“David creates a seamless rapport with each artist, drawing out their individual personalities with meticulously researched questions. Her interviewing style is so natural and unobtrusive that the reader feels like “a fly on the wall” privy to the authentic, unrehearsed lives of the artists. They divulge their thought processes, creative developments, media, materials and muses, but David evokes them into sharing a glimpse of their souls.”
Art is at home in the Catskill Mountains. A tradition started by Thomas Cole and his disciples in the early 1800s has transformed the area into a place for pilgrimage where artists from all over the world come to create and be inspired. An influx of creatives moving out of Brooklyn in recent years has infused the area with energy and spearheaded the emergence of new projects and initiatives to create and show new works by artists at various levels in their careers and working in all disciplines.
AMR Artists, a newly formed artist coalition affiliated with the AMR (Andes-Margaretville-Roxbury) Open Art Studios Tour, which takes place every year the last weekend in July, has stepped up to the plate to offer new opportunities for artists. According to its mission statement, “The AMR Artists Coalition supports a vibrant cultural life for our community by promoting and advocating on behalf of the area’s artists and cultural institutions. The Coalition recognizes that a creative environment is an essential component of energetic civic life and sustained economic growth in the community.” The group’s motto is a quote by Albert Einstein: “Creativity is contagious, pass it on.”
Launched in 2012, AMR Open Art Studios Tour has grown into a major cultural attraction, as art tours have become more and more common all over the country. Studio visits trigger questions that aren’t often asked in formal settings such as galleries and museums, and allow for a more intimate interaction with the art work. As art historian George Philip LeBourdais eloquently articulated in a piece for Artsy magazine, “The studio is where strange magic happens, as much for the artist’s imagination as for the public’s. It’s the conjuring place of new concepts, styles, or forms. Sometimes it even comes to be seen as sacred, a place where visitors become pilgrims to the altar of art.”
AMR (Andes – Margaretville – Roxbury) Open Studios Tour 2019 will take place Saturday and Sunday, July 27 – 28 from 11 a.m. to 5 p.m. with close to thirty participating artists and artisans working in all disciplines – painters, sculptors, photographers, printmakers, ceramicists, furniture designers and textile artists. Located in a bucolic scenery, all studios will provide unique experiences for visitors to explore the area and learn directly from the artists.
Participating artists this year include: Lisbeth Firmin, Ellen Wong, Gail Freund, Tabitha Gilmore-Barnes, Gerda Van Leeuwen, Peter Yamaoka, Margaret Leveson, Helene Manzo, Frank Manzo, Gary Mayer, Gary Mead, Rosamond Welchman, and others.
Gail Freund, a new artist affiliated with the group, moved to the area in 2016 after having worked in New York City for over forty years in the fields of illustration, theater and jewelry. Formally trained at the Parsons School of Design, Freund has always drawn and painted. However, after moving to the Catskills, she became fully immersed into studying and depicting trees the likes of which she hadn’t quite seen while living in Manhattan. Her life in the Catskills allows far more time for studying and drawing nature scenes, she explains. Her approach is simple and direct.
The artist works in three disciplines: ink on paper, embroidery, and book art. Asked about her drawings, Freund explains: “I had to start somewhere, and ink on paper seemed simple and an easy way to get back into drawing.” The landscapes, all in black and white, are an invitation for the viewer to imagine a larger context than the one strictly depicted by the artist. Some of these are currently part of a show at the Catskill Watershed Corporation in Margaretville paradoxically called “Local Color: In Black and White.” The show will remain on view through July 5.
In 2017 Freund joined a group called Catskilled Crafters led by Wendy Brackman to create a project called The Ties That Bind, cutting and sewing together pieces of old ties donated by the community. The group created a piece called Big Daddy, currently on display at the American Visionary Museum in Baltimore in the Father Room as part of an exhibit called Parenting: An Art without a Manual, which will remain on view through September 1. NPR recently did a story on this, which ran on Father’s Day. The group sewed 1,462 hexagons into a nine-foot striped tie made out of hundreds of men’s ties and one wool suit. Brackman, who spearheaded the project, explains: “My dad was a bit of a dandy. He shaved every day, he looked good, he put himself together with his collar and wide ties.” Brackman is known as a performance artist (“Wacky Wendy”), as well as paper milliner (“Wacky Hat”).
Freund’s embroidery has gained attention due to its quirkiness and bold colors, but also extreme precision. Fascinated by road signs, the artist managed to capture some of the more vivid ones in a series shown recently at various locations throughout the area. One of these embroideries has received an award at the Woodstock Artists Association and Museum (WAAM) Spring Show, marking WAAM’s centennial. Asked about her interest in embroidery, the artist explains that she was looking for the perfect excuse to slow down and meditate, and that came in the form of making embroidery.
This year Freund is also working with a group of book artists led by Hedi Kyle to create fabric books, a multi-disciplinary project that will be shown in 2020. All artists are being given the same theme and size of the project, but each approach will be different. Kyle, who is coordinating the project, is a book conservator and educator, and co-founder of the Book Preservation Center at the New York Botanical Garden. As head conservator at the American Philosophical Society in Philadelphia, and as an adjunct professor in the Graduate Program for Book Arts and Printmaking at the University of the Arts, Kyle had trained and mentored a generation of conservators and book artists. The oldest artist in this group is Polly Vos, who is 94.
Freund will be showing her works during the AMR (Andes-Margaretville-Roxbury) Open Art Studios Tour, sharing studio space with painter Deborah Ruggerio. Ruggerio’s studio is located at 54096 State Highway 30 in Roxbury.
Landscape painter Ellen Wong has participated in the AMR (Andes-Margaretville-Roxbury) Open Art Studios Tour every year since it launched in 2012; she describes the experience as a positive one, and a great opportunity to show and talk about the setting where her art comes to life. Wong has been painting the Catskills since the 1970s, when she opened her studio in Roxbury. Initially trained as an abstract painter, she discovered that what she really wanted to do was landscape: “I noticed that every time I went somewhere I always brought with me my watercolors, and I always sketched where I was; somehow that’s how I got to understand, absorb or take in a new environment – I felt very sensitive to place,” she explains. “Does the world need another landscape?” she muses, but then she adds: “I can’t help it.”
The recipient of many grants and fellowships, including the New York State Council on the Arts Decentralization Grant Program, as well as a National Endowment for the Arts Fellowship, Wong studied in the Art Department at Brooklyn College with Philip Pearlstein, known for reviving realist figurative painting in the 1960s. Pearlstein’s departure from Abstract Expressionism back then made him a renegade in the art world. It’s that kind of artistic sensibility and daring attitude that Wong had learned from Pearlstein.
Capturing the beauty of the environment but also the ordinary and the banal turns her experiences into markers for posterity. “I want to have a signature,” Wong explains. I want people to say “Oh, that’s Ellen Wong,” whenever they see my paintings. I like to ask deep questions, not necessarily seeking answers, but just asking questions that lead me to a path of my own. “I’d like to go deeper. Does painting the environment, water, for instance, which is life in my paintings, lead one to think of Flint, Michigan, for instance?”
Wong’s studio, which will be open during the AMR Open Art Studios Tour, is located at 121 Shephard Lane in Roxbury.
New this year, the AMR Art Tour is partnering with Studio 190 in Walton to show works by artists affiliated with this group as part of the two-day event. Studio 190 is a collaborative art program within The Arc of Delaware County, encouraging self-expression, exploration, creativity and teamwork, and providing support for artists to work in a professional studio, equipped with all the necessary tools and guidance from visiting artists.
Leah Schmidt, the program coordinator, explains that up to 35 artists have been taking part in this program so far. They work in different disciplines, although painting is the predominant activity. Some of the artists attend the program every day, while others participate in only one block per week, depending on their skills and dedication, although the most important achievement is to maintain a level of enjoyment so that all the participants have a meaningful experience.
Since 2017 the program has continued to grow under the guidance of art consultants and accomplished artists and educators such as Alan Powell, who have been working with Studio 190 to help branch out more into the community and ensure recognition for the art created in the studio. Under Powell’s guidance the group created the “Selfie” project inviting each participant’s creativity into portraying their own vision of how they see themselves and making personalized works that then can be shared with the community. The project is documented through the group’s Instagram feed as well as its website.
The “Selfie” project as well as other works will be shown during the AMR (Andes-Margaretville-Roxbury) Open Art Studios Tour on Saturday and Sunday, July 27 – 28 at the Community Church located at 904 Main Street in Fleischmanns.
The AMR – Andes, Margaretville, Roxbury – Open Studios Tour 2019 is funded by the Delaware County Department of Economic Development – Tourism Advisory Board, and the A. Lindsay and Olive B. O’Connor Foundation, and by 28 participating artists and 44 community business sponsors. Additional community support comes from the Longyear Gallery (Margaretville) and the MARK Project (Arkville).
AMR (Andes – Margaretville – Roxbury) Open Studios Tour 2018 will take place Saturday and Sunday, July 28 – 29 from 11 a.m. to 5 p.m. with close to thirty participating artists and artisans working in all disciplines – painters, sculptors, photographers, printmakers, ceramicists, furniture designers and textile artists. Located in a bucolic scenery, all studios will provide unique experiences for visitors to explore the area and learn directly from the artists.
Launched in 2012, AMR Open Art Studios Tour has grown into a major cultural attraction, as art tours have become more and more common all over the country. Studio visits trigger questions that aren’t often asked in formal settings such as galleries and museums, and allow for a more intimate interaction with the art work. As art historian George Philip LeBourdais eloquently articulated in a piece for Artsy magazine in August 2016 “The studio is where strange magic happens, as much for the artist’s imagination as for the public’s. It’s the conjuring place of new concepts, styles, or forms. Sometimes it even comes to be seen as sacred, a place where visitors become pilgrims to the altar of art.”
Participating artists this year include Adam Cohen, Amy Masters, Ted Sheridan, Alan Powell, Lisbeth Firmin, Ellen Wong, Peter Yamaoka, Gerda van Leeuwen, Frank Manzo, Helene Manzo, Tabitha Gilmore Barnes, Gary Mayer, Barbara Alyn, Oneida Hammond, Ken Hiratsuka, Roshan Houshmand, Agnes Freas, Esther de Jong, Lesley A. Powell, Rosamond Welchman, Robert Axelrod, Deborah Ruggerio, Gary Mead, Anthony Margiotta, Rebecca Andre, Patrice Lorenz, Sharon Suess and Gail Freund.
A good place to start the tour is the Wawaka Grange in Halcottsville. Several artists will be showing at this location, including painters Agnes Freas and Oneida Hammond, and photographer Rebecca Andre. Art in the Catskills will present and sell autographed books – “How Art Is Made: In the Catskills,” which features a host of Catskills creatives, including sculptor Brian Tolle and urban realist painter Lisbeth Firmin, will be offered at a discounted price.
Still in Halcottsville, ceramicist Rosamond Welchman, who has participated in the tour every year since it launched in 2012, will open her studio located at 266 Halcottsville Road. For forty years, Welchman taught mathematics and education at Brooklyn College. Since retiring and moving to the Catskills, she has returned to her earlier love of visual design and ceramics. Her professional interests in mathematics (especially geometry) and in teaching (especially problem-solving) have had a strong impact on her ceramic work as well. Welchman’s pottery is hand-built with an emphasis on surface texture, often with patterns influenced by her travels around the world. “Wherever I go, I look for new forms and textures,” she says. “This year I am particularly interested in architectural pieces made from cut slabs of clay fastened together,” she adds.
Painters Robert Axelrod and Sharon Suess will also open their studios in Halcottsville at 261 and respectively 239 Halcottsville Road.
In Arkville, painter and printmaker Amy Masters, and architect and printmaker Ted Sheridan will open their studios located at 222 Chris Long Road. Over the past two years Masters has had a prolific time producing a new host of works: etchings and colorgraphs, as well as paintings from her summers spent in Maine. The artist is inspired by the natural world and the actual objects and vistas around her studio in the Catskills, but what she mostly likes about her work is re-arranging and re-envisioning the landscape in the abstract. One can see in her recent paintings a slight departure in color and texture compared to previous works.
Masters’ husband, Sheridan will be showing new works on paper using iron and iron oxides in addition to drawings and watercolors. A few years ago, Sheridan began experimenting with metallic compounds, corrosion, and magnetic fields to create original patterns of rust on paper. Coming from the world of architecture where everything is controlled and precise, in recent years Sheridan sat to explore the randomness of the oxidation process in metallic prints, and gradually began working on more and more elaborate projects.
Painter Anthony Margiotta will be showing at his studio located at 355 Route 3 in Halcott Center, while multi-media artist Alan Powell and painter Lesley A. Powell will be showing at their studios located at 993 Main Street in Fleischmanns.
“The canvas is now my stage,” says multi-disciplinary artist Lesley A. Powell. Since childhood, Powell has been attracted to non-verbal means of artistic expression whether be dancing or painting. As a choreographer, her interest revolves around the dancer’s ability to change the performance space, working under the influence of German expressionist dancer Rudolf Laban. Over her decade-long career, Powell has produced numerous shows for whom she designed anything from costumes to posters, brochures, and playbills.
As a visual artist, Powell focuses on human anatomy and body movement to depict either dance or circus scenes as well as nudes. She is drawn however to a broad range of media and thematics. Watercolors are prone for still life because of the space required to do the work, she explains, whereas oil paintings allow for more creativity and give the artist more time for reflection and revision. The tone, the feeling and the expression, Powell adds, are also different in oil compared to watercolor. When working in watercolor, the artist uses a more subdued color palette given the spontaneity of the medium, whereas in oil she prefers bolder and richer colors.
In Margaretville, urban realist painter Lisbeth Firmin will open her studio in the Commons Building at 785 Main Street, and show recent works and works in progress. For over four decades Firmin’s work has been in hundreds of solo and group shows across the country and internationally. She was the cover artist for the 2008 spring issue of Epoch, Cornell University’s literary magazine, and was the featured artist in the 2008 summer issue of the Gettysburg Review. This summer Firmin is showing a new series of paintings and monotypes at Rice Polak Gallery in Provincetown, MA. “What’s happening these days is that I see something about the light on a figure, and this is what interests me,” she says. She insists that her work is not about the colors, but about the light and shadow in the composition, apparent in works such as Fifth Avenue (1995), and Woman on a Train (2014). Firmin is one of the artists featured in “How Art Is Made: In the Catskills” book by this author.
Still in Margaretville, poet and furniture designer Gary Mead will open his studio and gallery located at 1289 South Side Road, painter Barbara Alyn will open her studio at 806 Main Street, and painter Patrice Lorenz will open her studio at 359 East Hubbell Hill Road.
In Andes, participating artists include sculptor Ken Hiratsuka, who will open his barn at 34325 State Hwy 28, and painter Roshan Houshmand whose studio is located at 495 Main Street.
The largest group of participating artists this year is in Roxbury: painters Ellen Wong, Adam Cohen, Helene Manzo, Esther de Jong, Gail Freund and Deborah Ruggerio, ceramicists and printmakers Peter Yamaoka and Gerda Van Leeuwen, photographer Frank Manzo, and textile artist Tabitha Gilmore-Barnes, will all open their creative spaces and engage in dialogue with visitors who often enough are artists themselves. One might dedicate one of the two days to visiting Roxbury’s studios only as driving from one place to another can take a bit of time.
Poet and painter Esther De Jong, a former fashion model, will be showing her pencil drawings and Catskill landscape oil paintings while working on a new large figurative work during the open studio; visitors can watch her paint and ask questions. De Jong, who is formally trained at the National Academy of Art and Design, co-founded by Thomas Cole in 1825, refers to her paintings as “lyrical images,” reflections of her poetry. De Jong’s studio is located at 50 Maple Lane in Roxbury.
Abstract painter Adam Cohen, known for works such as Intuition (2015), a finalist in the Art Olympia International Competition in Tokyo, Japan, and Mystic Marsh (2014), shown at the Morren Galleries in Amsterdam, Netherlands, is an intuitive painter whose style has been defined as Gestural Abstraction; his paintings are very much sculptural, and have a visceral look and the kind of inexhaustibility that the artist strives to achieve in his work. Cohen is currently working on a new series of paintings as many of his works have sold out in various galleries. He was recently featured in a solo show at Abmeyer + Wood Fine Art Gallery in Seattle. Cohen is one of the artists featured in “How Art Is Made: In the Catskills” book by this author. His studio, located in Roxbury’s Historic District at 53856 State Hwy 30, will give visitors a glimpse into the creative process and the naissance of new works of art.
Still in the Historic District, painter Deborah Ruggerio will open her studio located at 54096 State Hwy 30 for the first time this year. “Through a variety of media and techniques I hope to encourage the viewer to look a little more closely at nature’s intricate beauty at different times of the day, changing with the seasons to experience and savor the essence and beauty in nature,” she says. “Whether it’s in the solidarity of a rock formation or in the delicacy of the flower petals that bloom in the spring for only a short period of time, there’s a magnificent canvas to experience every day. All one has to do is take the time to look, see and experience,” she adds.
Mixed media artist Gail Freund will also be showing at 54096 State Hwy 30.
Across the street, at 54091 State Hwy 30, painter Helene K. Manzo and architect and photographer Frank Manzo will open their studios and show works produced over the past year.
Landscape painter Ellen Wong will open her studio located at 121 Shephard Lane in Roxbury. Initially trained as an abstract painter, Wong discovered in time that what she really wanted to do was landscape painting: “I noticed that every time I went somewhere I always brought with me my watercolors, and I always sketched where I was; somehow that’s how I got to understand, absorb or take in a new environment – I felt very sensitive to place,” she says. The recipient of many grants and fellowships, including the New York State Council on the Arts Decentralization Grant Program, as well as a National Endowment for the Arts Fellowship, Wong studied in the Art Department at Brooklyn College with Philip Pearlstein, known for reviving realist figurative painting in the 1960s. Pearlstein’s departure from Abstract Expressionism back then made him a renegade in the art world. It’s that kind of artistic sensibility and daring attitude that Wong had learned from Pearlstein. She has been painting the Catskills since the 1970s when she opened her studio in Roxbury.
Ceramicists and printmakers Peter Yamaoka and Gerda Van Leeuwen met in a Boston airport in the early 1980s as they were both traveling to and from Provincetown. They married three years later. Yamaoka studied at the prestigious Rhode Island School of Design, while Van Leeuwen received a degree in art from the University of Utrecht in her native Netherlands. In college both artists studied painting, but later on they switched to printmaking. Since moving to the Catskills in the early 1990s both artists became ceramicists: Yamaoka prefers voluminous mythology-inspired vases, while Van Leeuwen makes small porcelains inspired by animal life. Both Yamaoka and Van Leeuwen work and teach in a fully equipped ceramics studio in Roxbury, while exhibiting extensively throughout the Catskills and New York City. Van Leeuwen’s latest show “Diamonds & Rust,” which includes recent works produced over the past winter, is on view at Longyear Gallery in Margaretville through August 6. Both Yamaoka and Van Leeuwen are featured in “How Art Is Made: In the Catskills” book by this author. Their studios are located at 777 Carroll Hinkley Road.
Also featured in “How Art Is Made: In the Catskills,” textile artist Tabitha Gilmore-Barnes will open her studio located at 424 Carr George Road in Denver, an idyllic hamlet of Roxbury. Trained at the Fashion Institute of Technology (FIT) and the Center for Tapestry Arts in New York City, Gilmore-Barnes designs both functional and aesthetic products using traditional American patterns. Her work can be seen in museums and gallery exhibits, and at various arts and crafts fairs throughout the region. “Weaving is one of the oldest forms of a blend of art and function. The techniques of twisting fibers to make them stronger and durable started out probably in the earliest times of mankind history. From those twisted fibers men and women learned to do basketry, learned to create fabric, and also to use it for decoration.”
The AMR – Andes, Roxbury, Margaretville – Open Studios Tour 2018 is funded by the Delaware County Department of Economic Development – Tourism Advisory Board and The Lindsay A. and Olive B. O’Connor Foundation, and by the 29 participating artists and their 35+ community business sponsors. Additional community support from the Longyear Gallery (Margaretville) and the MARK Project (Arkville).
Open art studio tours have become more and more common all over the country as studio visits trigger questions that aren’t often asked in formal settings such as galleries and museums, and allow for a more intimate interaction with the artwork.
This summer alone, four major open art studio tours take place throughout the region featuring a total of 160 artists from Saugerties to Treadwell and points in between. Building on a century-long tradition that started with the Hudson River School, contemporary artists continue to be inspired by the region once known as America’s First Wilderness, and what we refer to today as the place where American art was born.
Read my article in Chronogram to learn about Stagecoach Run Art Festival (July 7 – 8), Shandaken Art Studio Tour (July 20 – 22), AMR Open Studios Tour (July 28 – 29), and Saugerties Artists’ Studio Tour (August 10 – 12). During the tour you will meet artists working in all artistic disciplines and styles, ask questions, and purchase directly from the artists. Participants include abstract painters Adam Cohen and Tara Bach, landscape painters Ellen Wong and Richard Kathmann, still life painter Judith Lamb, and urban realist painter Lisbeth Firmin.
As art historian George Philip LeBourdais eloquently articulated in a piece for Artsy magazine in August 2016 “The studio is where strange magic happens, as much for the artist’s imagination as for the public’s. It’s the conjuring place of new concepts, styles, or forms. Sometimes it even comes to be seen as sacred, a place where visitors become pilgrims to the altar of art.”
Olana, home of 19th century landscape painter Frederic Edwin Church in Hudson, is hosting Artist on Art Tour, a series of guided tours through Olana under the tutelage of contemporary artists working in various disciplines. Artistic storytelling is a compelling part of Olana’s ongoing narrative. Participating artists offer a unique lens with which to “read” Olana, and experiment and invent with “poetic license” as they explore through their own artistic practice Church’s home and studio as well as this season’s exhibition.
This Friday, October 6 at 4:30 pm musician Carrie Bradley tours Olana, calling attention to the transitionary and the “in betweens,” with an element of live music inside Olana. Bradley combines text; music of which there is record that the Church family enjoyed by composers they hosted at Olana; and her own original songs to invoke specifically the evenings of music the Churches hosted at Olana and to refer in general to the sensual spirit of music and sound at the house. Bradley speculates that, “The house during those events became a place where the felt power of music resonated within a container for so much powerful visual art and artifact, and also was during those times, for a stolen moment, a public place when it was usually his private sanctuary. In a similar way, the songs seek to capture the interplay between the public and the private that I feel in the views from the upper reaches of the house—an intimate and personal seat from which to view the awe-inspiring reach of the river and the sky.”
Carrie Bradley is a fiction and creative nonfiction writer as well as a guitarist, violinist, and vocalist. She was a founding member of the alternative folk band Ed’s Redeeming Qualities, has played with the Breeders since 1989, has since had her own bands 100 Watt Smile and the Great Auk, and has performed and/or recorded with Tanya Donelly, Jonathan Richman, John Wesley Harding, Love & Rockets, the Red House Painters, the Buckets, and many others. She lives, gardens, cavorts, and mulls deep in the Catskill Mountains.
This program expands on the ideas found on site in Teresita Fernandez’s installation “OVERLOOK: Teresita Fernández Confronts Frederic Church at Olana” throughout Olana State Historic Site (May 13 – November 1). The Olana Partnership’s Director of Education, Amy Hufnagel, describes the public program this way: “Artists and cultural workers can teach us about Olana in ways we might not have even imagined; they are, in so many ways, logical “guides” to understanding and unpacking Olana to the contemporary era. The Olana Partnership wants to expand the narrative of Olana, and to express a multiplicity of stories here. Teresita Fernandez’s installation and the exhibition – paired with local artist tours – allows for a whole new set of conversations to emerge.” This innovative tour program privileges the voices of contemporary women artists and cultural workers whose own creative pursuits often find voice in the sphere of the “overlooked.” In specific, Olana’s team works to elevating the voices of these contemporary women artists with the end goal to expand and enlarge the interpretation at Olana.
Olana is the greatest masterpiece of Frederic Edwin Church (1826-1900), the preeminent American artist of the mid-19th century. Church had a sustained interest in the Americas, resulting from his trips to Ecuador, Colombia, Mexico, and the Caribbean. In his own artwork depicting these landscapes and in the objects he collected throughout his life, Church’s passion for Latin America remains evident today. Church designed Olana as a holistic environment integrating his advanced ideas about art, architecture, landscape design, and environmental conservation. Olana’s 250-acre artist-designed landscape with a Persian-inspired house at its summit embraces unrivaled 360-degree views of the Hudson River Valley and beyond. Today Olana State Historic Site welcomes more than 170,000 visitors annually.