Olana, home of 19th century landscape painter Frederic Edwin Church in Hudson, is hosting Artist on Art Tour, a series of guided tours through Olana under the tutelage of contemporary artists working in various disciplines. Artistic storytelling is a compelling part of Olana’s ongoing narrative. Participating artists offer a unique lens with which to “read” Olana, and experiment and invent with “poetic license” as they explore through their own artistic practice Church’s home and studio as well as this season’s exhibition.
This Friday, October 6 at 4:30 pm musician Carrie Bradley tours Olana, calling attention to the transitionary and the “in betweens,” with an element of live music inside Olana. Bradley combines text; music of which there is record that the Church family enjoyed by composers they hosted at Olana; and her own original songs to invoke specifically the evenings of music the Churches hosted at Olana and to refer in general to the sensual spirit of music and sound at the house. Bradley speculates that, “The house during those events became a place where the felt power of music resonated within a container for so much powerful visual art and artifact, and also was during those times, for a stolen moment, a public place when it was usually his private sanctuary. In a similar way, the songs seek to capture the interplay between the public and the private that I feel in the views from the upper reaches of the house—an intimate and personal seat from which to view the awe-inspiring reach of the river and the sky.”
Carrie Bradley is a fiction and creative nonfiction writer as well as a guitarist, violinist, and vocalist. She was a founding member of the alternative folk band Ed’s Redeeming Qualities, has played with the Breeders since 1989, has since had her own bands 100 Watt Smile and the Great Auk, and has performed and/or recorded with Tanya Donelly, Jonathan Richman, John Wesley Harding, Love & Rockets, the Red House Painters, the Buckets, and many others. She lives, gardens, cavorts, and mulls deep in the Catskill Mountains.
This program expands on the ideas found on site in Teresita Fernandez’s installation “OVERLOOK: Teresita Fernández Confronts Frederic Church at Olana” throughout Olana State Historic Site (May 13 – November 1). The Olana Partnership’s Director of Education, Amy Hufnagel, describes the public program this way: “Artists and cultural workers can teach us about Olana in ways we might not have even imagined; they are, in so many ways, logical “guides” to understanding and unpacking Olana to the contemporary era. The Olana Partnership wants to expand the narrative of Olana, and to express a multiplicity of stories here. Teresita Fernandez’s installation and the exhibition – paired with local artist tours – allows for a whole new set of conversations to emerge.” This innovative tour program privileges the voices of contemporary women artists and cultural workers whose own creative pursuits often find voice in the sphere of the “overlooked.” In specific, Olana’s team works to elevating the voices of these contemporary women artists with the end goal to expand and enlarge the interpretation at Olana.
Olana is the greatest masterpiece of Frederic Edwin Church (1826-1900), the preeminent American artist of the mid-19th century. Church had a sustained interest in the Americas, resulting from his trips to Ecuador, Columbia, Mexico, and the Caribbean. In his own artwork depicting these landscapes and in the objects he collected throughout his life, Church’s passion for Latin America remains evident today. Church designed Olana as a holistic environment integrating his advanced ideas about art, architecture, landscape design, and environmental conservation. Olana’s 250-acre artist-designed landscape with a Persian-inspired house at its summit embraces unrivaled 360-degree views of the Hudson River Valley and beyond. Today Olana State Historic Site welcomes more than 170,000 visitors annually.
This weekend, Saturday and Sunday, July 29 – 30, from 11 am to 5 pm over twenty artists in Roxbury, Halcottsville, Margaretville, Fleischmanns, Halcott Center, and Arkville will open their studios to the public, and show their working spaces as part of the AMR – Artists Making aRt ™ – Open Studios Tours 2017.
A good place to start the tour is the Wawaka Grange in Halcottsville, which is true to its original function as a Grange and General Store. Refreshments, bathrooms, and handicap access are available at this location. Several artists will be showing at the Grange, including painters Sophia Maduri and Oneida Hammond.
For the first time this year Art in the Catskills will participate, and present and sell books at the Grange. “How Art Is Made: In the Catskills” will be offered at a discounted price. The book pays homage to the Catskills’ vibrant artistic life, and its long tradition as a magnet for artists and writers from all over the world. The region is known as the place where American art was born, through the works of landscape painters Thomas Cole and Frederic Edwin Church, affiliated with the Hudson River School of Painting, and writers Washington Irving and James Fenimore Cooper, who wrote specifically about American realities.
Alix Travis, one of the founding members of the tour, will once again open her studio located at 103 Bragg Hollow Road in Halcottsville. An established plein air painter, Alix has received several awards and recognitions, including signature status in the Pennsylvania Watercolor Society and the New York Plein Air Painters. In 2014 she published The Catskill Coloring Book, which includes twenty-six plein air watercolor paintings. This weekend, during the open studios tour, Alix will paint en plein air, and demonstrate some of her techniques. Alix’s website is https://alixhtravis.com/.
Urban realist painter Lisbeth Firmin will be showing oil paintings and monotype prints at her studio in the Commons Building in Margaretville. Lisbeth is known for works such as Fifth Avenue (1995), and Woman on a Train (2014). This past spring Lisbeth traveled to Venice, and enrolled in Scuola Internationale di Grafica where she perfected her monotype printing technique. Lisbeth explains that her work is really not about the colors, but about the light and shadow in the composition which she captures masterfully. Lisbeth is featured in “How Art Is Made: In the Catskills.” Her website is http://lisbethfirmin.com/.
New this year, internationally renowned sculptor Brian Tolle will open his studio located in a repurposed Catholic church in Roxbury. Brian is known for The Irish Hunger Memorial in Battery Park City (2002), and more recently for Miss Brooklyn and Miss Manhattan, two replicas of Daniel Chester French originals that sit on the façade of the Brooklyn Museum – Brian’s replicas were installed on Flatbush Avenue by the Manhattan Bridge in December 2016. In 2015 The University at Albany’s Art Museum hosted a retrospective show titled Bordering Utopia: Sculptures by Brian Tolle, exploring the artist’s evolution over time. Brian’s studio is located at 53266 State Hwy 30 in Roxbury. He is one of the artists featured in “How Art Is Made: In the Catskills.” Brian’s website is http://briantollestudio.com/.
Abstract painter Adam Cohen will also open his studio for the first time this year. Adam is known for works such as Intuition (2015), a finalist in the Art Olympia International Competition in Tokyo, Japan, and Mystic Marsh (2014), shown at the Morren Galleries in Amsterdam, Netherlands. Adam is an intuitive painter whose style has been defined as Gestural Abstraction; his paintings are very much sculptural, and have a visceral look and the kind of inexhaustibility that the artist strives to achieve in his work. Adam’s studio is located at 53856 State Hwy 30 in Roxbury. He is also featured in “How Art Is Made: In the Catskills.” Adam’s website is http://www.adamcohenstudio.com/.
Poet and painter Esther De Jong, a former fashion model, will be showing her watercolors, oil paintings, and charcoal and pencil drawings at her studio located at 50 Maple Lane in Roxbury. Esther, who is formally trained at the National Academy of Art and Design, co-founded by Thomas Cole in 1825, refers to her paintings as “lyrical images” of her poetry: she often creates haikus accompanied by images that reflect her daily life experiences in the Catskills, a mood, or a feeling that is thus being immortalized on paper or canvas. Although Esther loves figural painting, she is also very much attracted to botanical themes, and finds inspiration in the Catskills’ changing seasons, particularly in the spring. Esther’s website is http://www.estherdejongpoetics.com.
Although not formally trained as a painter, Michael Guilmet has been painting still lifes, landscapes, and portraits pretty much his entire life, growing up with family and friends interested in art. Trained as a magician, Michael had lived in Beverly Hills, Dallas, and New Mexico before moving to the Catskills in 2014. His interests in art theory, history, and philosophy are ubiquitous in his paintings which he says must “evoke an unexpected emotion.” Michael does not think as having a style of his own – he can do works on commission in any style, and can approach any subject; but design is always the idea behind all his drawings and paintings. “A strong design is the driving force behind my work,” he explains. Michael shares his studio at 50 Maple Lane in Roxbury with Esther De Jong. His website is http://www.mcguilmet.com.
Artists Peter Yamaoka and Gerda Van Leeuwen met in a Boston airport in the early 1980s as they were both traveling to and from Provincetown. They married three years later. Peter studied at the prestigious Rhode Island School of Design, while Gerda received a degree in art from the University of Utrecht in her native Netherlands. In college both Peter and Gerda studied painting. Later in their artistic careers, they specialized in printmaking: Peter chose lithographs, while Gerda directed her attention to etchings. Since moving to the Catskills in the early 1990s both artists switched to ceramics: Peter prefers voluminous mythology-inspired vases, while Gerda makes small porcelains inspired by animal life. Both artists are featured in “How Art Is Made: In the Catskills.” Their studios are located at 777 Carroll Hinkley Road in Roxbury.
Also in Roxbury, painter Ellen Wong is the recipient of many grants and fellowships, including the New York State Council on the Arts Decentralization Grant Program, as well as a National Endowment for the Arts Fellowship. She studied in the Art Department at Brooklyn College with Philip Pearlstein, known for reviving realist figurative painting in the 1960s. Initially trained as an abstract painter, in time Ellen discovered that what she really wanted to do in life was landscape: “I noticed that every time I went somewhere I always brought with me my watercolors, and I always sketched where I was; somehow that’s how I got to understand, absorb or take in a new environment – I felt very sensitive to place. And it was a good way for me to get to know a place.” Ellen’s studio is located at 121 Shephard Lane in Roxbury. This year she will be showing some studio drawings and still life watercolors as well as plein air work. Ellen currently has a show at Longyear Gallery in Margaretville which will remain on view through August 7. Ellen’s website is https://ellenwongfinearts.com/.
Studio visits trigger questions that aren’t often asked in formal settings such as galleries and museums, and provide access to an intimate space that the artist doesn’t often share with anyone else.
The AMR – Artists Making aRt ™ – Open Studios Tour 2017, sponsored by MURAL Gallery in Stamford and participating artists, is made possible, in part, with public funds from the New York State Council on the Arts (NYSCA) Decentralization Grant Program, with the support of Governor Andrew Cuomo and the New York State Legislature, administered in Delaware County by the Roxbury Arts Group (RAG), and additional funding from The A. Lindsay & Olive B. O’Connor Foundation.