stop that weekend was at Solveig Comer’s ceramics studio in South Kortright. Located in the basement of a former church, the studio has three electric kilns, and lots of fine porcelain for many bowls and cups to come. The artist patiently explains the difference between using an electric kiln versus a gas one, and the differences in output each creates. It is a laborious process, but Comer doesn’t seem to mind.
The second weekend was a marathon of exhibits, demonstrations, conversations, and parties centered around Roxbury which had a stellar participation this year with the likes of Adam Cohen and Brian Tolle opening their studios as part of the AMR Tour for the first time.
Brian Tolle showed several of his works at Roxbury Abbey including three Levittown style houses made of platinum silicone rubber. Also, visible in his studio was a head sculpture of Benjamin Franklin, as seen by Brian Tolle. In 2016 Tolle exhibited at the Pennsylvania Academy of Fine Arts in Philadelphia as part of “Commander in Chief” art show dedicated to American presidents.
In addition to works by Tolle, Roxbury Abbey also hosted that weekend a group show curated by Ace Ehrlich who brought several artists from the city just for the event, including German artist Thorsten Brinkmann.
The youngest participant in the tour was Sophia Maduri, who showed her work at the Grange in Halcottsville, and sold her first drawing right there – the beginning of a career. My book “How Art Is Made: In the Catskills” was also for sale at the Grange, and provided more context for some of the artworks shown during the tour, a symbiotic relationship.
Also in Roxbury painters Esther De Jong and Michael Guilmet opened their studio for the first time. De Jong showed some of her oil paintings and pencil drawings, while Guilmet displayed two dozen oil paintings in various styles, and depicting various subject matters – winter landscapes, abstract compositions, and lots of portraits, many of those on commission. Recently De Jong and Guilmet curated an exhibition at Orphic Gallery in Roxbury that included some of the best artworks produced in the region from painters like Adam Cohen, Ann Lee Fuller, and Christopher Durham.
Lisbeth Firmin was one of several artists participating in Margaretville area – her studio is located in the Commons Building. This year Firmin showed some of her urban landscape paintings as well as monotypes produced while studying at Scuola Internationale di Grafica in Venice this past spring. Later this month Firmin will lead a one-week drawing workshop at MURAL Gallery in Hobart, designed as an intensive combination of lectures, demonstrations, and studio exercises.
AMR Open Studio Tour 2018 will include even more artists and activities to showcase the abundance of artistic endeavors our region is known for.
This weekend, Saturday and Sunday, July 29 – 30, from 11 am to 5 pm over twenty artists in Roxbury, Halcottsville, Margaretville, Fleischmanns, Halcott Center, and Arkville will open their studios to the public, and show their working spaces as part of the AMR – Artists Making aRt ™ – Open Studios Tours 2017.
A good place to start the tour is the Wawaka Grange in Halcottsville, which is true to its original function as a Grange and General Store. Refreshments, bathrooms, and handicap access are available at this location. Several artists will be showing at the Grange, including painters Sophia Maduri and Oneida Hammond.
For the first time this year Art in the Catskills will participate, and present and sell books at the Grange. “How Art Is Made: In the Catskills” will be offered at a discounted price. The book pays homage to the Catskills’ vibrant artistic life, and its long tradition as a magnet for artists and writers from all over the world. The region is known as the place where American art was born, through the works of landscape painters Thomas Cole and Frederic Edwin Church, affiliated with the Hudson River School of Painting, and writers Washington Irving and James Fenimore Cooper, who wrote specifically about American realities.
Alix Travis, one of the founding members of the tour, will once again open her studio located at 103 Bragg Hollow Road in Halcottsville. An established plein air painter, Alix has received several awards and recognitions, including signature status in the Pennsylvania Watercolor Society and the New York Plein Air Painters. In 2014 she published The Catskill Coloring Book, which includes twenty-six plein air watercolor paintings. This weekend, during the open studios tour, Alix will paint en plein air, and demonstrate some of her techniques. Alix’s website is https://alixhtravis.com/.
Urban realist painter Lisbeth Firmin will be showing oil paintings and monotype prints at her studio in the Commons Building in Margaretville. Lisbeth is known for works such as Fifth Avenue (1995), and Woman on a Train (2014). This past spring Lisbeth traveled to Venice, and enrolled in Scuola Internationale di Grafica where she perfected her monotype printing technique. Lisbeth explains that her work is really not about the colors, but about the light and shadow in the composition which she captures masterfully. Lisbeth is featured in “How Art Is Made: In the Catskills.” Her website is http://lisbethfirmin.com/.
New this year, internationally renowned sculptor Brian Tolle will open his studio located in a repurposed Catholic church in Roxbury. Brian is known for The Irish Hunger Memorial in Battery Park City (2002), and more recently for Miss Brooklyn and Miss Manhattan, two replicas of Daniel Chester French originals that sit on the façade of the Brooklyn Museum – Brian’s replicas were installed on Flatbush Avenue by the Manhattan Bridge in December 2016. In 2015 The University at Albany’s Art Museum hosted a retrospective show titled Bordering Utopia: Sculptures by Brian Tolle, exploring the artist’s evolution over time. Brian’s studio is located at 53266 State Hwy 30 in Roxbury. He is one of the artists featured in “How Art Is Made: In the Catskills.” Brian’s website is http://briantollestudio.com/.
Abstract painter Adam Cohen will also open his studio for the first time this year. Adam is known for works such as Intuition (2015), a finalist in the Art Olympia International Competition in Tokyo, Japan, and Mystic Marsh (2014), shown at the Morren Galleries in Amsterdam, Netherlands. Adam is an intuitive painter whose style has been defined as Gestural Abstraction; his paintings are very much sculptural, and have a visceral look and the kind of inexhaustibility that the artist strives to achieve in his work. Adam’s studio is located at 53856 State Hwy 30 in Roxbury. He is also featured in “How Art Is Made: In the Catskills.” Adam’s website is http://www.adamcohenstudio.com/.
Poet and painter Esther De Jong, a former fashion model, will be showing her watercolors, oil paintings, and charcoal and pencil drawings at her studio located at 50 Maple Lane in Roxbury. Esther, who is formally trained at the National Academy of Art and Design, co-founded by Thomas Cole in 1825, refers to her paintings as “lyrical images” of her poetry: she often creates haikus accompanied by images that reflect her daily life experiences in the Catskills, a mood, or a feeling that is thus being immortalized on paper or canvas. Although Esther loves figural painting, she is also very much attracted to botanical themes, and finds inspiration in the Catskills’ changing seasons, particularly in the spring. Esther’s website is http://www.estherdejongpoetics.com.
Although not formally trained as a painter, Michael Guilmet has been painting still lifes, landscapes, and portraits pretty much his entire life, growing up with family and friends interested in art. Trained as a magician, Michael had lived in Beverly Hills, Dallas, and New Mexico before moving to the Catskills in 2014. His interests in art theory, history, and philosophy are ubiquitous in his paintings which he says must “evoke an unexpected emotion.” Michael does not think as having a style of his own – he can do works on commission in any style, and can approach any subject; but design is always the idea behind all his drawings and paintings. “A strong design is the driving force behind my work,” he explains. Michael shares his studio at 50 Maple Lane in Roxbury with Esther De Jong. His website is http://www.mcguilmet.com.
Artists Peter Yamaoka and Gerda Van Leeuwen met in a Boston airport in the early 1980s as they were both traveling to and from Provincetown. They married three years later. Peter studied at the prestigious Rhode Island School of Design, while Gerda received a degree in art from the University of Utrecht in her native Netherlands. In college both Peter and Gerda studied painting. Later in their artistic careers, they specialized in printmaking: Peter chose lithographs, while Gerda directed her attention to etchings. Since moving to the Catskills in the early 1990s both artists switched to ceramics: Peter prefers voluminous mythology-inspired vases, while Gerda makes small porcelains inspired by animal life. Both artists are featured in “How Art Is Made: In the Catskills.” Their studios are located at 777 Carroll Hinkley Road in Roxbury.
Also in Roxbury, painter Ellen Wong is the recipient of many grants and fellowships, including the New York State Council on the Arts Decentralization Grant Program, as well as a National Endowment for the Arts Fellowship. She studied in the Art Department at Brooklyn College with Philip Pearlstein, known for reviving realist figurative painting in the 1960s. Initially trained as an abstract painter, in time Ellen discovered that what she really wanted to do in life was landscape: “I noticed that every time I went somewhere I always brought with me my watercolors, and I always sketched where I was; somehow that’s how I got to understand, absorb or take in a new environment – I felt very sensitive to place. And it was a good way for me to get to know a place.” Ellen’s studio is located at 121 Shephard Lane in Roxbury. This year she will be showing some studio drawings and still life watercolors as well as plein air work. Ellen currently has a show at Longyear Gallery in Margaretville which will remain on view through August 7. Ellen’s website is https://ellenwongfinearts.com/.
Studio visits trigger questions that aren’t often asked in formal settings such as galleries and museums, and provide access to an intimate space that the artist doesn’t often share with anyone else.
The AMR – Artists Making aRt ™ – Open Studios Tour 2017, sponsored by MURAL Gallery in Stamford and participating artists, is made possible, in part, with public funds from the New York State Council on the Arts (NYSCA) Decentralization Grant Program, with the support of Governor Andrew Cuomo and the New York State Legislature, administered in Delaware County by the Roxbury Arts Group (RAG), and additional funding from The A. Lindsay & Olive B. O’Connor Foundation.