“David creates a seamless rapport with each artist, drawing out their individual personalities with meticulously researched questions. Her interviewing style is so natural and unobtrusive that the reader feels like “a fly on the wall” privy to the authentic, unrehearsed lives of the artists. They divulge their thought processes, creative developments, media, materials and muses, but David evokes them into sharing a glimpse of their souls.”
ART CONVERSATION AND WRITING WORKSHOP WITH AUTHOR SIMONA DAVID
SATURDAY, SEPTEMBER 8, 2018, 1 – 2:30 PM
THE ZADOCK PRATT MUSEUM, 14540 MAIN STREET / RTE 23, PRATTSVILLE, NY
As guest of the Zadock Pratt Museum, Simona David, author of “How Art Is Made: In the Catskills” (2017), will talk about her experience interviewing artists, and discuss what moves and inspires the creative mind, how a new artistic project is born, how materials are used and different stylistic choices are made, how setbacks are dealt with, and how success is celebrated.
Ms. David will then teach a workshop on art writing, and discuss various research and writing techniques.
To register, call Pratt Museum at (518) 937-6120.
This event is funded in part with public funds from the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
BLINK GALLERY, 454 Lower Main Street, Andes, New York 13731
Author Simona David will talk about her latest book How Art Is Made: In the Catskills (2017), and provide insights into a long-standing tradition that dates back to the days of Thomas Cole and Frederic Edwin Church.
How Art Is Made: In the Catskills pays homage to the place where American art was born through a series of conversations with creatives who live and work in the Catskills.
The book explores various artistic choices, what inspires and moves the artists, what draws them to their discipline, what materials they use, how they approach a new artistic project, how they deal with setbacks, and how they celebrate success.
Artists featured in the book include sculptor Brian Tolle, known for The Irish Hunger Memorial in Battery Park City (2002), and more recently for Miss Brooklyn and Miss Manhattan, two replicas of Daniel Chester French originals that sit on the façade of the Brooklyn Museum – Tolle’s replicas were installed on Flatbush Avenue by the Manhattan Bridge in December 2016. Like many contemporary artists, Tolle maintains a studio and works in the Catskill Mountains.
Open art studio tours have become more and more common all over the country as studio visits trigger questions that aren’t often asked in formal settings such as galleries and museums, and allow for a more intimate interaction with the artwork.
This summer alone, four major open art studio tours take place throughout the region featuring a total of 160 artists from Saugerties to Treadwell and points in between. Building on a century-long tradition that started with the Hudson River School, contemporary artists continue to be inspired by the region once known as America’s First Wilderness, and what we refer to today as the place where American art was born.
Read my article in Chronogram to learn about Stagecoach Run Art Festival (July 7 – 8), Shandaken Art Studio Tour (July 20 – 22), AMR Open Studios Tour (July 28 – 29), and Saugerties Artists’ Studio Tour (August 10 – 12). During the tour you will meet artists working in all artistic disciplines and styles, ask questions, and purchase directly from the artists. Participants include abstract painters Adam Cohen and Tara Bach, landscape painters Ellen Wong and Richard Kathmann, still life painter Judith Lamb, and urban realist painter Lisbeth Firmin.
As art historian George Philip LeBourdais eloquently articulated in a piece for Artsy magazine in August 2016 “The studio is where strange magic happens, as much for the artist’s imagination as for the public’s. It’s the conjuring place of new concepts, styles, or forms. Sometimes it even comes to be seen as sacred, a place where visitors become pilgrims to the altar of art.”
The University at Albany’s Art Museum celebrates its 50th anniversary this year. The Museum opened in October 1967 with an exhibition titled Painting and Sculpture from the Nelson A. Rockefeller Collection, which featured over fifty works by some of the most prominent artists of the 20th century: Picasso, Miro, Braque, Klee, de Kooning, and Calder, among others.
In 2015 the Museum hosted a retrospective show titled Bordering Utopia: Sculptures by Brian Tolle, dedicated to alumnus Brian Tolle, an internationally acclaimed sculptor known for The Irish Hunger Memorial in Battery Park City (2002), and more recently for Miss Brooklyn and Miss Manhattan, two replicas of Daniel Chester French originals that sit on the façade of the Brooklyn Museum – Tolle’s replicas were installed on Flatbush Avenue by the Manhattan Bridge in December last year. He is one of the artists featured in our book How Art Is Made: In the Catskills.
To learn more about the University at Albany’s Art Museum, visit www.albany.edu.
Everything we do is a matter of taste and training – I’m paraphrasing physicist Brian Greene, author of “The Elegant Universe.” How we then form appreciation for and understanding of aesthetics? The individual journey to learning and self-discovery is what forms and cultivates one’s taste.
What is art? Roy Lichtenstein argued that “Organized perception is what art is all about.” Émile Zola thought that art is “nature as seen through a temperament,” while René Magritte claimed that “Each thing we see hides something else we want to see.” Einstein thought that “The most beautiful experience we can have is the mysterious. It is the fundamental emotion which stands at the cradle of true art and true science.” Is it art an attempt to uncover the mysterious?
Perception, temperament, curiosity, and self-expression are the backbones of creative life. What role does then art accomplish? I can only begin by saying that art fulfils the basic human need for beauty and harmony, it shapes perception, it feeds curiosity and imagination, it unlocks self-expression, it conveys emotion, it makes a statement, it signals social status, and the list can go on, and on, and on.
How does one cultivate good taste? Museums and art galleries are a good place to start. Then art books, magazines, catalogue essays, conversations with artists, collectors, and art dealers add another layer to one’s understanding and appreciation for the arts. Both The Metropolitan Museum of Art and Guggenheim Museum have made available for free many of their art publications.
Let me highlight some of the best art magazines that I read: Art in America, ArtNews Magazine, American Art Collector Magazine, American Fine Art Magazine, Fine Art Connoisseur Magazine, Plein Air Magazine, Interview Magazine (founded by Andy Warhol), Private Art Investor (London), Cahiers d’Art (Paris), Frieze, ArtNet, Artsy, Hyperallergic, and many more.
American Art Collectormagazine, published in Scottsdale, Arizona, covers a variety of art-related topics: features of leading contemporary artists, interviews with art collectors and dealers, gallery shows, auctions, and art trends. In 2015, for instance, the magazine produced a special feature dedicated to the art of the horse. Read here my interview with artist and gallerist Juliet Harrison, owner of Equis Art Gallery in Red Hook, Hudson Valley. Equis Art Gallery specializes exclusively in equine art.
American Fine Art Magazine, also published in Scottsdale, Arizona, defines itself as more than a magazine, and more like an interactive marketing tool written to generate publicity and increase business for historic American fine art. Scholarly commentary, previews of art shows, and market reports make this magazine such an important source of reliable information.
Yet another valuable resource is Fine Art Connoisseur magazine, published in Florida. Fine Art Connoisseur covers museums, galleries, art fairs, auctions, and private collections; it focuses on American and European representational painting, sculpture, drawings and prints, both contemporary and historical.
Published in London, Private Art Investor magazine has a slightly different focus: Private Art Investor looks at art as more of an asset class than a source of beauty. As a side note, the global art market in 2014 was according to the European Fine Art Foundation over 51 billion Euros (approx. $67 billion at an average exchange rate of 1.32 in 2014).
Some of the recent trends seen in contemporary art include: a significant increase in the online art market, the rise of Instagram as the place to go for discovering new artists, and a younger generation of artists who doesn’t mind forming collectives and showing art in self-owned spaces.
One final point, ArtNet magazine published a list with one hundred most influential people in the art world in 2015; the list includes collectors, curators, and artists who’ve made an impact in the art world. Looking forward to seeing what 2016 brings.