The Commons Building has become an important art hub for the communities in and around Middletown in Delaware County. Founded in 2007 as an artist-run cooperative, Longyear Gallery has hosted numerous solo and group shows in a 1,275 sq ft space located on the second floor. In the summer of 2016, the gallery took over a larger and better illuminated 1,425 sq ft space located on the first floor, divided into two separate rooms. Close to a hundred pieces by eighty artists were recently shown in a multi-media art exhibition titled “Artists Choose Artists,” which included works by landscape painters Ellen Wong and Kevin David Palfreyman, both influenced by the Hudson River School of Painting, poet and abstract painter Andrew Tully, ceramicist Peter Yamaoka, and photographers Frank Manzo and Helene Levine-Keating.
In the space left vacant by Longyear Gallery on the second floor, another gallery opened in recent months simply called Upstairs at the Commons. The space is available for rent to individual artists and groups in search of new possibilities to show their works. The space is currently rented by AMR Artists, an artist coalition affiliated with the AMR (Andes-Margaretville-Roxbury) Open Art Studio Tour, which takes place every year the last weekend in July. The group uses as its motto a quote by Albert Einstein: “Creativity is contagious, pass it on.”
The Spring Show hosted by the AMR Artists, which opens on April 19 and remains on view through May 13, will include works by twenty participants working in different disciplines: painting, monotypes, photography, tapestry, installation, and even jewelry.
Urban realist painter and printmaker Lisbeth Firmin, an artist whose studio is in fact located in the Commons Building, will be showing new monotypes produced under the influence of Scuola Internationale di Grafica in Venice where Firmin was a resident in 2017. For over four decades Firmin’s work has been in hundreds of solo and group shows across the country and internationally, and finds itself in numerous private art collections. “My urban landscapes follow in the tradition of earlier realists such as John Sloan and Edward Hopper, depicting today’s modern life in the streets, while reflecting modern themes of isolation and disconnection,” she explains. Firmin, who was the cover artist for the 2008 spring issue of Epoch, Cornell University’s literary magazine, and was the featured artist in the 2008 summer issue of the Gettysburg Review, often shows her work throughout New York State and North Carolina, as well as at Rice Polak Gallery in Provincetown, Massachusetts.
Hedi Kyle is a book conservator and educator, and co-founder of the Book Preservation Center at the New York Botanical Garden. She is also co-author of Library Materials Preservation Manual, one of the first books on library preservation techniques. As head conservator at the American Philosophical Society in Philadelphia, and as an adjunct professor in the Graduate Program for Book Arts and Printmaking at the University of the Arts, Kyle had trained and mentored a generation of conservators and book artists. Since moving to the Catskill Mountains, she continued to experiment with materials and seek beauty in the form of book installations. “My work is usually based on paper which I transform by folding it into book structures and three-dimensional objects. Since my retirement as a book conservator and teacher my move to the Catskills has overwhelmed me with new impressions and motivated me to experiment with other materials such as clay and fabrics,” she says. During the AMR Spring Show, Kyle will be showing a ceramic piece called Fragilo I, as part of a series that she is working on under the guidance of Michael Boyer at the Pine Hill Community Center. She continues to work on drawings and prints as well – these will be exhibited during the monthly member shows at Longyear Gallery.
Deborah Ruggerio, a new artist affiliated with the group, has been in the area for about three years. In 2018 she built her studio in Roxbury’s Historic District, and opened it to the public for the first time as part of the AMR Open Art Studio Tour last summer. Ruggerio, who also serves on the Planning Committee for the tour and had taught art in New Jersey for decades, has painted all her life, but has been particularly moved by the Catskill Mountains’ scenery and the ephemerality of all things in nature ever since she moved to the area. As a landscape painter, she often sketches in nature, but finishes the work in the studio. “Color creates emotions,” Ruggerio says, as she always tries to select a color palette that she believes captures the essence of the environment in the moment, whether be a fall or a winter scenery. In the Spring Show, Ruggerio will exhibit two recent pieces: “Rock Bridge on Lower Meeker” (oil on canvas, 18” x 24”, 2018), and “View from the Johansson’s Bridge” (watercolor, 9” x 12”, 2018); the second one was part of the Greene County Council on the Arts Holiday Show this past winter.
Another new artist affiliated with the group, Charlene McLaughlin, has moved to the area full-time four years ago, after being a second homeowner for decades. McLaughlin is an accomplished still life and nature photographer and designer who has exhibited in numerous group shows and has done event photography. Her favorite subject matter are tulips, which she says are extremely evocative. She likes to capture them either in nature or in compositions re-created in the studio.
McLaughlin bought her first camera, a Nikon EM, when she was 18-year-old, and never stopped photographing. She first learned to work on film, mastering the exposure and the demands of high-quality printing. Later on, she transitioned to digital, which she says offers instant gratification but can also lead to overshooting, conducive to spending more time to discern what is worth keeping. Although for the most part she is self-taught, McLaughlin did take classes at the International Center of Photography in New York City. Her favorite photographers are Ansel Adams and Henri Cartier-Bresson; Adams is known for his spectacular nature photographs, particularly taken at the Yosemite National Park, while Cartier-Bresson is known for pioneering street photography, and has been labeled a humanist photographer.
In the Spring Show, McLaughlin will be showing two landscape photographs: “Road to Windham” and “Spring Snow”, both 13” x 19”, taken with a Nikon D700 camera.
Textile artist and artisan Tabitha Gilmore-Barnes is a founding member of the AMR Art Tour, and has served as a tour coordinator until recently. Trained at the Fashion Institute of Technology (FIT) and the Center for Tapestry Arts in New York City, Gilmore-Barnes designs both functional and aesthetic products using traditional American patterns. Her work can be seen in museums and gallery exhibits, and at various arts and crafts fairs throughout the region. “Weaving is one of the oldest forms of a blend of art and function. The techniques of twisting fibers to make them stronger and durable started out probably in the earliest times of mankind history. From those twisted fibers men and women learned to do basketry, learned to create fabric, and also to use it for decoration.” In the Spring Show, she will exhibit four pieces which include “Maple Tree & Stone Wall” (a/k/a The Catskills), a woodblock print done at SUNY New Platz’s Printmaking Design Class, and “Snow Scene,” a tapestry that won the Fence Art Show Award from the Brooklyn Museum in 1980.
An opening reception will be hosted on April 27 from 3 to 6 pm. The Commons Building is located at 785 Main Street, Margaretville, NY.
© Simona David
AMR (Andes – Margaretville – Roxbury) Open Studios Tour 2018 will take place Saturday and Sunday, July 28 – 29 from 11 a.m. to 5 p.m. with close to thirty participating artists and artisans working in all disciplines – painters, sculptors, photographers, printmakers, ceramicists, furniture designers and textile artists. Located in a bucolic scenery, all studios will provide unique experiences for visitors to explore the area and learn directly from the artists.
Launched in 2012, AMR Open Art Studios Tour has grown into a major cultural attraction, as art tours have become more and more common all over the country. Studio visits trigger questions that aren’t often asked in formal settings such as galleries and museums, and allow for a more intimate interaction with the art work. As art historian George Philip LeBourdais eloquently articulated in a piece for Artsy magazine in August 2016 “The studio is where strange magic happens, as much for the artist’s imagination as for the public’s. It’s the conjuring place of new concepts, styles, or forms. Sometimes it even comes to be seen as sacred, a place where visitors become pilgrims to the altar of art.”
Participating artists this year include Adam Cohen, Amy Masters, Ted Sheridan, Alan Powell, Lisbeth Firmin, Ellen Wong, Peter Yamaoka, Gerda van Leeuwen, Frank Manzo, Helene Manzo, Tabitha Gilmore Barnes, Gary Mayer, Barbara Alyn, Oneida Hammond, Ken Hiratsuka, Roshan Houshmand, Agnes Freas, Esther de Jong, Lesley A. Powell, Rosamond Welchman, Robert Axelrod, Deborah Ruggerio, Gary Mead, Anthony Margiotta, Rebecca Andre, Patrice Lorenz, Sharon Suess and Gail Freund.
A good place to start the tour is the Wawaka Grange in Halcottsville. Several artists will be showing at this location, including painters Agnes Freas and Oneida Hammond, and photographer Rebecca Andre. Art in the Catskills will present and sell autographed books – “How Art Is Made: In the Catskills,” which features a host of Catskills creatives, including sculptor Brian Tolle and urban realist painter Lisbeth Firmin, will be offered at a discounted price.
Still in Halcottsville, ceramicist Rosamond Welchman, who has participated in the tour every year since it launched in 2012, will open her studio located at 266 Halcottsville Road. For forty years, Welchman taught mathematics and education at Brooklyn College. Since retiring and moving to the Catskills, she has returned to her earlier love of visual design and ceramics. Her professional interests in mathematics (especially geometry) and in teaching (especially problem-solving) have had a strong impact on her ceramic work as well. Welchman’s pottery is hand-built with an emphasis on surface texture, often with patterns influenced by her travels around the world. “Wherever I go, I look for new forms and textures,” she says. “This year I am particularly interested in architectural pieces made from cut slabs of clay fastened together,” she adds.
Painters Robert Axelrod and Sharon Suess will also open their studios in Halcottsville at 261 and respectively 239 Halcottsville Road.
In Arkville, painter and printmaker Amy Masters, and architect and printmaker Ted Sheridan will open their studios located at 222 Chris Long Road. Over the past two years Masters has had a prolific time producing a new host of works: etchings and colorgraphs, as well as paintings from her summers spent in Maine. The artist is inspired by the natural world and the actual objects and vistas around her studio in the Catskills, but what she mostly likes about her work is re-arranging and re-envisioning the landscape in the abstract. One can see in her recent paintings a slight departure in color and texture compared to previous works.
Masters’ husband, Sheridan will be showing new works on paper using iron and iron oxides in addition to drawings and watercolors. A few years ago, Sheridan began experimenting with metallic compounds, corrosion, and magnetic fields to create original patterns of rust on paper. Coming from the world of architecture where everything is controlled and precise, in recent years Sheridan sat to explore the randomness of the oxidation process in metallic prints, and gradually began working on more and more elaborate projects.
Painter Anthony Margiotta will be showing at his studio located at 355 Route 3 in Halcott Center, while multi-media artist Alan Powell and painter Lesley A. Powell will be showing at their studios located at 993 Main Street in Fleischmanns.
“The canvas is now my stage,” says multi-disciplinary artist Lesley A. Powell. Since childhood, Powell has been attracted to non-verbal means of artistic expression whether be dancing or painting. As a choreographer, her interest revolves around the dancer’s ability to change the performance space, working under the influence of German expressionist dancer Rudolf Laban. Over her decade-long career, Powell has produced numerous shows for whom she designed anything from costumes to posters, brochures, and playbills.
As a visual artist, Powell focuses on human anatomy and body movement to depict either dance or circus scenes as well as nudes. She is drawn however to a broad range of media and thematics. Watercolors are prone for still life because of the space required to do the work, she explains, whereas oil paintings allow for more creativity and give the artist more time for reflection and revision. The tone, the feeling and the expression, Powell adds, are also different in oil compared to watercolor. When working in watercolor, the artist uses a more subdued color palette given the spontaneity of the medium, whereas in oil she prefers bolder and richer colors.
In Margaretville, urban realist painter Lisbeth Firmin will open her studio in the Commons Building at 785 Main Street, and show recent works and works in progress. For over four decades Firmin’s work has been in hundreds of solo and group shows across the country and internationally. She was the cover artist for the 2008 spring issue of Epoch, Cornell University’s literary magazine, and was the featured artist in the 2008 summer issue of the Gettysburg Review. This summer Firmin is showing a new series of paintings and monotypes at Rice Polak Gallery in Provincetown, MA. “What’s happening these days is that I see something about the light on a figure, and this is what interests me,” she says. She insists that her work is not about the colors, but about the light and shadow in the composition, apparent in works such as Fifth Avenue (1995), and Woman on a Train (2014). Firmin is one of the artists featured in “How Art Is Made: In the Catskills” book by this author.
Still in Margaretville, poet and furniture designer Gary Mead will open his studio and gallery located at 1289 South Side Road, painter Barbara Alyn will open her studio at 806 Main Street, and painter Patrice Lorenz will open her studio at 359 East Hubbell Hill Road.
In Andes, participating artists include sculptor Ken Hiratsuka, who will open his barn at 34325 State Hwy 28, and painter Roshan Houshmand whose studio is located at 495 Main Street.
The largest group of participating artists this year is in Roxbury: painters Ellen Wong, Adam Cohen, Helene Manzo, Esther de Jong, Gail Freund and Deborah Ruggerio, ceramicists and printmakers Peter Yamaoka and Gerda Van Leeuwen, photographer Frank Manzo, and textile artist Tabitha Gilmore-Barnes, will all open their creative spaces and engage in dialogue with visitors who often enough are artists themselves. One might dedicate one of the two days to visiting Roxbury’s studios only as driving from one place to another can take a bit of time.
Poet and painter Esther De Jong, a former fashion model, will be showing her pencil drawings and Catskill landscape oil paintings while working on a new large figurative work during the open studio; visitors can watch her paint and ask questions. De Jong, who is formally trained at the National Academy of Art and Design, co-founded by Thomas Cole in 1825, refers to her paintings as “lyrical images,” reflections of her poetry. De Jong’s studio is located at 50 Maple Lane in Roxbury.
Abstract painter Adam Cohen, known for works such as Intuition (2015), a finalist in the Art Olympia International Competition in Tokyo, Japan, and Mystic Marsh (2014), shown at the Morren Galleries in Amsterdam, Netherlands, is an intuitive painter whose style has been defined as Gestural Abstraction; his paintings are very much sculptural, and have a visceral look and the kind of inexhaustibility that the artist strives to achieve in his work. Cohen is currently working on a new series of paintings as many of his works have sold out in various galleries. He was recently featured in a solo show at Abmeyer + Wood Fine Art Gallery in Seattle. Cohen is one of the artists featured in “How Art Is Made: In the Catskills” book by this author. His studio, located in Roxbury’s Historic District at 53856 State Hwy 30, will give visitors a glimpse into the creative process and the naissance of new works of art.
Still in the Historic District, painter Deborah Ruggerio will open her studio located at 54096 State Hwy 30 for the first time this year. “Through a variety of media and techniques I hope to encourage the viewer to look a little more closely at nature’s intricate beauty at different times of the day, changing with the seasons to experience and savor the essence and beauty in nature,” she says. “Whether it’s in the solidarity of a rock formation or in the delicacy of the flower petals that bloom in the spring for only a short period of time, there’s a magnificent canvas to experience every day. All one has to do is take the time to look, see and experience,” she adds.
Mixed media artist Gail Freund will also be showing at 54096 State Hwy 30.
Across the street, at 54091 State Hwy 30, painter Helene K. Manzo and architect and photographer Frank Manzo will open their studios and show works produced over the past year.
Landscape painter Ellen Wong will open her studio located at 121 Shephard Lane in Roxbury. Initially trained as an abstract painter, Wong discovered in time that what she really wanted to do was landscape painting: “I noticed that every time I went somewhere I always brought with me my watercolors, and I always sketched where I was; somehow that’s how I got to understand, absorb or take in a new environment – I felt very sensitive to place,” she says. The recipient of many grants and fellowships, including the New York State Council on the Arts Decentralization Grant Program, as well as a National Endowment for the Arts Fellowship, Wong studied in the Art Department at Brooklyn College with Philip Pearlstein, known for reviving realist figurative painting in the 1960s. Pearlstein’s departure from Abstract Expressionism back then made him a renegade in the art world. It’s that kind of artistic sensibility and daring attitude that Wong had learned from Pearlstein. She has been painting the Catskills since the 1970s when she opened her studio in Roxbury.
Ceramicists and printmakers Peter Yamaoka and Gerda Van Leeuwen met in a Boston airport in the early 1980s as they were both traveling to and from Provincetown. They married three years later. Yamaoka studied at the prestigious Rhode Island School of Design, while Van Leeuwen received a degree in art from the University of Utrecht in her native Netherlands. In college both artists studied painting, but later on they switched to printmaking. Since moving to the Catskills in the early 1990s both artists became ceramicists: Yamaoka prefers voluminous mythology-inspired vases, while Van Leeuwen makes small porcelains inspired by animal life. Both Yamaoka and Van Leeuwen work and teach in a fully equipped ceramics studio in Roxbury, while exhibiting extensively throughout the Catskills and New York City. Van Leeuwen’s latest show “Diamonds & Rust,” which includes recent works produced over the past winter, is on view at Longyear Gallery in Margaretville through August 6. Both Yamaoka and Van Leeuwen are featured in “How Art Is Made: In the Catskills” book by this author. Their studios are located at 777 Carroll Hinkley Road.
Also featured in “How Art Is Made: In the Catskills,” textile artist Tabitha Gilmore-Barnes will open her studio located at 424 Carr George Road in Denver, an idyllic hamlet of Roxbury. Trained at the Fashion Institute of Technology (FIT) and the Center for Tapestry Arts in New York City, Gilmore-Barnes designs both functional and aesthetic products using traditional American patterns. Her work can be seen in museums and gallery exhibits, and at various arts and crafts fairs throughout the region. “Weaving is one of the oldest forms of a blend of art and function. The techniques of twisting fibers to make them stronger and durable started out probably in the earliest times of mankind history. From those twisted fibers men and women learned to do basketry, learned to create fabric, and also to use it for decoration.”
The AMR – Andes, Roxbury, Margaretville – Open Studios Tour 2018 is funded by the Delaware County Department of Economic Development – Tourism Advisory Board and The Lindsay A. and Olive B. O’Connor Foundation, and by the 29 participating artists and their 35+ community business sponsors. Additional community support from the Longyear Gallery (Margaretville) and the MARK Project (Arkville).
© 2018 Simona David
- The Chamber Music Society of Lincoln Center performs at the Saratoga Performing Arts Center;
- Bethel Woods Center for the Arts is hosting a Woodstock Anniversary Brunch, marking the festival’s 47th anniversary;
- Thomas Cole National Historic Site is hosting Open House: Contemporary Art in Conversation with Cole featuring the works of multi-media artist Jason Middlebrooks;
- And, photographer Helane Levine-Keating is showing Liminal Spaces at Longyear Gallery in Margaretville.
Learn more at Upstater.com.
- Livingston Manor is celebrating its 13th Annual Trout Parade;
- The Center for Photography at Woodstock is hosting The Art of Prepress for Photobooks, a workshop taught by John Mannion;
- And Upstate Films in Woodstock is screening Life, Animated directed by Academy award-winning director Roger Ross Williams.
Read more at Upstater.com.
- Window Quartet performs at the Hudson Opera House;
- New art show opens at Cross Contemporary Art Gallery in Saugerties (the show made the front page of the NY Arts Magazine earlier this week);
- And, Rosendale Theatre presents The Complete Works of William Shakespeare (Abridged).
Learn more at Upstater.com.
- The Ulster Ballet Company presents its annual Festival of Dance at the Ulster Performing Arts Center in Kingston;
- Catskill Art Society in Livingston Manor presents Saturday Sampler, a series of five art workshops led by Helena Clare Pittman, Saturdays from 2 to 5 pm, March 19 to April 16;
- And, The Kaaterskill Fine Arts Gallery in Hunter is hosting Older than the Mountain, a solo exhibition featuring the works of Laura Leigh.
Learn more at Upstater.com.