April 29, 2018
Union Grove Distillery
Arkville, New York
Slabsides, West Park
Naturalist John Burroughs built his log cabin in West Park, Ulster County in 1895, in the Adirondack style. Designated a National Historic Landmark in 1968, the cabin retains most of its original furnishings, and is open to the public year round. Slabsides is one mile east of Riverby, Burroughs’ main residence. The naturalist wrote some of his most celebrated essays while at Slabsides. He also wrote extensively at Riverby, as well as the Woodchuck Lodge in Roxbury, Delaware County, in the Western Catskill Mountains.
Since 1993 John Burroughs Association has honored authors, illustrators and publishers of nature writing by awarding three annual awards: John Burroughs Medal, John Burroughs Nature Essay Award, and Riverby Awards. The Awards Ceremony takes place every year in April at the American Museum of Natural History in New York City.
Burroughs Drive, West Park, NY 12493
For more information, visit
Woodchuck Lodge, Roxbury
Woodchuck Lodge, also known as John Burroughs Memorial State Historic Site, was built in the 1860s in the rustic farmhouse style, in Roxbury, Delaware County. It was Burroughs’ summer residence from 1910 to 1921. Burroughs is best known for his collections of nature essay such Wake Robin (1871), and Signs and Seasons (1886). The naturalist writer was friends with many luminaries including President Theodore Roosevelt, industrialist Henry Ford, inventor Thomas Edison, and poet Walt Whitman. Burroughs went to school with financier Jay Gould.
Born in Roxbury on April 3, 1837, he died in 1921, five days before his 84th birthday. He is buried at Boyhood Rock, where he used to play as a child, right next to the Woodchuck Lodge.
Guided tours are offered the first weekend of the month from May to October. Special events and talks are organized the first Saturday of the month, as part of the Wild Saturday series.
1633 Burroughs Memorial Road, Roxbury, NY 12474
For more information and current hours of operation, visit
Bird Note dedicated an entire program to Burroughs this Sunday, January 21, 2018. Listen to the transcript at:
Peggy Guggenheim: The Shock of the Modern (2015)
By Francine Prose, Yale University Press, 211 pp.
Best-selling author Francine Prose, known for nonfiction titles like Anne Frank: The Book, The Life, The Afterlife, and Reading Like a Writer, wrote a heartfelt biography of Peggy Guggenheim, influential art collector, and early promoter of Modernism in America. Well-ahead of her time, Peggy developed a taste for the avant-garde and unconventional that followed her throughout the entire life. She altered the course of art history in an unprecedented manner by meticulously pursuing new styles and supporting emerging artists.
Born in New York City in August 1898 to a wealthy family, Peggy Guggenheim developed an interest in art at an early age. Her father, Benjamin Guggenheim, perished on the Titanic in 1912, leaving Peggy with a comfortable inheritance. Her mother Florette Seligman, who came from a prominent banking family, also left Peggy with a considerable inheritance, allowing for a sophisticated, privileged lifestyle.
“A Guggenheim, or a Strauss, or a Seligman was expected to be meticulously well mannered and to avoid anything that might be considered ostentatious or vulgar,” explains Francine Prose in her biography of Peggy Guggenheim (p. 37).
As a child, Peggy traveled frequently to Europe with her mother Florette where they stayed at stylish hotels, and learned about art, French history, British literature, and German opera, explains Prose.
In 1920 Peggy moved back to Europe, “in a frenzy to see great art.” “She knew where every important painting was located and insisted on seeing them all” (p. 60).
From 1922 to 1928 Peggy was married to Laurence Vail, a French-born American playwright, novelist, and painter who belonged to the Dada movement. Peggy’s life, relates Prose, had “periods of intense travel interrupted by interludes during which she established and oversaw large bohemian households in Paris, in London, and in rural beauty spots in England and France” (p. 17).
After her failed marriage with Vail, Peggy engaged in notorious affairs with playwright Samuel Beckett, sculptor Constantin Brancusi, and Surrealist painter Max Ernst, whom she married in 1941 – the marriage would end in divorce five years later.
Peggy’s uncle Solomon Guggenheim, who also was an avid collector of modern art, might have been an inspiration to Peggy: Solomon and his mistress, artist and art advisor Baroness Hilla von Rebay opened The Museum of Non-Objective Painting in New York in 1937 to display Solomon’s growing collection which included works by Kandinsky, Chagall, Picasso, and many others. As the collection kept growing, the effort eventually led to the opening of Guggenheim Museum in 1959 at its current location on Fifth Avenue in a building designed by famous architect Frank Lloyd Wright.
While in Europe, Peggy opened Guggenheim Jeune gallery in London in 1938, an unfortunate time, as WWII was about to break out the following year. Peggy had traveled to Paris the year before to secure art for the opening show. She had hoped to open the gallery with an exhibition dedicated to Constantin Brancusi, but the Romanian sculptor was out of town at the time, and Peggy turned her attention to Jean Cocteau. Guggenheim Jeune opened in January 1938 with a show dedicated to Cocteau – the gallery would close in August 1939 due to the war outbreak. In fact, Peggy had plans to open an art museum in London in the fall of 1939, when the war broke, and she had to return to New York.
In June 1941 Peggy and her family sailed from Marseille to New York, bringing with them Peggy’s significant collection of modern art which included 150 works by artists such as Kandinsky, Klee, Mondrian, Braque, Miro, Dali, Magritte, Giacometti, Brancusi, and Max Ernst, works that could have not safely remained in Europe. At first, Peggy had hoped that the Louvre Museum in Paris might have sheltered some of the works, but the museum directors considered the art “too modern to merit saving,” as Prose relates.
Back in New York, Peggy opened Art of This Century gallery, which shortly became the city’s cultural center. The gallery functioned from 1942 to 1947, when Peggy returned to Europe. Alexander Calder, Georgia O’Keefe, and Jackson Pollock frequented the space which was at once “a cultural landmark and a tourist attraction” (p. 137). Peggy helped launch Pollock’s career at Art of this Century – the artist showed four times at the gallery during its existence, and drew the attention of art critics such as Robert Coates at the New Yorker, and Clement Greenberg at The Nation.
In 1943 the gallery hosted the first exhibition of collages in the United States. Also, “among the most remarkable aspects of Art of This Century,” writes Prose, “was the unusual amount of attention paid to women artists” (p. 140). She goes on to say: “equally striking is how few of these women – Frida Kahlo, Louise Bourgeois, and Leonora Carrington – went on to develop careers and reputations remotely approaching those of their male contemporaries” (p. 141).
In addition to promoting emergent artists, as Prose relates, the gallery “was used as a background for fashion shoots in Vogue and Glamour, and was the subject of a photo feature in the New York Times Magazine” (p. 138).
In 1946, when Peggy was 48 years old, she published her memoir Out of This Century, which Prose calls “a remarkable document.” “It is hard to think of an important visual artist from the first half of the twentieth century who does not appear in its pages, in the company of an impressive number of celebrated novelists, memoirists, and poets” (p. 11). Several pages are dedicated to Peggy’s “battle to acquire Brancusi’s Bird in Space.”
In 1947 Peggy returned to Europe, and bought Palazzo Vernier dei Leoni in Venice. Her collection was swiftly included in the 24th Venice Biennale in 1948, one of the most prestigious art shows in the world. Afterwards, the collection traveled to Florence, Milan, Amsterdam, Brussels, and Zurich, before returning to Venice in 1951, and being permanently housed at Palazzo Vernier dei Leoni. Among luminaries spending time with Peggy while in Venice, Prose mentions Surrealist painter Marc Chagall, Beat poet Allen Ginsberg, and experimental composer John Cage.
In 1969 Guggenheim Museum in New York showed a large part of Peggy’s collection, which remains one of the most important in the world. To learn more about Peggy Guggenheim Collection, visit https://www.guggenheim.org/artwork/site/peggy-guggenheim-collection.
Novelist Annie DeWitt and photographer Jerome Jakubiec spoke about their widely praised books “White Nights in Split Town City” and “I Actually Wore This: Clothes We Can’t Believe We Bought” at Roxbury General on Small Business Saturday, Nov. 25 this year.
The Los Angeles Review of Books depicts “White Nights in Split Town City” as “the story of what it means to feel desired and plugged into what surrounds us, and how this informs our identities from a very young age.” The book was released by Tyrant Books in August 2016.
The New Yorker describes “I Actually Wore This” as “Funny and surprisingly touching, revealing much about our moments of bold, optimistic self-assertion and their aftermath.” The book was released by Rizzoli in March 2017.
Both books are available at Roxbury General along with a vast array of merchandise from clothing and ceramics to sweets and holiday decorations.
DeWitt and Jakubiec live and work in Roxbury.
Catskill Interpretive Center, Mt. Tremper, New York
September 23, 2017
This weekend, Saturday and Sunday, July 29 – 30, from 11 am to 5 pm over twenty artists in Roxbury, Halcottsville, Margaretville, Fleischmanns, Halcott Center, and Arkville will open their studios to the public, and show their working spaces as part of the AMR – Artists Making aRt ™ – Open Studios Tours 2017.
A good place to start the tour is the Wawaka Grange in Halcottsville, which is true to its original function as a Grange and General Store. Refreshments, bathrooms, and handicap access are available at this location. Several artists will be showing at the Grange, including painters Sophia Maduri and Oneida Hammond.
For the first time this year Art in the Catskills will participate, and present and sell books at the Grange. “How Art Is Made: In the Catskills” will be offered at a discounted price. The book pays homage to the Catskills’ vibrant artistic life, and its long tradition as a magnet for artists and writers from all over the world. The region is known as the place where American art was born, through the works of landscape painters Thomas Cole and Frederic Edwin Church, affiliated with the Hudson River School of Painting, and writers Washington Irving and James Fenimore Cooper, who wrote specifically about American realities.
Alix Travis, one of the founding members of the tour, will once again open her studio located at 103 Bragg Hollow Road in Halcottsville. An established plein air painter, Alix has received several awards and recognitions, including signature status in the Pennsylvania Watercolor Society and the New York Plein Air Painters. In 2014 she published The Catskill Coloring Book, which includes twenty-six plein air watercolor paintings. This weekend, during the open studios tour, Alix will paint en plein air, and demonstrate some of her techniques. Alix’s website is https://alixhtravis.com/.
Urban realist painter Lisbeth Firmin will be showing oil paintings and monotype prints at her studio in the Commons Building in Margaretville. Lisbeth is known for works such as Fifth Avenue (1995), and Woman on a Train (2014). This past spring Lisbeth traveled to Venice, and enrolled in Scuola Internationale di Grafica where she perfected her monotype printing technique. Lisbeth explains that her work is really not about the colors, but about the light and shadow in the composition which she captures masterfully. Lisbeth is featured in “How Art Is Made: In the Catskills.” Her website is http://lisbethfirmin.com/.
New this year, internationally renowned sculptor Brian Tolle will open his studio located in a repurposed Catholic church in Roxbury. Brian is known for The Irish Hunger Memorial in Battery Park City (2002), and more recently for Miss Brooklyn and Miss Manhattan, two replicas of Daniel Chester French originals that sit on the façade of the Brooklyn Museum – Brian’s replicas were installed on Flatbush Avenue by the Manhattan Bridge in December 2016. In 2015 The University at Albany’s Art Museum hosted a retrospective show titled Bordering Utopia: Sculptures by Brian Tolle, exploring the artist’s evolution over time. Brian’s studio is located at 53266 State Hwy 30 in Roxbury. He is one of the artists featured in “How Art Is Made: In the Catskills.” Brian’s website is http://briantollestudio.com/.
Abstract painter Adam Cohen will also open his studio for the first time this year. Adam is known for works such as Intuition (2015), a finalist in the Art Olympia International Competition in Tokyo, Japan, and Mystic Marsh (2014), shown at the Morren Galleries in Amsterdam, Netherlands. Adam is an intuitive painter whose style has been defined as Gestural Abstraction; his paintings are very much sculptural, and have a visceral look and the kind of inexhaustibility that the artist strives to achieve in his work. Adam’s studio is located at 53856 State Hwy 30 in Roxbury. He is also featured in “How Art Is Made: In the Catskills.” Adam’s website is http://www.adamcohenstudio.com/.
Poet and painter Esther De Jong, a former fashion model, will be showing her watercolors, oil paintings, and charcoal and pencil drawings at her studio located at 50 Maple Lane in Roxbury. Esther, who is formally trained at the National Academy of Art and Design, co-founded by Thomas Cole in 1825, refers to her paintings as “lyrical images” of her poetry: she often creates haikus accompanied by images that reflect her daily life experiences in the Catskills, a mood, or a feeling that is thus being immortalized on paper or canvas. Although Esther loves figural painting, she is also very much attracted to botanical themes, and finds inspiration in the Catskills’ changing seasons, particularly in the spring. Esther’s website is http://www.estherdejongpoetics.com.
Although not formally trained as a painter, Michael Guilmet has been painting still lifes, landscapes, and portraits pretty much his entire life, growing up with family and friends interested in art. Trained as a magician, Michael had lived in Beverly Hills, Dallas, and New Mexico before moving to the Catskills in 2014. His interests in art theory, history, and philosophy are ubiquitous in his paintings which he says must “evoke an unexpected emotion.” Michael does not think as having a style of his own – he can do works on commission in any style, and can approach any subject; but design is always the idea behind all his drawings and paintings. “A strong design is the driving force behind my work,” he explains. Michael shares his studio at 50 Maple Lane in Roxbury with Esther De Jong. His website is http://www.mcguilmet.com.
Artists Peter Yamaoka and Gerda Van Leeuwen met in a Boston airport in the early 1980s as they were both traveling to and from Provincetown. They married three years later. Peter studied at the prestigious Rhode Island School of Design, while Gerda received a degree in art from the University of Utrecht in her native Netherlands. In college both Peter and Gerda studied painting. Later in their artistic careers, they specialized in printmaking: Peter chose lithographs, while Gerda directed her attention to etchings. Since moving to the Catskills in the early 1990s both artists switched to ceramics: Peter prefers voluminous mythology-inspired vases, while Gerda makes small porcelains inspired by animal life. Both artists are featured in “How Art Is Made: In the Catskills.” Their studios are located at 777 Carroll Hinkley Road in Roxbury.
Also in Roxbury, painter Ellen Wong is the recipient of many grants and fellowships, including the New York State Council on the Arts Decentralization Grant Program, as well as a National Endowment for the Arts Fellowship. She studied in the Art Department at Brooklyn College with Philip Pearlstein, known for reviving realist figurative painting in the 1960s. Initially trained as an abstract painter, in time Ellen discovered that what she really wanted to do in life was landscape: “I noticed that every time I went somewhere I always brought with me my watercolors, and I always sketched where I was; somehow that’s how I got to understand, absorb or take in a new environment – I felt very sensitive to place. And it was a good way for me to get to know a place.” Ellen’s studio is located at 121 Shephard Lane in Roxbury. This year she will be showing some studio drawings and still life watercolors as well as plein air work. Ellen currently has a show at Longyear Gallery in Margaretville which will remain on view through August 7. Ellen’s website is https://ellenwongfinearts.com/.
Studio visits trigger questions that aren’t often asked in formal settings such as galleries and museums, and provide access to an intimate space that the artist doesn’t often share with anyone else.
For maps and more information, visit http://www.amropenstudios.org or www.facebook.com/amropenstudios/. As you drive around this weekend, look for the “OPEN STUDIO” signs and brochures with maps available for pick up at various business sponsors and community supporters.
The AMR – Artists Making aRt ™ – Open Studios Tour 2017, sponsored by MURAL Gallery in Stamford and participating artists, is made possible, in part, with public funds from the New York State Council on the Arts (NYSCA) Decentralization Grant Program, with the support of Governor Andrew Cuomo and the New York State Legislature, administered in Delaware County by the Roxbury Arts Group (RAG), and additional funding from The A. Lindsay & Olive B. O’Connor Foundation.
© 2017 Simona David
Saturday, May 27, 2017
Catskill Interpretive Center