“David creates a seamless rapport with each artist, drawing out their individual personalities with meticulously researched questions. Her interviewing style is so natural and unobtrusive that the reader feels like “a fly on the wall” privy to the authentic, unrehearsed lives of the artists. They divulge their thought processes, creative developments, media, materials and muses, but David evokes them into sharing a glimpse of their souls.”
Art is at home in the Catskill Mountains. A tradition started by Thomas Cole and his disciples in the early 1800s has transformed the area into a place for pilgrimage where artists from all over the world come to create and be inspired. An influx of creatives moving out of Brooklyn in recent years has infused the area with energy and spearheaded the emergence of new projects and initiatives to create and show new works by artists at various levels in their careers and working in all disciplines.
AMR Artists, a newly formed artist coalition affiliated with the AMR (Andes-Margaretville-Roxbury) Open Art Studios Tour, which takes place every year the last weekend in July, has stepped up to the plate to offer new opportunities for artists. According to its mission statement, “The AMR Artists Coalition supports a vibrant cultural life for our community by promoting and advocating on behalf of the area’s artists and cultural institutions. The Coalition recognizes that a creative environment is an essential component of energetic civic life and sustained economic growth in the community.” The group’s motto is a quote by Albert Einstein: “Creativity is contagious, pass it on.”
Launched in 2012, AMR Open Art Studios Tour has grown into a major cultural attraction, as art tours have become more and more common all over the country. Studio visits trigger questions that aren’t often asked in formal settings such as galleries and museums, and allow for a more intimate interaction with the art work. As art historian George Philip LeBourdais eloquently articulated in a piece for Artsy magazine, “The studio is where strange magic happens, as much for the artist’s imagination as for the public’s. It’s the conjuring place of new concepts, styles, or forms. Sometimes it even comes to be seen as sacred, a place where visitors become pilgrims to the altar of art.”
AMR (Andes – Margaretville – Roxbury) Open Studios Tour 2019 will take place Saturday and Sunday, July 27 – 28 from 11 a.m. to 5 p.m. with close to thirty participating artists and artisans working in all disciplines – painters, sculptors, photographers, printmakers, ceramicists, furniture designers and textile artists. Located in a bucolic scenery, all studios will provide unique experiences for visitors to explore the area and learn directly from the artists.
Participating artists this year include: Lisbeth Firmin, Ellen Wong, Gail Freund, Tabitha Gilmore-Barnes, Gerda Van Leeuwen, Peter Yamaoka, Margaret Leveson, Helene Manzo, Frank Manzo, Gary Mayer, Gary Mead, Rosamond Welchman, and others.
Gail Freund, a new artist affiliated with the group, moved to the area in 2016 after having worked in New York City for over forty years in the fields of illustration, theater and jewelry. Formally trained at the Parsons School of Design, Freund has always drawn and painted. However, after moving to the Catskills, she became fully immersed into studying and depicting trees the likes of which she hadn’t quite seen while living in Manhattan. Her life in the Catskills allows far more time for studying and drawing nature scenes, she explains. Her approach is simple and direct.
The artist works in three disciplines: ink on paper, embroidery, and book art. Asked about her drawings, Freund explains: “I had to start somewhere, and ink on paper seemed simple and an easy way to get back into drawing.” The landscapes, all in black and white, are an invitation for the viewer to imagine a larger context than the one strictly depicted by the artist. Some of these are currently part of a show at the Catskill Watershed Corporation in Margaretville paradoxically called “Local Color: In Black and White.” The show will remain on view through July 5.
In 2017 Freund joined a group called Catskilled Crafters led by Wendy Brackman to create a project called The Ties That Bind, cutting and sewing together pieces of old ties donated by the community. The group created a piece called Big Daddy, currently on display at the American Visionary Museum in Baltimore in the Father Room as part of an exhibit called Parenting: An Art without a Manual, which will remain on view through September 1. NPR recently did a story on this, which ran on Father’s Day. The group sewed 1,462 hexagons into a nine-foot striped tie made out of hundreds of men’s ties and one wool suit. Brackman, who spearheaded the project, explains: “My dad was a bit of a dandy. He shaved every day, he looked good, he put himself together with his collar and wide ties.” Brackman is known as a performance artist (“Wacky Wendy”), as well as paper milliner (“Wacky Hat”).
Freund’s embroidery has gained attention due to its quirkiness and bold colors, but also extreme precision. Fascinated by road signs, the artist managed to capture some of the more vivid ones in a series shown recently at various locations throughout the area. One of these embroideries has received an award at the Woodstock Artists Association and Museum (WAAM) Spring Show, marking WAAM’s centennial. Asked about her interest in embroidery, the artist explains that she was looking for the perfect excuse to slow down and meditate, and that came in the form of making embroidery.
This year Freund is also working with a group of book artists led by Hedi Kyle to create fabric books, a multi-disciplinary project that will be shown in 2020. All artists are being given the same theme and size of the project, but each approach will be different. Kyle, who is coordinating the project, is a book conservator and educator, and co-founder of the Book Preservation Center at the New York Botanical Garden. As head conservator at the American Philosophical Society in Philadelphia, and as an adjunct professor in the Graduate Program for Book Arts and Printmaking at the University of the Arts, Kyle had trained and mentored a generation of conservators and book artists. The oldest artist in this group is Polly Vos, who is 94.
Freund will be showing her works during the AMR (Andes-Margaretville-Roxbury) Open Art Studios Tour, sharing studio space with painter Deborah Ruggerio. Ruggerio’s studio is located at 54096 State Highway 30 in Roxbury.
Landscape painter Ellen Wong has participated in the AMR (Andes-Margaretville-Roxbury) Open Art Studios Tour every year since it launched in 2012; she describes the experience as a positive one, and a great opportunity to show and talk about the setting where her art comes to life. Wong has been painting the Catskills since the 1970s, when she opened her studio in Roxbury. Initially trained as an abstract painter, she discovered that what she really wanted to do was landscape: “I noticed that every time I went somewhere I always brought with me my watercolors, and I always sketched where I was; somehow that’s how I got to understand, absorb or take in a new environment – I felt very sensitive to place,” she explains. “Does the world need another landscape?” she muses, but then she adds: “I can’t help it.”
The recipient of many grants and fellowships, including the New York State Council on the Arts Decentralization Grant Program, as well as a National Endowment for the Arts Fellowship, Wong studied in the Art Department at Brooklyn College with Philip Pearlstein, known for reviving realist figurative painting in the 1960s. Pearlstein’s departure from Abstract Expressionism back then made him a renegade in the art world. It’s that kind of artistic sensibility and daring attitude that Wong had learned from Pearlstein.
Capturing the beauty of the environment but also the ordinary and the banal turns her experiences into markers for posterity. “I want to have a signature,” Wong explains. I want people to say “Oh, that’s Ellen Wong,” whenever they see my paintings. I like to ask deep questions, not necessarily seeking answers, but just asking questions that lead me to a path of my own. “I’d like to go deeper. Does painting the environment, water, for instance, which is life in my paintings, lead one to think of Flint, Michigan, for instance?”
Wong’s studio, which will be open during the AMR Open Art Studios Tour, is located at 121 Shephard Lane in Roxbury.
New this year, the AMR Art Tour is partnering with Studio 190 in Walton to show works by artists affiliated with this group as part of the two-day event. Studio 190 is a collaborative art program within The Arc of Delaware County, encouraging self-expression, exploration, creativity and teamwork, and providing support for artists to work in a professional studio, equipped with all the necessary tools and guidance from visiting artists.
Leah Schmidt, the program coordinator, explains that up to 35 artists have been taking part in this program so far. They work in different disciplines, although painting is the predominant activity. Some of the artists attend the program every day, while others participate in only one block per week, depending on their skills and dedication, although the most important achievement is to maintain a level of enjoyment so that all the participants have a meaningful experience.
Since 2017 the program has continued to grow under the guidance of art consultants and accomplished artists and educators such as Alan Powell, who have been working with Studio 190 to help branch out more into the community and ensure recognition for the art created in the studio. Under Powell’s guidance the group created the “Selfie” project inviting each participant’s creativity into portraying their own vision of how they see themselves and making personalized works that then can be shared with the community. The project is documented through the group’s Instagram feed as well as its website.
The “Selfie” project as well as other works will be shown during the AMR (Andes-Margaretville-Roxbury) Open Art Studios Tour on Saturday and Sunday, July 27 – 28 at the Community Church located at 904 Main Street in Fleischmanns.
The AMR – Andes, Margaretville, Roxbury – Open Studios Tour 2019 is funded by the Delaware County Department of Economic Development – Tourism Advisory Board, and the A. Lindsay and Olive B. O’Connor Foundation, and by 28 participating artists and 44 community business sponsors. Additional community support comes from the Longyear Gallery (Margaretville) and the MARK Project (Arkville).
AMR (Andes – Margaretville – Roxbury) Open Studios Tour 2018 will take place Saturday and Sunday, July 28 – 29 from 11 a.m. to 5 p.m. with close to thirty participating artists and artisans working in all disciplines – painters, sculptors, photographers, printmakers, ceramicists, furniture designers and textile artists. Located in a bucolic scenery, all studios will provide unique experiences for visitors to explore the area and learn directly from the artists.
Launched in 2012, AMR Open Art Studios Tour has grown into a major cultural attraction, as art tours have become more and more common all over the country. Studio visits trigger questions that aren’t often asked in formal settings such as galleries and museums, and allow for a more intimate interaction with the art work. As art historian George Philip LeBourdais eloquently articulated in a piece for Artsy magazine in August 2016 “The studio is where strange magic happens, as much for the artist’s imagination as for the public’s. It’s the conjuring place of new concepts, styles, or forms. Sometimes it even comes to be seen as sacred, a place where visitors become pilgrims to the altar of art.”
Participating artists this year include Adam Cohen, Amy Masters, Ted Sheridan, Alan Powell, Lisbeth Firmin, Ellen Wong, Peter Yamaoka, Gerda van Leeuwen, Frank Manzo, Helene Manzo, Tabitha Gilmore Barnes, Gary Mayer, Barbara Alyn, Oneida Hammond, Ken Hiratsuka, Roshan Houshmand, Agnes Freas, Esther de Jong, Lesley A. Powell, Rosamond Welchman, Robert Axelrod, Deborah Ruggerio, Gary Mead, Anthony Margiotta, Rebecca Andre, Patrice Lorenz, Sharon Suess and Gail Freund.
A good place to start the tour is the Wawaka Grange in Halcottsville. Several artists will be showing at this location, including painters Agnes Freas and Oneida Hammond, and photographer Rebecca Andre. Art in the Catskills will present and sell autographed books – “How Art Is Made: In the Catskills,” which features a host of Catskills creatives, including sculptor Brian Tolle and urban realist painter Lisbeth Firmin, will be offered at a discounted price.
Still in Halcottsville, ceramicist Rosamond Welchman, who has participated in the tour every year since it launched in 2012, will open her studio located at 266 Halcottsville Road. For forty years, Welchman taught mathematics and education at Brooklyn College. Since retiring and moving to the Catskills, she has returned to her earlier love of visual design and ceramics. Her professional interests in mathematics (especially geometry) and in teaching (especially problem-solving) have had a strong impact on her ceramic work as well. Welchman’s pottery is hand-built with an emphasis on surface texture, often with patterns influenced by her travels around the world. “Wherever I go, I look for new forms and textures,” she says. “This year I am particularly interested in architectural pieces made from cut slabs of clay fastened together,” she adds.
Painters Robert Axelrod and Sharon Suess will also open their studios in Halcottsville at 261 and respectively 239 Halcottsville Road.
In Arkville, painter and printmaker Amy Masters, and architect and printmaker Ted Sheridan will open their studios located at 222 Chris Long Road. Over the past two years Masters has had a prolific time producing a new host of works: etchings and colorgraphs, as well as paintings from her summers spent in Maine. The artist is inspired by the natural world and the actual objects and vistas around her studio in the Catskills, but what she mostly likes about her work is re-arranging and re-envisioning the landscape in the abstract. One can see in her recent paintings a slight departure in color and texture compared to previous works.
Masters’ husband, Sheridan will be showing new works on paper using iron and iron oxides in addition to drawings and watercolors. A few years ago, Sheridan began experimenting with metallic compounds, corrosion, and magnetic fields to create original patterns of rust on paper. Coming from the world of architecture where everything is controlled and precise, in recent years Sheridan sat to explore the randomness of the oxidation process in metallic prints, and gradually began working on more and more elaborate projects.
Painter Anthony Margiotta will be showing at his studio located at 355 Route 3 in Halcott Center, while multi-media artist Alan Powell and painter Lesley A. Powell will be showing at their studios located at 993 Main Street in Fleischmanns.
“The canvas is now my stage,” says multi-disciplinary artist Lesley A. Powell. Since childhood, Powell has been attracted to non-verbal means of artistic expression whether be dancing or painting. As a choreographer, her interest revolves around the dancer’s ability to change the performance space, working under the influence of German expressionist dancer Rudolf Laban. Over her decade-long career, Powell has produced numerous shows for whom she designed anything from costumes to posters, brochures, and playbills.
As a visual artist, Powell focuses on human anatomy and body movement to depict either dance or circus scenes as well as nudes. She is drawn however to a broad range of media and thematics. Watercolors are prone for still life because of the space required to do the work, she explains, whereas oil paintings allow for more creativity and give the artist more time for reflection and revision. The tone, the feeling and the expression, Powell adds, are also different in oil compared to watercolor. When working in watercolor, the artist uses a more subdued color palette given the spontaneity of the medium, whereas in oil she prefers bolder and richer colors.
In Margaretville, urban realist painter Lisbeth Firmin will open her studio in the Commons Building at 785 Main Street, and show recent works and works in progress. For over four decades Firmin’s work has been in hundreds of solo and group shows across the country and internationally. She was the cover artist for the 2008 spring issue of Epoch, Cornell University’s literary magazine, and was the featured artist in the 2008 summer issue of the Gettysburg Review. This summer Firmin is showing a new series of paintings and monotypes at Rice Polak Gallery in Provincetown, MA. “What’s happening these days is that I see something about the light on a figure, and this is what interests me,” she says. She insists that her work is not about the colors, but about the light and shadow in the composition, apparent in works such as Fifth Avenue (1995), and Woman on a Train (2014). Firmin is one of the artists featured in “How Art Is Made: In the Catskills” book by this author.
Still in Margaretville, poet and furniture designer Gary Mead will open his studio and gallery located at 1289 South Side Road, painter Barbara Alyn will open her studio at 806 Main Street, and painter Patrice Lorenz will open her studio at 359 East Hubbell Hill Road.
In Andes, participating artists include sculptor Ken Hiratsuka, who will open his barn at 34325 State Hwy 28, and painter Roshan Houshmand whose studio is located at 495 Main Street.
The largest group of participating artists this year is in Roxbury: painters Ellen Wong, Adam Cohen, Helene Manzo, Esther de Jong, Gail Freund and Deborah Ruggerio, ceramicists and printmakers Peter Yamaoka and Gerda Van Leeuwen, photographer Frank Manzo, and textile artist Tabitha Gilmore-Barnes, will all open their creative spaces and engage in dialogue with visitors who often enough are artists themselves. One might dedicate one of the two days to visiting Roxbury’s studios only as driving from one place to another can take a bit of time.
Poet and painter Esther De Jong, a former fashion model, will be showing her pencil drawings and Catskill landscape oil paintings while working on a new large figurative work during the open studio; visitors can watch her paint and ask questions. De Jong, who is formally trained at the National Academy of Art and Design, co-founded by Thomas Cole in 1825, refers to her paintings as “lyrical images,” reflections of her poetry. De Jong’s studio is located at 50 Maple Lane in Roxbury.
Abstract painter Adam Cohen, known for works such as Intuition (2015), a finalist in the Art Olympia International Competition in Tokyo, Japan, and Mystic Marsh (2014), shown at the Morren Galleries in Amsterdam, Netherlands, is an intuitive painter whose style has been defined as Gestural Abstraction; his paintings are very much sculptural, and have a visceral look and the kind of inexhaustibility that the artist strives to achieve in his work. Cohen is currently working on a new series of paintings as many of his works have sold out in various galleries. He was recently featured in a solo show at Abmeyer + Wood Fine Art Gallery in Seattle. Cohen is one of the artists featured in “How Art Is Made: In the Catskills” book by this author. His studio, located in Roxbury’s Historic District at 53856 State Hwy 30, will give visitors a glimpse into the creative process and the naissance of new works of art.
Still in the Historic District, painter Deborah Ruggerio will open her studio located at 54096 State Hwy 30 for the first time this year. “Through a variety of media and techniques I hope to encourage the viewer to look a little more closely at nature’s intricate beauty at different times of the day, changing with the seasons to experience and savor the essence and beauty in nature,” she says. “Whether it’s in the solidarity of a rock formation or in the delicacy of the flower petals that bloom in the spring for only a short period of time, there’s a magnificent canvas to experience every day. All one has to do is take the time to look, see and experience,” she adds.
Mixed media artist Gail Freund will also be showing at 54096 State Hwy 30.
Across the street, at 54091 State Hwy 30, painter Helene K. Manzo and architect and photographer Frank Manzo will open their studios and show works produced over the past year.
Landscape painter Ellen Wong will open her studio located at 121 Shephard Lane in Roxbury. Initially trained as an abstract painter, Wong discovered in time that what she really wanted to do was landscape painting: “I noticed that every time I went somewhere I always brought with me my watercolors, and I always sketched where I was; somehow that’s how I got to understand, absorb or take in a new environment – I felt very sensitive to place,” she says. The recipient of many grants and fellowships, including the New York State Council on the Arts Decentralization Grant Program, as well as a National Endowment for the Arts Fellowship, Wong studied in the Art Department at Brooklyn College with Philip Pearlstein, known for reviving realist figurative painting in the 1960s. Pearlstein’s departure from Abstract Expressionism back then made him a renegade in the art world. It’s that kind of artistic sensibility and daring attitude that Wong had learned from Pearlstein. She has been painting the Catskills since the 1970s when she opened her studio in Roxbury.
Ceramicists and printmakers Peter Yamaoka and Gerda Van Leeuwen met in a Boston airport in the early 1980s as they were both traveling to and from Provincetown. They married three years later. Yamaoka studied at the prestigious Rhode Island School of Design, while Van Leeuwen received a degree in art from the University of Utrecht in her native Netherlands. In college both artists studied painting, but later on they switched to printmaking. Since moving to the Catskills in the early 1990s both artists became ceramicists: Yamaoka prefers voluminous mythology-inspired vases, while Van Leeuwen makes small porcelains inspired by animal life. Both Yamaoka and Van Leeuwen work and teach in a fully equipped ceramics studio in Roxbury, while exhibiting extensively throughout the Catskills and New York City. Van Leeuwen’s latest show “Diamonds & Rust,” which includes recent works produced over the past winter, is on view at Longyear Gallery in Margaretville through August 6. Both Yamaoka and Van Leeuwen are featured in “How Art Is Made: In the Catskills” book by this author. Their studios are located at 777 Carroll Hinkley Road.
Also featured in “How Art Is Made: In the Catskills,” textile artist Tabitha Gilmore-Barnes will open her studio located at 424 Carr George Road in Denver, an idyllic hamlet of Roxbury. Trained at the Fashion Institute of Technology (FIT) and the Center for Tapestry Arts in New York City, Gilmore-Barnes designs both functional and aesthetic products using traditional American patterns. Her work can be seen in museums and gallery exhibits, and at various arts and crafts fairs throughout the region. “Weaving is one of the oldest forms of a blend of art and function. The techniques of twisting fibers to make them stronger and durable started out probably in the earliest times of mankind history. From those twisted fibers men and women learned to do basketry, learned to create fabric, and also to use it for decoration.”
The AMR – Andes, Roxbury, Margaretville – Open Studios Tour 2018 is funded by the Delaware County Department of Economic Development – Tourism Advisory Board and The Lindsay A. and Olive B. O’Connor Foundation, and by the 29 participating artists and their 35+ community business sponsors. Additional community support from the Longyear Gallery (Margaretville) and the MARK Project (Arkville).
Open art studio tours have become more and more common all over the country as studio visits trigger questions that aren’t often asked in formal settings such as galleries and museums, and allow for a more intimate interaction with the artwork.
This summer alone, four major open art studio tours take place throughout the region featuring a total of 160 artists from Saugerties to Treadwell and points in between. Building on a century-long tradition that started with the Hudson River School, contemporary artists continue to be inspired by the region once known as America’s First Wilderness, and what we refer to today as the place where American art was born.
Read my article in Chronogram to learn about Stagecoach Run Art Festival (July 7 – 8), Shandaken Art Studio Tour (July 20 – 22), AMR Open Studios Tour (July 28 – 29), and Saugerties Artists’ Studio Tour (August 10 – 12). During the tour you will meet artists working in all artistic disciplines and styles, ask questions, and purchase directly from the artists. Participants include abstract painters Adam Cohen and Tara Bach, landscape painters Ellen Wong and Richard Kathmann, still life painter Judith Lamb, and urban realist painter Lisbeth Firmin.
THE MAURICE D. HINCHEYCATSKILL INTERPRETIVE CENTER
MT. TREMPER, NY
SATURDAY, MAY 27 AT 1 P.M.
Art Writer Simona David in Conversation with Painters Margaret Leveson and Lisbeth Firmin, Printmaker and Ceramicist Peter Yamaoka, and Textile Artist Tabitha Gilmore-Barnes
Art writer Simona David will discuss her latest book, How Art Is Made: In the Catskills (2017), and share the stage with several acclaimed artists who live and work in the Catskill Mountains: painters Margaret Leveson and Lisbeth Firmin, ceramicist and printmaker Peter Yamaoka and textile artist Tabitha Gilmore-Barnes. How Art Is Made: In the Catskills pays homage to the place where American art was born through a series of conversations with creatives who live and work in the Catskills. Recent works will also be exhibited.
Artists featured in this book include sculptor Brian Tolle, known for The Irish Hunger Memorial in Battery Park City (2002), and more recently for Miss Brooklyn and Miss Manhattan, two replicas of Daniel Chester French originals that sit on the façade of the Brooklyn Museum – Tolle’s replicas were installed on Flatbush Avenue by the Manhattan Bridge in December 2016.
SATURDAY, AUGUST 12 AT 1 P.M.
Poet Sharon Israel in Performance and Conversation with Composer Robert Cucinotta
Composer Robert Cucinotta and poet and soprano Sharon Israel will discuss their unique roles as each other’s muses. Cucinotta will play electronic works inspired by Israel’s poems, feature the poet’s voice, or both. Israel will read from her new chapbook Voice Lesson, including poems set to music by Cucinotta or inspired by his compositions.
Israel is the host of Planet Poet–Words in Space, an edition of The Writer’s Voice on WIOX 91.3 FM in Roxbury, NY. Her debut chapbook Voice Lesson was published by Post Traumatic Press earlier this year, and her work has appeared in Per Contra, SPANK the CARP, 5:2 Crime Poetry Weekly, Medical Literary Messenger, and Spry Literary Journal. In 2016, Israel appeared as a panelist at the Massachusetts Poetry Festival in Salem, MA.
Born in Brooklyn, Cucinotta studied composition and electronic music at the Conservatory of Music at Brooklyn College with Jacob Druckman, Robert Starer and Charles Dodge. His work MASQUE: the Tempest was premiered at the 2015 Phoenicia International Festival of the Voice by mezzo-soprano Maria Todaro, bass Bradley Smoak and pianist Doug Martin. Recent recordings include Divertimento For Mr. Brooks (2013), Koool Kitchen (2013), Dracula: Harker’s Journal (2014) and Life On The Screen (2016).
SATURDAY, SEPTEMBER 23 AT 1 P.M.
Nature Writer Leslie T. Sharpe in Conversation with Photographer Rudd Hubbell
Photographer Rudd Hubbell, who’s been documenting the natural beauty of the Catskills since the 1970s, will be in conversation with nature writer Leslie T. Sharpe.
A descendent of the area’s first settlers, Hubbell has captured thousands of photographs of our spectacular wilderness. He enjoys looking closer than the broad view, and always tries to focus on the things most of us overlook or take for granted. “Every scene is constantly changing and transforming, and I strive to capture that,” Hubbell says.
Sharpe is a writer, editor and educator. A member of PEN American Center, she is the author of Editing Fact and Fiction: A Concise Guide to Book Editing (Cambridge University Press, 1994), which is regarded as a “modern editing classic” and “On Writing Smart: Tips and Tidbits,” featured in The Business of Writing (Allworth, 2012). Her new book, The Quarry Fox and Other Critters of the Wild Catskills (The Overlook Press, 2017), is a lyric narrative look at the wild animals of the Catskill Mountains. Sharpe will read from this work and discuss the genre of nature writing as it relates to the Catskills.
Writers in the Mountains is a 501 ( c ) (3) not-for-profit organization with a mission to provide a nurturing environment for the practice, appreciation and sharing of creative writing. For more information, visit writersinthemountains.org.
The Maurice D. Hinchey Catskill Interpretive Center is a partnership between the Catskill Center and the New York State Department of Environmental Conservation, with generous financial support by the New York City Department of Environmental Protection and Catskill Watershed Corporation and generous staff and volunteer support from Catskill Mountainkeeper, Catskill Mountain Club, Catskill 3500 Club, and the New York-New Jersey Trail Conference. To learn more, visit catskillinterpretivecenter.org.
The Catskill Center has been promoting the Catskill Mountain Region through regional advocacy, environmental education, arts and culture programming, invasive species management, and land protection for over 45 years. The Center stimulates, conducts, and supports integrated actions to protect vital ecosystems and unique landscapes, to enhance economic opportunities for all the region’s residents, to preserve cultural and historic assets and to further a regional vision and spirit. For more information about the Catskill Center visit catskillcenter.org.
How Art Is Made: In the Catskills is a collection of interviews with some of the world’s most accomplished artists who live and work in the Catskill Mountains, New York. Five painters and illustrators, two ceramicists and printmakers, one sculptor, one weaver, and one writer discuss what inspires and moves them, what draws them to their medium of choice, what materials they use, how they approach a new artistic project, how they deal with setbacks, and how they celebrate success. Nine are formally trained at prestigious art schools; one is self-taught. What they all have in common is a rigorous studio practice, discipline, and the desire and curiosity to learn new things, and share them with the world.
This weekend, Saturday and Sunday, July 30 – 31, from 11 am to 5 pm over twenty artists in Roxbury, Halcottsville, Margaretville, Fleischmanns, Halcott Center, Arkville, and Andes will open their studios to the public, and show their working spaces.
A good place to start the tour is the Wawaka (Halcottsville) Grange, which is true to its original function as a Grange and General Store. Refreshments, bathrooms, and handicap access are available at this location. Several artists will be showing at the Grange, including painters Sophia Maduri and Oneida Hammond.
Alix Travis, one of the founding members of the tour, will once again open her studio located at 103 Bragg Hollow Road in Halcottsville. An established plein air painter, Alix has received several awards and recognitions, including signature status in the Pennsylvania Watercolor Society and the NY Plein Air Painters. In 2014 she published The Catskill Coloring Book, which includes twenty-six of her plein air watercolor paintings. This weekend, during the open studios tour, Alix will paint en plein air, and will demonstrate some of her techniques.
Urban realist painter Lisbeth Firmin will be showing her oil paintings and monotype prints at her studio located in the Commons Building in Margaretville. Lisbeth is known for works such as Fifth Avenue (1995), and Woman on a Train (2014). Just recently she opened a new show at Rice – Polak Gallery in Provincetown, MA where she has been exhibiting for many years. Lisbeth asserts that her work is really not about the colors, but about the light and shadow in the composition.
Multi-media artist Alan Powell and painter Lesley Powell will be showing their work at 993 Main Street in Fleischmanns, and painter Anthony Margiotta will open his studio located at 355 Route 3 in Halcott Center. Margiotta, who does not have formal training as an artist, draws inspiration from his surroundings, whether be the woods of the Catskill Mountains or the urban scenes of New York City.
In Arkville, painter and printmaker Amy Masters, and architect and printmaker Ted Sheridan will be opening their studios located at 222 Chris Long Road. Over the past year or so Amy has been working on a series of monotype prints inspired by feathers. The fragility and the uniqueness of this object has captivated her, and she has decided to set and explore various shapes and tones that come with the printmaking process. Her husband Ted Sheridan will be showing a series of metallic prints capturing the oxidation process, and in so doing, retaining the most spectacular shapes and forms on paper.
Poet and furniture designer Gary Mead will be showing his gallery at 1289 South Side Road in Margaretville, and sculptor Ken Hiratsuka will be opening his barn at 34325 State Hwy 28 in Andes.
Heading back over to Roxbury, you’ll have the opportunity to stop by weaver Tabitha Gilmore-Barnes, whose studio is located at 424 Carr George Road in Denver. Tabitha has in her studio a professional loom, and happily demonstrates how to work the weft and create the density that is desired for a new piece. Weaving is one of the oldest forms of a blend of art and function,” she explains. “And it’s gratifying that it isn’t forgotten.”
In Roxbury painters Ellen Wong and Helene Manzo, photographer Frank Manzo, ceramicists and printmakers Peter Yamaoka and Gerda Van Leeuwen, and sculptor John Sanders will all show new works produced over the past year. Studio visits trigger questions that aren’t often asked in formal settings such as galleries and museums, and provide access to an intimate space that the artist doesn’t often share with others.
For maps and more information, visit http://www.amropenstudios.org. As you drive around this weekend, look for the “OPEN STUDIO” signs and brochures with maps available for pick up at various business sponsors and community supporters.
The AMR Open Studio Tour 2016 is funded by public funds from the New York State Council on the Arts Decentralization Grant Program, with the support of Governor Andrew Cuomo and the NYS Legislature, and is administered in Delaware County by The Roxbury Arts Group, and with fiscal support from The MARK Project and participating artists.
Saturday and Sunday, July 30 – 31, over twenty artists in Andes, Margaretville and Roxbury area (AMR, for short) will open their studios to the public, and show their working spaces. During the tour, artists working in all media will talk about their styles and techniques, and the process of making art. Launched in 2012, AMR has been a great success, attracting a large number of visitors summer after summer. Similar tours take place all over the country, as open studios have become quite popular in recent years.
This year AMR features artists such as: painter and printmaker Amy Masters; architect, printmaker and photographer Ted Sheridan; urban landscape painter Lisbeth Firmin; ceramicists and printmakers Peter Yamaoka and Gerda Van Leeuwen; landscape painter Ellen Wong; weaver Tabitha Gilmore-Barnes; and poet and furniture designer Gary Mead, among others.
Amy Masters has been an artist all her life. Formally trained as painter and printmaker, she pursued a degree in Interior Design at the Parsons School of Design, and worked as a draftsman for an engineering firm in New York City, before dedicating herself exclusively to painting and drawing. For over two decades, she taught in the New York City’s public school system, and spent her summers painting and drawing the world around. Moving to the Catskills in 2006, she was suddenly given far more space and limitless opportunities for inspiration. Amy likes to think about her work as being inspired by the natural world and the actual objects and vistas around her studio. But she likes to re-arrange and re-envision the landscape in the abstract. What is important to an abstract painter, says Amy, is the relationship between colors, lines and shapes, and the complexities of pattern and texture that emerge at the end of the process.
Her color palette changes periodically. Last summer, for instance, she was working extensively in blue, green, and red. This summer she enjoys exploring the possibilities of various shades of white, beige, and grey. But she always likes to add an unexpected dot of red somewhere on the canvas to surprise and intrigue the viewer.
A couple of years ago Amy re-discovered her passion for prints, and after taking an etching class in the City and working in a printmaking studio, she began producing prints using a variety of techniques. She currently works on a series of prints inspired by feathers. “When I was doing these prints, I was thinking how unique and individual these feathers were, and that resonated with the process too. Because each time you make one of these monotypes, they’re completely different.”
Amy will be showing her prints during the open studios tour later this month, and will be talking about various printmaking techniques. Her studio is located at 222 Chris Long Road in Arkville.
Ted Sheridan is an architect, printmaker, and photographer. He has taught courses on architectural acoustics and the acoustics of musical instruments at the Parsons School of Design, and has lectured at the University of Virginia, Ryerson University, and the University of Toronto.
Six years ago, Ted began experimenting with metallic compounds, corrosion, and magnetic fields to create original patterns of rust on paper. For his very first project he used old, rusty car parts, and after leaving them out in the rain on a piece of paper, he discovered an immense array of shapes and shades that he did not expect. Coming from the world of architecture where everything is controlled and precise, Ted sat to explore the randomness of the oxidation process, and began working on more and more elaborate projects.
About a dozen prints are hanging in his studio at this time. Each one of them was produced by a different method and stylistic approach; some are concentric circles reminiscent of nebulas in space, others are rectangular stripes imposing in their own right. All these will be shown during the open studios tour on Saturday and Sunday, July 30 – 31.
Ted’s studio is located at 222 Chris Long Road in Arkville.
Lisbeth Firmin is a contemporary American realist known for her urban landscapes. For over four decades her work has been in hundreds of solo and group shows across the country and internationally. She was cover artist for the 2008 spring issue of Epoch, Cornell University’s literary magazine, and was the featured artist in the 2008 summer issue of the Gettysburg Review. Awards include a 2007 New York Foundation for the Arts Fellowship for printmaking (Lily Auchincloss Fellow) and a Merit Award at the 2007 Roberson Regional Art Exhibition, Binghamton, NY, juried by Philip Pearlstein. Lisbeth was awarded a Community Arts Funding Grant, New York State Council on the Arts in 2007. Other awards include a Pollock-Krasner Foundation Grant, the New York Print Club Emerging Artist Award, the CCVA Award at the Chautauqua Center for the Visual Arts, first prize in the LANA International Arts Competition; along with full fellowships to the MacDowell Colony, National Seashore Residency, the Vermont Studio Center and Saltonstall Arts Colony.
Asked about her artistic process, Lisbeth responded: “I can’t explain that. It’s a visceral thing. I could be walking around, and doing grocery shopping or some other mundane stuff like that. And I see something, and I say I want to paint that. I don’t even verbalize it. It’s more like I could paint that, I want to paint that. Now I always have my little iPhone with me. And what’s happening these days is that I see something about the light on a figure, and this is what interests me. And it just comes naturally to me: I know exactly where to put the paint, and how to capture the light. I’m moving away from buildings and streetscapes.” Lisbeth says that her work is not about the colors, but about the light and shadow in the composition, apparent in works such as Fifth Avenue (1995), and Woman on a Train (2014).
Artists Peter Yamaoka and Gerda Van Leeuwen met in a Boston airport in the early 1980s as they were both traveling to and from Provincetown. They married three years later. Peter studied at the prestigious Rhode Island School of Design, while Gerda received a degree in art from the University of Utrecht in her native Netherlands. In college both Peter and Gerda studied painting. Later in their artistic careers, they specialized in printmaking: Peter chose lithographs, while Gerda directed her attention to etchings. Since moving to the Catskills in the early 1990s both artists switched to ceramics: Peter prefers voluminous mythology-inspired vases, while Gerda makes small porcelains inspired by animal life. In Tribeca Peter and Gerda operated a printmaking shop. In the Catskills, they opened a fully equipped ceramics studio, where they both work and teach classes. Both artists have exhibited extensively in New York City and throughout the Catskills.
Peter’s vases are inspired by ancient Chinese motifs, Greek mythology, Mexican folklore, and the Catskills scenery. All his vases are both functional and decorative at the same time: “they’re sculptures,” Peter tells me. They withhold on top whimsical cities or mythological figures, an invitation to imagining and exploring. He also makes dioramas, fully employing the narrative feature of this form of art. All his vases and bowls are hand-made out of clay, then fired on an electrical kiln, and glazed in expressive, telling ways.
Gerda makes small porcelains inspired by animal life – primarily dogs and coyotes that we ordinarily see in the Catskills. Her anthropomorphic approach often leads to scenes of dancing dogs in a very human-like posture – portrayals that remind me of Matisse’s Dance. Victorian era practice of combining human heads and animal bodies or vice versa to awing effect in art also pops into my head. Gerda makes monotype prints on rice paper and canvas, similarly inspired by highly anthropomorphic pursuits. A large printing press occupies the central space of one of the studios.
On occasion Gerda makes woodblock prints. She currently works on a large scale wall piece using water based ink on paper and wood panel. A metal template is used to create a specific pattern that recurs throughout the composition. This particular work is done primarily in blue and gold hues. It will soon hang in a New York City apartment.
Both Peter and Gerda are proud of their garden: the artists craft copious outdoor pieces that blend organically with the landscape. The tree of life reappears sporadically throughout the garden. Peter and Gerda have participated in the AMR Open Studios Tour ever since the tour first launched in 2012. Every summer they open both their studios and the garden, and demonstrate ceramics and printmaking techniques. Peter and Gerda’s studios are located at 777 Carroll Hinkley Road in Roxbury.
The recipient of many grants and fellowships, including the New York State Council on the Arts Decentralization Grant Program, as well as a National Endowment for the Arts Fellowship, Ellen Wong is an accomplished painter and educator whose works have been exhibited both in New York City and the Catskills, going back to the 1970s. Ellen studied in the Art Department at Brooklyn College with Philip Pearlstein, known for reviving realist figurative painting in the 1960s. Pearlstein’s departure from Abstract Expressionism back then made him a renegade in the art world. It’s that kind of artistic sensibility and daring attitude that Ellen learned from Pearlstein.
Ellen herself was initially trained as an abstract painter, but in time she discovered that what she really wanted to do in life was landscape painting: “I noticed that every time I went somewhere I always brought with me my watercolors, and I always sketched where I was; somehow that’s how I got to understand, absorb or take in a new environment – I felt very sensitive to place,” she says. “And it was a good way for me to get to know a place. And I discovered that I had this desire to work outside, to work from life, and to work in watercolors, and that became in a way my primary medium,” she added.
Ellen’s studio is located at 121 Shephard Lane in Roxbury.
Tabitha Gilmore-Barnes is a professional weaver residing in Delaware County. She studied at the Fashion Institute of Technology (FIT), and the Center for Tapestry Arts in New York City. She designs both functional and aesthetic products using traditional American patterns. Her work can be seen in museums and gallery exhibits, and at various arts and crafts fairs throughout the region.
“Weaving is one of the oldest forms of a blend of art and function. The techniques of twisting fibers to make them stronger and durable started out probably in the earliest times of mankind history. From those twisted fibers men and women learned to do basketry, learned to create fabric, and also to use it for decoration. For instance, in a lot of the Native American pottery from the South-Western U.S. and Central and South America you will see that twisted fibers have been pressed up against the clay to create a pattern on that clay. It’s been made as an impression on the clay to make it look as it was woven. In reality, it is a three-dimensional structure that was never plated or twisted in itself,” explains Tabitha.
Tabitha says she loves the fact that weaving isn’t a forgotten art. She particularly enjoys the mathematical structure of setting up the loom, and is excited about what it takes to create fabric. Her favorite part is mixing the colors, and the texture of the yarns together. “To me that’s magical – how I get a piece of fabric: something out of nothing.”
Poet and furniture designer Gary Mead grew up on a farm in New Kingston, and fell in love with wood as a teenager, when he began working in a sawmill. In 1979 he opened his own company Fruitful Furnishings, and for many years designed and built custom furniture for clients all over the country. “The woodworking passion would not leave me alone, so as I was running the mill and raising my three sons, I was working on my home in Arkville composing pantries, kitchen cabinets, furniture, floors, walls and ceilings from wood, practically turning my home into a museum of woods,” he says.
Gary’s artistic eye and his understanding of the wood led him in recent years to creating compositions from curved and more unusual wood. In 2011 he opened his art gallery, dedicated exclusively to wood. While some pieces are both functional and aesthetic, others are purely decorative. The floor in his gallery is representative of all the trees growing in the Catskill Mountains from walnut, beechnut, butternut, maple, cherry, and birch trees to various kinds of pine. All these have been used to designing durable tables, cabinets, and pantries. Gary proudly proclaims that all the compositions in his gallery are actually from woods within a fifty-mile radius from his galley. “I am excited to teach people about the wealth of wood we have right here in our back yard,” he says. He will be showing his gallery during the open studios tour on Saturday and Sunday, July 30 – 31. His studio is located at 1289 South Side Road in Margaretville.
The AMR Open Studios Tour takes place Saturday and Sunday, July 30 – 31, from 11 am to 5 pm both days. For maps and more information, visit http://www.amropenstudios.org/.
The AMR Open Studio Tour 2016 is funded by public funds from the New York State Council on the Arts Decentralization Grant Program, with the support of Governor Andrew Cuomo and the NYS Legislature, and is administered in Delaware County by The Roxbury Arts Group, and with fiscal support from The MARK Project and participating artists.