Category: wood-block prints

Celebrate Roxbury: Pop-Up Art Show at Orphic Gallery

Photo Collage by John Lenihan. Photo © 2017 Simona David.
“Still Life with Bread, Jug, Wine” Oil on Canvas by Roshan Houshmand. Photo © 2017 Simona David.
How Art Is Made: In the Catskills by Simona David
“Zobo” Children’s Book by Christopher Durham. Photo © 2017 Simona David.
“Sunfish” by Christopher Durham, Canvas Print. Photo © 2017 Simona David.
Pop-Up Art Show at Orphic Gallery Curated by Esther de Jong and Michael Guilmet. Photo © 2017 Simona David.
Marina Abramovic on the Cover of Dveight. Photo © 2017 Simona David.
Catskill Style Botanical Drawings by Esther de Jong, Graphite on Paper. Photo © 2017 Simona David.
Schoharie County Sunflowers by Rebecca Andre, Digital Print. Photo © 2017 Simona David.
Art Show Sponsored by Disegno 21 at Orphic Gallery. Photo © 2017 Simona David.

The Arts Converge at the Catskill Interpretive Center

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Saturday, May 27, 2017

Catskill Interpretive Center

“The Arts Converge” – Mutual Muses in the Catskills

WRITERS IN THE MOUNTAINS (WIM)

PRESENTS

ARTIST – WRITER TALK SERIES

MUTUAL MUSES IN THE CATSKILLS

“THE ARTS CONVERGE”

THE MAURICE D. HINCHEY CATSKILL INTERPRETIVE CENTER

MT. TREMPER, NY

 

SATURDAY, MAY 27 AT 1 P.M.

Art Writer Simona David in Conversation with Painters Margaret Leveson and Lisbeth Firmin, Printmaker and Ceramicist Peter Yamaoka, and Textile Artist Tabitha Gilmore-Barnes

Art writer Simona David will discuss her latest book, How Art Is Made: In the Catskills (2017), and share the stage with several acclaimed artists who live and work in the Catskill Mountains: painters Margaret Leveson and Lisbeth Firmin, ceramicist and printmaker Peter Yamaoka and textile artist Tabitha Gilmore-Barnes. How Art Is Made: In the Catskills pays homage to the place where American art was born through a series of conversations with creatives who live and work in the Catskills. Recent works will also be exhibited.

Artists featured in this book include sculptor Brian Tolle, known for The Irish Hunger Memorial in Battery Park City (2002), and more recently for Miss Brooklyn and Miss Manhattan, two replicas of Daniel Chester French originals that sit on the façade of the Brooklyn Museum – Tolle’s replicas were installed on Flatbush Avenue by the Manhattan Bridge in December 2016.

 

SATURDAY, AUGUST 12 AT 1 P.M.

Poet Sharon Israel in Performance and Conversation with Composer Robert Cucinotta

Composer Robert Cucinotta and poet and soprano Sharon Israel will discuss their unique roles as each other’s muses. Cucinotta will play electronic works inspired by Israel’s poems, feature the poet’s voice, or both. Israel will read from her new chapbook Voice Lesson, including poems set to music by Cucinotta or inspired by his compositions.

Israel is the host of Planet Poet–Words in Space, an edition of The Writer’s Voice on WIOX 91.3 FM in Roxbury, NY. Her debut chapbook Voice Lesson was published by Post Traumatic Press earlier this year, and her work has appeared in Per Contra, SPANK the CARP, 5:2 Crime Poetry Weekly, Medical Literary Messenger, and Spry Literary Journal. In 2016, Israel appeared as a panelist at the Massachusetts Poetry Festival in Salem, MA.

Born in Brooklyn, Cucinotta studied composition and electronic music at the Conservatory of Music at Brooklyn College with Jacob Druckman, Robert Starer and Charles Dodge. His work MASQUE: the Tempest was premiered at the 2015 Phoenicia International Festival of the Voice by mezzo-soprano Maria Todaro, bass Bradley Smoak and pianist Doug Martin. Recent recordings include Divertimento For Mr. Brooks (2013), Koool Kitchen (2013), Dracula: Harker’s Journal (2014) and Life On The Screen (2016).

 

SATURDAY, SEPTEMBER 23 AT 1 P.M.

Nature Writer Leslie T. Sharpe in Conversation with Photographer Rudd Hubbell

Photographer Rudd Hubbell, who’s been documenting the natural beauty of the Catskills since the 1970s, will be in conversation with nature writer Leslie T. Sharpe.

A descendent of the area’s first settlers, Hubbell has captured thousands of photographs of our spectacular wilderness. He enjoys looking closer than the broad view, and always tries to focus on the things most of us overlook or take for granted. “Every scene is constantly changing and transforming, and I strive to capture that,” Hubbell says.

Sharpe is a writer, editor and educator. A member of PEN American Center, she is the author of Editing Fact and Fiction: A Concise Guide to Book Editing (Cambridge University Press, 1994), which is regarded as a “modern editing classic” and “On Writing Smart: Tips and Tidbits,” featured in The Business of Writing (Allworth, 2012). Her new book, The Quarry Fox and Other Critters of the Wild Catskills (The Overlook Press, 2017), is a lyric narrative look at the wild animals of the Catskill Mountains. Sharpe will read from this work and discuss the genre of nature writing as it relates to the Catskills.

 

Writers in the Mountains is a 501 ( c ) (3) not-for-profit organization with a mission to provide a nurturing environment for the practice, appreciation and sharing of creative writing. For more information, visit writersinthemountains.org.

The Maurice D. Hinchey Catskill Interpretive Center is a partnership between the Catskill Center and the New York State Department of Environmental Conservation, with generous financial support by the New York City Department of Environmental Protection and Catskill Watershed Corporation and generous staff and volunteer support from Catskill Mountainkeeper, Catskill Mountain Club, Catskill 3500 Club, and the New York-New Jersey Trail Conference. To learn more, visit catskillinterpretivecenter.org.

The Catskill Center has been promoting the Catskill Mountain Region through regional advocacy, environmental education, arts and culture programming, invasive species management, and land protection for over 45 years. The Center stimulates, conducts, and supports integrated actions to protect vital ecosystems and unique landscapes, to enhance economic opportunities for all the region’s residents, to preserve cultural and historic assets and to further a regional vision and spirit. For more information about the Catskill Center visit catskillcenter.org.

 

How Art Is Made: In the Catskills

bookcoverpreview-front

How Art Is Made: In the Catskills is a collection of interviews with some of the world’s most accomplished artists who live and work in the Catskill Mountains, New York. Five painters and illustrators, two ceramicists and printmakers, one sculptor, one weaver, and one writer discuss what inspires and moves them, what draws them to their medium of choice, what materials they use, how they approach a new artistic project, how they deal with setbacks, and how they celebrate success. Nine are formally trained at prestigious art schools; one is self-taught. What they all have in common is a rigorous studio practice, discipline, and the desire and curiosity to learn new things, and share them with the world.

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Not to Miss This Weekend: AMR Open Studios Tour 2016

This weekend, Saturday and Sunday, July 30 – 31, from 11 am to 5 pm over twenty artists in Roxbury, Halcottsville, Margaretville, Fleischmanns, Halcott Center, Arkville, and Andes will open their studios to the public, and show their working spaces.

A good place to start the tour is the Wawaka (Halcottsville) Grange, which is true to its original function as a Grange and General Store. Refreshments, bathrooms, and handicap access are available at this location. Several artists will be showing at the Grange, including painters Sophia Maduri and Oneida Hammond.

Oneida Hammond with her watercolors and sketchbooks
Painter Oneida Hammond will be showing her watercolors again at the Grange in Halcottsville. © Simona David

Alix Travis, one of the founding members of the tour, will once again open her studio located at 103 Bragg Hollow Road in Halcottsville. An established plein air painter, Alix has received several awards and recognitions, including signature status in the Pennsylvania Watercolor Society and the NY Plein Air Painters. In 2014 she published The Catskill Coloring Book, which includes twenty-six of her plein air watercolor paintings. This weekend, during the open studios tour, Alix will paint en plein air, and will demonstrate some of her techniques.

Urban realist painter Lisbeth Firmin will be showing her oil paintings and monotype prints at her studio located in the Commons Building in Margaretville. Lisbeth is known for works such as Fifth Avenue (1995), and Woman on a Train (2014). Just recently she opened a new show at Rice – Polak Gallery in Provincetown, MA where she has been exhibiting for many years. Lisbeth asserts that her work is really not about the colors, but about the light and shadow in the composition.

22" x 30" monoprint, 2015, printed by the artist at Hudson Press, Roxbury, NY
Lisbeth Firmin’s Beckett Reading monoprint (2015). Contributed Photo.

Multi-media artist Alan Powell and painter Lesley Powell will be showing their work at 993 Main Street in Fleischmanns, and painter Anthony Margiotta will open his studio located at 355 Route 3 in Halcott Center. Margiotta, who does not have formal training as an artist, draws inspiration from his surroundings, whether be the woods of the Catskill Mountains or the urban scenes of New York City.

In Arkville, painter and printmaker Amy Masters, and architect and printmaker Ted Sheridan will be opening their studios located at 222 Chris Long Road. Over the past year or so Amy has been working on a series of monotype prints inspired by feathers. The fragility and the uniqueness of this object has captivated her, and she has decided to set and explore various shapes and tones that come with the printmaking process. Her husband Ted Sheridan will be showing a series of metallic prints capturing the oxidation process, and in so doing, retaining the most spectacular shapes and forms on paper.

Feather inspired prints by Amy Masters
Feather inspired prints by Amy Masters. © Simona David

Poet and furniture designer Gary Mead will be showing his gallery at 1289 South Side Road in Margaretville, and sculptor Ken Hiratsuka will be opening his barn at 34325 State Hwy 28 in Andes.

Heading back over to Roxbury, you’ll have the opportunity to stop by weaver Tabitha Gilmore-Barnes, whose studio is located at 424 Carr George Road in Denver. Tabitha has in her studio a professional loom, and happily demonstrates how to work the weft and create the density that is desired for a new piece. Weaving is one of the oldest forms of a blend of art and function,” she explains. “And it’s gratifying that it isn’t forgotten.”

In Roxbury painters Ellen Wong and Helene Manzo, photographer Frank Manzo, ceramicists and printmakers Peter Yamaoka and Gerda Van Leeuwen, and sculptor John Sanders will all show new works produced over the past year. Studio visits trigger questions that aren’t often asked in formal settings such as galleries and museums, and provide access to an intimate space that the artist doesn’t often share with others.

Artist Gerda Van Leeuwen in her studio in Roxbury
Artist Gerda Van Leeuwen in her studio in Roxbury. © Simona David

To learn more about the tour, read our feature story at https://artinthecatskills.com/2016/07/19/featured-destination-amr-open-studios-tour-2016/.

For maps and more information, visit http://www.amropenstudios.org. As you drive around this weekend, look for the “OPEN STUDIO” signs and brochures with maps available for pick up at various business sponsors and community supporters.

The AMR Open Studio Tour 2016 is funded by public funds from the New York State Council on the Arts Decentralization Grant Program, with the support of Governor Andrew Cuomo and the NYS Legislature, and is administered in Delaware County by The Roxbury Arts Group, and with fiscal support from The MARK Project and participating artists.

SPONSORED STORY

© 2016 Simona David

 

Featured Destination: AMR Open Studios Tour 2016

Saturday and Sunday, July 30 – 31, over twenty artists in Andes, Margaretville and Roxbury area (AMR, for short) will open their studios to the public, and show their working spaces. During the tour, artists working in all media will talk about their styles and techniques, and the process of making art. Launched in 2012, AMR has been a great success, attracting a large number of visitors summer after summer. Similar tours take place all over the country, as open studios have become quite popular in recent years.

This year AMR features artists such as: painter and printmaker Amy Masters; architect, printmaker and photographer Ted Sheridan; urban landscape painter Lisbeth Firmin; ceramicists and printmakers Peter Yamaoka and Gerda Van Leeuwen; landscape painter Ellen Wong; weaver Tabitha Gilmore-Barnes; and poet and furniture designer Gary Mead, among others.

Amy Masters

Amy Masters has been an artist all her life. Formally trained as painter and printmaker, she pursued a degree in Interior Design at the Parsons School of Design, and worked as a draftsman for an engineering firm in New York City, before dedicating herself exclusively to painting and drawing. For over two decades, she taught in the New York City’s public school system, and spent her summers painting and drawing the world around. Moving to the Catskills in 2006, she was suddenly given far more space and limitless opportunities for inspiration. Amy likes to think about her work as being inspired by the natural world and the actual objects and vistas around her studio. But she likes to re-arrange and re-envision the landscape in the abstract. What is important to an abstract painter, says Amy, is the relationship between colors, lines and shapes, and the complexities of pattern and texture that emerge at the end of the process.

Her color palette changes periodically. Last summer, for instance, she was working extensively in blue, green, and red. This summer she enjoys exploring the possibilities of various shades of white, beige, and grey. But she always likes to add an unexpected dot of red somewhere on the canvas to surprise and intrigue the viewer.

A couple of years ago Amy re-discovered her passion for prints, and after taking an etching class in the City and working in a printmaking studio, she began producing prints using a variety of techniques. She currently works on a series of prints inspired by feathers. “When I was doing these prints, I was thinking how unique and individual these feathers were, and that resonated with the process too. Because each time you make one of these monotypes, they’re completely different.”

Painter and printmaker Amy Masters working on a series of monotypes inspired by feathers
Painter and printmaker Amy Masters working on a series of monotypes inspired by feathers. © Simona David

Amy will be showing her prints during the open studios tour later this month, and will be talking about various printmaking techniques. Her studio is located at 222 Chris Long Road in Arkville.

Ted Sheridan

Ted Sheridan is an architect, printmaker, and photographer. He has taught courses on architectural acoustics and the acoustics of musical instruments at the Parsons School of Design, and has lectured at the University of Virginia, Ryerson University, and the University of Toronto.

Six years ago, Ted began experimenting with metallic compounds, corrosion, and magnetic fields to create original patterns of rust on paper. For his very first project he used old, rusty car parts, and after leaving them out in the rain on a piece of paper, he discovered an immense array of shapes and shades that he did not expect. Coming from the world of architecture where everything is controlled and precise, Ted sat to explore the randomness of the oxidation process, and began working on more and more elaborate projects.

Metallic Print by Ted Sheridan
Metallic Print by Ted Sheridan. © Simona David

About a dozen prints are hanging in his studio at this time. Each one of them was produced by a different method and stylistic approach; some are concentric circles reminiscent of nebulas in space, others are rectangular stripes imposing in their own right. All these will be shown during the open studios tour on Saturday and Sunday, July 30 – 31.

Ted’s studio is located at 222 Chris Long Road in Arkville.

Lisbeth Firmin

Lisbeth Firmin is a contemporary American realist known for her urban landscapes. For over four decades her work has been in hundreds of solo and group shows across the country and internationally. She was cover artist for the 2008 spring issue of Epoch, Cornell University’s literary magazine, and was the featured artist in the 2008 summer issue of the Gettysburg Review. Awards include a 2007 New York Foundation for the Arts Fellowship for printmaking (Lily Auchincloss Fellow) and a Merit Award at the 2007 Roberson Regional Art Exhibition, Binghamton, NY, juried by Philip Pearlstein. Lisbeth was awarded a Community Arts Funding Grant, New York State Council on the Arts in 2007. Other awards include a Pollock-Krasner Foundation Grant, the New York Print Club Emerging Artist Award, the CCVA Award at the Chautauqua Center for the Visual Arts, first prize in the LANA International Arts Competition; along with full fellowships to the MacDowell Colony, National Seashore Residency, the Vermont Studio Center and Saltonstall Arts Colony.

Asked about her artistic process, Lisbeth responded: “I can’t explain that. It’s a visceral thing. I could be walking around, and doing grocery shopping or some other mundane stuff like that. And I see something, and I say I want to paint that. I don’t even verbalize it. It’s more like I could paint that, I want to paint that. Now I always have my little iPhone with me. And what’s happening these days is that I see something about the light on a figure, and this is what interests me. And it just comes naturally to me: I know exactly where to put the paint, and how to capture the light. I’m moving away from buildings and streetscapes.” Lisbeth says that her work is not about the colors, but about the light and shadow in the composition, apparent in works such as Fifth Avenue (1995), and Woman on a Train (2014).

Fifth Avenue, 7" x 15", gouache, 1995. Contributed photo.
Fifth Avenue, 7″ x 15″, gouache, 1995. Contributed photo.

To learn more about the artist, read our extensive interview with Lisbeth: https://artinthecatskills.com/2015/08/31/featured-artist-lisbeth-firmin. Her studio is located in the Commons Building at 785 Main Street, Margaretville.

Peter Yamaoka and Gerda Van Leeuwen

Artists Peter Yamaoka and Gerda Van Leeuwen met in a Boston airport in the early 1980s as they were both traveling to and from Provincetown. They married three years later. Peter studied at the prestigious Rhode Island School of Design, while Gerda received a degree in art from the University of Utrecht in her native Netherlands. In college both Peter and Gerda studied painting. Later in their artistic careers, they specialized in printmaking: Peter chose lithographs, while Gerda directed her attention to etchings. Since moving to the Catskills in the early 1990s both artists switched to ceramics: Peter prefers voluminous mythology-inspired vases, while Gerda makes small porcelains inspired by animal life. In Tribeca Peter and Gerda operated a printmaking shop. In the Catskills, they opened a fully equipped ceramics studio, where they both work and teach classes. Both artists have exhibited extensively in New York City and throughout the Catskills.

Ceramicist Peter Yamaoka in his studio
Ceramicist Peter Yamaoka in his studio. © Simona David

Peter’s vases are inspired by ancient Chinese motifs, Greek mythology, Mexican folklore, and the Catskills scenery. All his vases are both functional and decorative at the same time: “they’re sculptures,” Peter tells me. They withhold on top whimsical cities or mythological figures, an invitation to imagining and exploring. He also makes dioramas, fully employing the narrative feature of this form of art. All his vases and bowls are hand-made out of clay, then fired on an electrical kiln, and glazed in expressive, telling ways.

Gerda makes small porcelains inspired by animal life – primarily dogs and coyotes that we ordinarily see in the Catskills. Her anthropomorphic approach often leads to scenes of dancing dogs in a very human-like posture – portrayals that remind me of Matisse’s Dance. Victorian era practice of combining human heads and animal bodies or vice versa to awing effect in art also pops into my head. Gerda makes monotype prints on rice paper and canvas, similarly inspired by highly anthropomorphic pursuits. A large printing press occupies the central space of one of the studios.

On occasion Gerda makes woodblock prints. She currently works on a large scale wall piece using water based ink on paper and wood panel. A metal template is used to create a specific pattern that recurs throughout the composition. This particular work is done primarily in blue and gold hues. It will soon hang in a New York City apartment.

Peter and Gerda's Ceramics Garden
Peter and Gerda’s Ceramics Garden. © Simona David

Both Peter and Gerda are proud of their garden: the artists craft copious outdoor pieces that blend organically with the landscape. The tree of life reappears sporadically throughout the garden. Peter and Gerda have participated in the AMR Open Studios Tour ever since the tour first launched in 2012. Every summer they open both their studios and the garden, and demonstrate ceramics and printmaking techniques. Peter and Gerda’s studios are located at 777 Carroll Hinkley Road in Roxbury.

Ellen Wong

The recipient of many grants and fellowships, including the New York State Council on the Arts Decentralization Grant Program, as well as a National Endowment for the Arts Fellowship, Ellen Wong is an accomplished painter and educator whose works have been exhibited both in New York City and the Catskills, going back to the 1970s. Ellen studied in the Art Department at Brooklyn College with Philip Pearlstein, known for reviving realist figurative painting in the 1960s. Pearlstein’s departure from Abstract Expressionism back then made him a renegade in the art world. It’s that kind of artistic sensibility and daring attitude that Ellen learned from Pearlstein.

Landscape painting by Ellen Wong. Contributed photos.
Watercolor by Ellen Wong. Contributed photo.

Ellen herself was initially trained as an abstract painter, but in time she discovered that what she really wanted to do in life was landscape painting: “I noticed that every time I went somewhere I always brought with me my watercolors, and I always sketched where I was; somehow that’s how I got to understand, absorb or take in a new environment – I felt very sensitive to place,” she says. “And it was a good way for me to get to know a place. And I discovered that I had this desire to work outside, to work from life, and to work in watercolors, and that became in a way my primary medium,” she added.

Ellen’s studio is located at 121 Shephard Lane in Roxbury.

To learn more about Ellen, read our extensive interview with her at https://artinthecatskills.com/2014/10/18/featured-artist-ellen-wong/.

Tabitha Gilmore-Barnes

Tabitha Gilmore-Barnes is a professional weaver residing in Delaware County. She studied at the Fashion Institute of Technology (FIT), and the Center for Tapestry Arts in New York City. She designs both functional and aesthetic products using traditional American patterns. Her work can be seen in museums and gallery exhibits, and at various arts and crafts fairs throughout the region.

“Weaving is one of the oldest forms of a blend of art and function. The techniques of twisting fibers to make them stronger and durable started out probably in the earliest times of mankind history. From those twisted fibers men and women learned to do basketry, learned to create fabric, and also to use it for decoration. For instance, in a lot of the Native American pottery from the South-Western U.S. and Central and South America you will see that twisted fibers have been pressed up against the clay to create a pattern on that clay. It’s been made as an impression on the clay to make it look as it was woven. In reality, it is a three-dimensional structure that was never plated or twisted in itself,” explains Tabitha.

Weaver Tabitha Gilmore-Barnes
Weaver Tabitha Gilmore-Barnes. © Simona David

Tabitha says she loves the fact that weaving isn’t a forgotten art. She particularly enjoys the mathematical structure of setting up the loom, and is excited about what it takes to create fabric. Her favorite part is mixing the colors, and the texture of the yarns together. “To me that’s magical – how I get a piece of fabric: something out of nothing.”

Tabitha’s studio is located at 424 Carr George Road in Denver. To learn more about Tabitha, read our extensive interview with her at https://artinthecatskills.com/2015/01/31/featured-artist-tabitha-gilmore-barnes/.

Gary Mead

Poet and furniture designer Gary Mead grew up on a farm in New Kingston, and fell in love with wood as a teenager, when he began working in a sawmill. In 1979 he opened his own company Fruitful Furnishings, and for many years designed and built custom furniture for clients all over the country. “The woodworking passion would not leave me alone, so as I was running the mill and raising my three sons, I was working on my home in Arkville composing pantries, kitchen cabinets, furniture, floors, walls and ceilings from wood, practically turning my home into a museum of woods,” he says.

Gary’s artistic eye and his understanding of the wood led him in recent years to creating compositions from curved and more unusual wood. In 2011 he opened his art gallery, dedicated exclusively to wood. While some pieces are both functional and aesthetic, others are purely decorative. The floor in his gallery is representative of all the trees growing in the Catskill Mountains from walnut, beechnut, butternut, maple, cherry, and birch trees to various kinds of pine. All these have been used to designing durable tables, cabinets, and pantries. Gary proudly proclaims that all the compositions in his gallery are actually from woods within a fifty-mile radius from his galley. “I am excited to teach people about the wealth of wood we have right here in our back yard,” he says. He will be showing his gallery during the open studios tour on Saturday and Sunday, July 30 – 31. His studio is located at 1289 South Side Road in Margaretville.

Xylophone Table by Gary Mead
Xylophone Table by Gary Mead. © Simona David

The AMR Open Studios Tour takes place Saturday and Sunday, July 30 – 31, from 11 am to 5 pm both days. For maps and more information, visit http://www.amropenstudios.org/.

The AMR Open Studio Tour 2016 is funded by public funds from the New York State Council on the Arts Decentralization Grant Program, with the support of Governor Andrew Cuomo and the NYS Legislature, and is administered in Delaware County by The Roxbury Arts Group, and with fiscal support from The MARK Project and participating artists.

SPONSORED STORY

© 2016 Simona David

Featured Destination: Cross Contemporary Art Gallery

Jen Dragon is the director of Cross Contemporary Art in Saugerties, a gallery dedicated to showing mid-career artists with a connection to New York City, the Catskills and Hudson Valley regions. Dragon has background in online marketing, but she’s also had an extensive career in the arts – over the years she has curated numerous exhibits for non-profit spaces, and organized various community-wide art projects. Dragon holds a Bachelor of Fine Arts from Purchase College.

Winter IV by Katherine Bowling. Contributed photo.
Winter IV by Katherine Bowling. Contributed photo.

Simona David: Please, talk a little bit about your background, your education, and interest in art.

Jen Dragon: I studied at Purchase College in the early 1980s. And there I was trained as a printmaker and painter. I also had a scholarship to study fine arts in Italy for a year. I was trained there as a restaurateur of antique maps and prints. Afterwards, like many artists, I was drawn to the Catskills. Together with my ex-husband I bought a tavern to use as a studio – we fixed it ourselves; this was near the Phoenicia area. I lived there until about a year and a half ago.

SD: Talk about your curatorial experience, and your vision when it comes to putting together a new art show.

JD: I got into curating with non-profit spaces like the Kleinert / James Center for the Arts in Woodstock, and under-utilized spaces like this place at the Emerson Resort that at the time was not being used. It was a challenge, because I was interested in showing large abstract art, and in the country, like where we live, it’s very difficult to find houses that have really big high-ceilings. I was always on the look-out for a loft, a good space to show big paintings. A year ago I had the opportunity to take over a lease on a gallery in Saugerties. It’s tiny – it’s only 650 sq ft, but it has high ceilings, and it has a lot of wall space. And I am now able to show the kind of art that I have always been passionate about. I much prefer to be in the gallery and act as a docent introducing people to art rather than trying to rally everybody behind a large community arts project.

Reverse Painting with Silver by Catherine Howe. Contributed photo.
Reverse Painting with Silver by Catherine Howe. Contributed photo.

SD: Talk about the curatorial process: where do you start, what is your vision, and how do you get where you want to be with a project?   

JD: It’s interesting, because I get to live with an art show for about a month – each show is four week long. And I really get immersed in the artist’s work. At the end of each show I can probably write a dissertation on it. A lot of my choices are governed by the location of my gallery. Given the fact that I’m in Saugerties, which has extraordinary landscapes, I don’t feel like it’s appropriate to show urban art. The artists I tend to choose have an obsession with nature, and I also look for human drama. In sum, the criteria for choosing art have to do with where I am, but I also consider myself as some sort of an educator. It’s more about creating a beautiful show than being a salesman. I encourage the artists to really own the space, and create an installation.

SD: How do you look for artists, or is it the artists who approach you?

JD: I’m always looking at art. It’s important for artists to have their art seen. Because of my limitations, I can only show as many artists. But I keep a file, and I also refer artists to other places. A lot of time artists that I show are referred to me by other artists. The artists that I have been generally showing are in museum collections, or have shown in museums, and to show with me is a certain investment on their part. And they take very seriously who they want to be seen with. And they also refer people to me that they think that I would like. Sometimes I come up with something that I discover on my own. I have shown over eighteen artists so far. I’ve only done one group show.

SD: I like what you said before, that artists like to be seen in the company of other artists, and that’s why art communities are so important. We often judge people by their associations or affiliations, or by the company they keep. Are there any commonalities of themes or styles amongst the artists that you’ve shown? You did mention before that you looked at art centered on nature or human drama.

JD: Yes. I also have a sweet spot for printmaking. I was trained as a printmaker when I was in college in the 1980s, and what was trending back then were these Neo-Impressionist like prints. There were these intense, dynamic painters like Julien Schnabel, Gregory Amenoff, Richard Bosman – these guys were powerhouses. In retaliation to the abstract art, they were going back to figurative painting. And just like the German expressionists, they were also into printmaking. What I learned from artists like these is that the power of the wood cut supports the power of the painting. I knew I was doing something right with my gallery when I approached Gregory Amenoff and Richard Bosman, who were like my rock stars when I was a student, and they agreed to show their work with me.

Labrador Sea by Gregory Amenoff. Contributed photo.
Labrador Sea by Gregory Amenoff. Contributed photo.

SD: And I should add that when people think nature, they shouldn’t necessarily think representational art or landscape painting. It could be non-objective art as well. Take for instance Heather Hutchison, who you’ve shown in your gallery.      

JD: Yes. What’s fascinating about Heather Hutchison is that her subject matter is light, so she is probably more of a landscape painter than anyone else that I’ve shown. Even though it doesn’t look like landscape, and it looks like a box that is constantly changing colors because of the way the light is coming through it, Heather’s literal subject matter is the changing light itself.

Sleepy Golden by Heather Hutchinson. Contributed photo.
Sleepy Golden by Heather Hutchison. Contributed photo.
More Like the Weather by Heather Hutchinson. Contributed photo.
More Like the Weather by Heather Hutchison. Contributed photo.

SD: Her work has been shown in many prestigious locations like The Smithsonian in Washington D.C., and she’s also received numerous awards including The Pollock-Krasner Foundation Award.

JD: Yes. She’s also very active locally. She’s in the James / Kleinert Center for the Arts in Woodstock. Her husband Mark Kanter teaches at Columbia University. All the artists that I show are actually very active in the community. In addition to being educators and making art in their studios, these artists are also great art communicators.

SD: What kind of experience do you want your visitors to have when they visit your gallery?

JD: What’s really interesting about showing all these artists is that they work so well together – I can easily have a group show with any of them. Even though they have different styles, they all seem to have the same sort of fascination, the same sort of obsession with art. The common denominator is that they all create amazing spatial environments that the viewer can occupy. That’s my criterion for what I consider art. The mark making is also terribly important. A gestural mark is a brush work with intention, and a certain kind of velocity to it, and these kinds of creations need to form a space that you can inhabit. If art doesn’t have gesture, and it doesn’t have space, it becomes illustration, which is a fine thing, but it’s not deep enough for me. What I look for in art is the space, the intent, and the passion. What I find beautiful is the thing that changes me by looking at it, and changes my relationship to where I am.

SD: You hosted recently a show by Iain Machell. Let’s talk about that.    

JD: Iain Machell is the head of the Visual Arts Department at SUNY Ulster. Last summer he got a grant to study at Platte Clove arts residency near Saugerties. And created all these drawings, and paintings, and even some photographs enameled in metal, that were inspired by Platte Clove – he did it in a very short period of time as well. The show at Cross Contemporary Art Gallery included close to thirty pieces of art that Iain created at Platte Clove this past summer. It was an installation – some sort of meditation of ground and water and rocks and crevasses.

Platte Clove Lens Installation by Iain Machell. Contributed photo.
Platte Clove Lens Installation by Iain Machell. Contributed photo.

SD: I do want to mention that Platte Clove played such an important role in the formation of the Hudson River School of Painting in the 1820s. What is your next show?

JD: My December show is Shira Toren, an Israeli-American artist, who works in New York City, but also has a place in Great Barrington, MA. She does abstract paintings, and also makes prints. Her show is called “Eternal Return.” It opened December 5, and will remain on view through December 27.

Nebula 2 by Shira Toren. Contributed photo.
Nebula 2 by Shira Toren. Contributed photo.

SD: What are your plans for the holiday season?

JD: I have been invited to participate in The Decorator’s Holiday Show at the Senate House in Kingston. The Senate House Museum owns a large Victorian house that is being made available to interior designers to decorate it for the holidays. I am the only gallery that was invited to participate. The grand opening was December 4 as part of The Snowflake Festival. I am featuring artists that I have shown over the past year.

SD: What are the gallery’s hours?

JD: The gallery is open from Thursday to Monday from 12 noon to 5 pm. And also by appointment.   

For more information about Cross Contemporary Art Gallery, visit

http://www.crosscontemporaryart.com

81 Partition Street, Saugerties, NY 12477

(845) 399-9751

 

© 2015 Simona David