Tag: ellen wong

Not to Miss This Weekend: AMR Open Studios Tour Roxbury-Margaretville 2017

This weekend, Saturday and Sunday, July 29 – 30, from 11 am to 5 pm over twenty artists in Roxbury, Halcottsville, Margaretville, Fleischmanns, Halcott Center, and Arkville will open their studios to the public, and show their working spaces as part of the AMR – Artists Making aRt ™ – Open Studios Tours 2017.

A good place to start the tour is the Wawaka Grange in Halcottsville, which is true to its original function as a Grange and General Store. Refreshments, bathrooms, and handicap access are available at this location. Several artists will be showing at the Grange, including painters Sophia Maduri and Oneida Hammond.

For the first time this year Art in the Catskills will participate, and present and sell books at the Grange. “How Art Is Made: In the Catskills” will be offered at a discounted price. The book pays homage to the Catskills’ vibrant artistic life, and its long tradition as a magnet for artists and writers from all over the world. The region is known as the place where American art was born, through the works of landscape painters Thomas Cole and Frederic Edwin Church, affiliated with the Hudson River School of Painting, and writers Washington Irving and James Fenimore Cooper, who wrote specifically about American realities.

Alix Travis, one of the founding members of the tour, will once again open her studio located at 103 Bragg Hollow Road in Halcottsville. An established plein air painter, Alix has received several awards and recognitions, including signature status in the Pennsylvania Watercolor Society and the New York Plein Air Painters. In 2014 she published The Catskill Coloring Book, which includes twenty-six plein air watercolor paintings. This weekend, during the open studios tour, Alix will paint en plein air, and demonstrate some of her techniques. Alix’s website is https://alixhtravis.com/.

Urban realist painter Lisbeth Firmin will be showing oil paintings and monotype prints at her studio in the Commons Building in Margaretville. Lisbeth is known for works such as Fifth Avenue (1995), and Woman on a Train (2014). This past spring Lisbeth traveled to Venice, and enrolled in Scuola Internationale di Grafica where she perfected her monotype printing technique. Lisbeth explains that her work is really not about the colors, but about the light and shadow in the composition which she captures masterfully. Lisbeth is featured in “How Art Is Made: In the Catskills.” Her website is http://lisbethfirmin.com/.

Lisbeth Firmin showing a recent monotype. © Simona David

New this year, internationally renowned sculptor Brian Tolle will open his studio located in a repurposed Catholic church in Roxbury. Brian is known for The Irish Hunger Memorial in Battery Park City (2002), and more recently for Miss Brooklyn and Miss Manhattan, two replicas of Daniel Chester French originals that sit on the façade of the Brooklyn Museum – Brian’s replicas were installed on Flatbush Avenue by the Manhattan Bridge in December 2016. In 2015 The University at Albany’s Art Museum hosted a retrospective show titled Bordering Utopia: Sculptures by Brian Tolle, exploring the artist’s evolution over time. Brian’s studio is located at 53266 State Hwy 30 in Roxbury. He is one of the artists featured in “How Art Is Made: In the Catskills.” Brian’s website is http://briantollestudio.com/.

With Brian Tolle in his studio in Roxbury, NY. © Simona David

Abstract painter Adam Cohen will also open his studio for the first time this year. Adam is known for works such as Intuition (2015), a finalist in the Art Olympia International Competition in Tokyo, Japan, and Mystic Marsh (2014), shown at the Morren Galleries in Amsterdam, Netherlands. Adam is an intuitive painter whose style has been defined as Gestural Abstraction; his paintings are very much sculptural, and have a visceral look and the kind of inexhaustibility that the artist strives to achieve in his work. Adam’s studio is located at 53856 State Hwy 30 in Roxbury. He is also featured in “How Art Is Made: In the Catskills.” Adam’s website is http://www.adamcohenstudio.com/.

War Paint, acrylic on canvas by Adam Cohen. Photo © 2017 Simona David.

Poet and painter Esther De Jong, a former fashion model, will be showing her watercolors, oil paintings, and charcoal and pencil drawings at her studio located at 50 Maple Lane in Roxbury. Esther, who is formally trained at the National Academy of Art and Design, co-founded by Thomas Cole in 1825, refers to her paintings as “lyrical images” of her poetry: she often creates haikus accompanied by images that reflect her daily life experiences in the Catskills, a mood, or a feeling that is thus being immortalized on paper or canvas. Although Esther loves figural painting, she is also very much attracted to botanical themes, and finds inspiration in the Catskills’ changing seasons, particularly in the spring. Esther’s website is http://www.estherdejongpoetics.com.

Peace, graphite on paper by Esther De Jong. Photo © 2017 Simona David.

Although not formally trained as a painter, Michael Guilmet has been painting still lifes, landscapes, and portraits pretty much his entire life, growing up with family and friends interested in art. Trained as a magician, Michael had lived in Beverly Hills, Dallas, and New Mexico before moving to the Catskills in 2014. His interests in art theory, history, and philosophy are ubiquitous in his paintings which he says must “evoke an unexpected emotion.” Michael does not think as having a style of his own – he can do works on commission in any style, and can approach any subject; but design is always the idea behind all his drawings and paintings. “A strong design is the driving force behind my work,” he explains. Michael shares his studio at 50 Maple Lane in Roxbury with Esther De Jong. His website is http://www.mcguilmet.com.

Trinity, oil on panel by MC Guilmet. Photo © 2017 Simona David.

Artists Peter Yamaoka and Gerda Van Leeuwen met in a Boston airport in the early 1980s as they were both traveling to and from Provincetown. They married three years later. Peter studied at the prestigious Rhode Island School of Design, while Gerda received a degree in art from the University of Utrecht in her native Netherlands. In college both Peter and Gerda studied painting. Later in their artistic careers, they specialized in printmaking: Peter chose lithographs, while Gerda directed her attention to etchings. Since moving to the Catskills in the early 1990s both artists switched to ceramics: Peter prefers voluminous mythology-inspired vases, while Gerda makes small porcelains inspired by animal life. Both artists are featured in “How Art Is Made: In the Catskills.” Their studios are located at 777 Carroll Hinkley Road in Roxbury.

Ceramic Vase by Peter Yamaoka. Photo © 2017 Simona David.

Also in Roxbury, painter Ellen Wong is the recipient of many grants and fellowships, including the New York State Council on the Arts Decentralization Grant Program, as well as a National Endowment for the Arts Fellowship. She studied in the Art Department at Brooklyn College with Philip Pearlstein, known for reviving realist figurative painting in the 1960s. Initially trained as an abstract painter, in time Ellen discovered that what she really wanted to do in life was landscape: “I noticed that every time I went somewhere I always brought with me my watercolors, and I always sketched where I was; somehow that’s how I got to understand, absorb or take in a new environment – I felt very sensitive to place. And it was a good way for me to get to know a place.” Ellen’s studio is located at 121 Shephard Lane in Roxbury. This year she will be showing some studio drawings and still life watercolors as well as plein air work. Ellen currently has a show at Longyear Gallery in Margaretville which will remain on view through August 7. Ellen’s website is https://ellenwongfinearts.com/.

Watercolor by Ellen Wong. Contributed photo.

Studio visits trigger questions that aren’t often asked in formal settings such as galleries and museums, and provide access to an intimate space that the artist doesn’t often share with anyone else.

For maps and more information, visit http://www.amropenstudios.org or www.facebook.com/amropenstudios/. As you drive around this weekend, look for the “OPEN STUDIO” signs and brochures with maps available for pick up at various business sponsors and community supporters.

 

The AMR – Artists Making aRt ™ – Open Studios Tour 2017, sponsored by MURAL Gallery in Stamford and participating artists, is made possible, in part, with public funds from the New York State Council on the Arts (NYSCA) Decentralization Grant Program, with the support of Governor Andrew Cuomo and the New York State Legislature, administered in Delaware County by the Roxbury Arts Group (RAG), and additional funding from The A. Lindsay & Olive B. O’Connor Foundation.

 

SPONSORED STORY

© 2017 Simona David

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Not to Miss This Weekend: AMR Open Studios Tour 2016

This weekend, Saturday and Sunday, July 30 – 31, from 11 am to 5 pm over twenty artists in Roxbury, Halcottsville, Margaretville, Fleischmanns, Halcott Center, Arkville, and Andes will open their studios to the public, and show their working spaces.

A good place to start the tour is the Wawaka (Halcottsville) Grange, which is true to its original function as a Grange and General Store. Refreshments, bathrooms, and handicap access are available at this location. Several artists will be showing at the Grange, including painters Sophia Maduri and Oneida Hammond.

Oneida Hammond with her watercolors and sketchbooks
Painter Oneida Hammond will be showing her watercolors again at the Grange in Halcottsville. © Simona David

Alix Travis, one of the founding members of the tour, will once again open her studio located at 103 Bragg Hollow Road in Halcottsville. An established plein air painter, Alix has received several awards and recognitions, including signature status in the Pennsylvania Watercolor Society and the NY Plein Air Painters. In 2014 she published The Catskill Coloring Book, which includes twenty-six of her plein air watercolor paintings. This weekend, during the open studios tour, Alix will paint en plein air, and will demonstrate some of her techniques.

Urban realist painter Lisbeth Firmin will be showing her oil paintings and monotype prints at her studio located in the Commons Building in Margaretville. Lisbeth is known for works such as Fifth Avenue (1995), and Woman on a Train (2014). Just recently she opened a new show at Rice – Polak Gallery in Provincetown, MA where she has been exhibiting for many years. Lisbeth asserts that her work is really not about the colors, but about the light and shadow in the composition.

22" x 30" monoprint, 2015, printed by the artist at Hudson Press, Roxbury, NY
Lisbeth Firmin’s Beckett Reading monoprint (2015). Contributed Photo.

Multi-media artist Alan Powell and painter Lesley Powell will be showing their work at 993 Main Street in Fleischmanns, and painter Anthony Margiotta will open his studio located at 355 Route 3 in Halcott Center. Margiotta, who does not have formal training as an artist, draws inspiration from his surroundings, whether be the woods of the Catskill Mountains or the urban scenes of New York City.

In Arkville, painter and printmaker Amy Masters, and architect and printmaker Ted Sheridan will be opening their studios located at 222 Chris Long Road. Over the past year or so Amy has been working on a series of monotype prints inspired by feathers. The fragility and the uniqueness of this object has captivated her, and she has decided to set and explore various shapes and tones that come with the printmaking process. Her husband Ted Sheridan will be showing a series of metallic prints capturing the oxidation process, and in so doing, retaining the most spectacular shapes and forms on paper.

Feather inspired prints by Amy Masters
Feather inspired prints by Amy Masters. © Simona David

Poet and furniture designer Gary Mead will be showing his gallery at 1289 South Side Road in Margaretville, and sculptor Ken Hiratsuka will be opening his barn at 34325 State Hwy 28 in Andes.

Heading back over to Roxbury, you’ll have the opportunity to stop by weaver Tabitha Gilmore-Barnes, whose studio is located at 424 Carr George Road in Denver. Tabitha has in her studio a professional loom, and happily demonstrates how to work the weft and create the density that is desired for a new piece. Weaving is one of the oldest forms of a blend of art and function,” she explains. “And it’s gratifying that it isn’t forgotten.”

In Roxbury painters Ellen Wong and Helene Manzo, photographer Frank Manzo, ceramicists and printmakers Peter Yamaoka and Gerda Van Leeuwen, and sculptor John Sanders will all show new works produced over the past year. Studio visits trigger questions that aren’t often asked in formal settings such as galleries and museums, and provide access to an intimate space that the artist doesn’t often share with others.

Artist Gerda Van Leeuwen in her studio in Roxbury
Artist Gerda Van Leeuwen in her studio in Roxbury. © Simona David

To learn more about the tour, read our feature story at https://artinthecatskills.com/2016/07/19/featured-destination-amr-open-studios-tour-2016/.

For maps and more information, visit http://www.amropenstudios.org. As you drive around this weekend, look for the “OPEN STUDIO” signs and brochures with maps available for pick up at various business sponsors and community supporters.

The AMR Open Studio Tour 2016 is funded by public funds from the New York State Council on the Arts Decentralization Grant Program, with the support of Governor Andrew Cuomo and the NYS Legislature, and is administered in Delaware County by The Roxbury Arts Group, and with fiscal support from The MARK Project and participating artists.

SPONSORED STORY

© 2016 Simona David

 

Featured Destination: AMR Open Studios Tour 2016

Saturday and Sunday, July 30 – 31, over twenty artists in Andes, Margaretville and Roxbury area (AMR, for short) will open their studios to the public, and show their working spaces. During the tour, artists working in all media will talk about their styles and techniques, and the process of making art. Launched in 2012, AMR has been a great success, attracting a large number of visitors summer after summer. Similar tours take place all over the country, as open studios have become quite popular in recent years.

This year AMR features artists such as: painter and printmaker Amy Masters; architect, printmaker and photographer Ted Sheridan; urban landscape painter Lisbeth Firmin; ceramicists and printmakers Peter Yamaoka and Gerda Van Leeuwen; landscape painter Ellen Wong; weaver Tabitha Gilmore-Barnes; and poet and furniture designer Gary Mead, among others.

Amy Masters

Amy Masters has been an artist all her life. Formally trained as painter and printmaker, she pursued a degree in Interior Design at the Parsons School of Design, and worked as a draftsman for an engineering firm in New York City, before dedicating herself exclusively to painting and drawing. For over two decades, she taught in the New York City’s public school system, and spent her summers painting and drawing the world around. Moving to the Catskills in 2006, she was suddenly given far more space and limitless opportunities for inspiration. Amy likes to think about her work as being inspired by the natural world and the actual objects and vistas around her studio. But she likes to re-arrange and re-envision the landscape in the abstract. What is important to an abstract painter, says Amy, is the relationship between colors, lines and shapes, and the complexities of pattern and texture that emerge at the end of the process.

Her color palette changes periodically. Last summer, for instance, she was working extensively in blue, green, and red. This summer she enjoys exploring the possibilities of various shades of white, beige, and grey. But she always likes to add an unexpected dot of red somewhere on the canvas to surprise and intrigue the viewer.

A couple of years ago Amy re-discovered her passion for prints, and after taking an etching class in the City and working in a printmaking studio, she began producing prints using a variety of techniques. She currently works on a series of prints inspired by feathers. “When I was doing these prints, I was thinking how unique and individual these feathers were, and that resonated with the process too. Because each time you make one of these monotypes, they’re completely different.”

Painter and printmaker Amy Masters working on a series of monotypes inspired by feathers
Painter and printmaker Amy Masters working on a series of monotypes inspired by feathers. © Simona David

Amy will be showing her prints during the open studios tour later this month, and will be talking about various printmaking techniques. Her studio is located at 222 Chris Long Road in Arkville.

Ted Sheridan

Ted Sheridan is an architect, printmaker, and photographer. He has taught courses on architectural acoustics and the acoustics of musical instruments at the Parsons School of Design, and has lectured at the University of Virginia, Ryerson University, and the University of Toronto.

Six years ago, Ted began experimenting with metallic compounds, corrosion, and magnetic fields to create original patterns of rust on paper. For his very first project he used old, rusty car parts, and after leaving them out in the rain on a piece of paper, he discovered an immense array of shapes and shades that he did not expect. Coming from the world of architecture where everything is controlled and precise, Ted sat to explore the randomness of the oxidation process, and began working on more and more elaborate projects.

Metallic Print by Ted Sheridan
Metallic Print by Ted Sheridan. © Simona David

About a dozen prints are hanging in his studio at this time. Each one of them was produced by a different method and stylistic approach; some are concentric circles reminiscent of nebulas in space, others are rectangular stripes imposing in their own right. All these will be shown during the open studios tour on Saturday and Sunday, July 30 – 31.

Ted’s studio is located at 222 Chris Long Road in Arkville.

Lisbeth Firmin

Lisbeth Firmin is a contemporary American realist known for her urban landscapes. For over four decades her work has been in hundreds of solo and group shows across the country and internationally. She was cover artist for the 2008 spring issue of Epoch, Cornell University’s literary magazine, and was the featured artist in the 2008 summer issue of the Gettysburg Review. Awards include a 2007 New York Foundation for the Arts Fellowship for printmaking (Lily Auchincloss Fellow) and a Merit Award at the 2007 Roberson Regional Art Exhibition, Binghamton, NY, juried by Philip Pearlstein. Lisbeth was awarded a Community Arts Funding Grant, New York State Council on the Arts in 2007. Other awards include a Pollock-Krasner Foundation Grant, the New York Print Club Emerging Artist Award, the CCVA Award at the Chautauqua Center for the Visual Arts, first prize in the LANA International Arts Competition; along with full fellowships to the MacDowell Colony, National Seashore Residency, the Vermont Studio Center and Saltonstall Arts Colony.

Asked about her artistic process, Lisbeth responded: “I can’t explain that. It’s a visceral thing. I could be walking around, and doing grocery shopping or some other mundane stuff like that. And I see something, and I say I want to paint that. I don’t even verbalize it. It’s more like I could paint that, I want to paint that. Now I always have my little iPhone with me. And what’s happening these days is that I see something about the light on a figure, and this is what interests me. And it just comes naturally to me: I know exactly where to put the paint, and how to capture the light. I’m moving away from buildings and streetscapes.” Lisbeth says that her work is not about the colors, but about the light and shadow in the composition, apparent in works such as Fifth Avenue (1995), and Woman on a Train (2014).

Fifth Avenue, 7" x 15", gouache, 1995. Contributed photo.
Fifth Avenue, 7″ x 15″, gouache, 1995. Contributed photo.

To learn more about the artist, read our extensive interview with Lisbeth: https://artinthecatskills.com/2015/08/31/featured-artist-lisbeth-firmin. Her studio is located in the Commons Building at 785 Main Street, Margaretville.

Peter Yamaoka and Gerda Van Leeuwen

Artists Peter Yamaoka and Gerda Van Leeuwen met in a Boston airport in the early 1980s as they were both traveling to and from Provincetown. They married three years later. Peter studied at the prestigious Rhode Island School of Design, while Gerda received a degree in art from the University of Utrecht in her native Netherlands. In college both Peter and Gerda studied painting. Later in their artistic careers, they specialized in printmaking: Peter chose lithographs, while Gerda directed her attention to etchings. Since moving to the Catskills in the early 1990s both artists switched to ceramics: Peter prefers voluminous mythology-inspired vases, while Gerda makes small porcelains inspired by animal life. In Tribeca Peter and Gerda operated a printmaking shop. In the Catskills, they opened a fully equipped ceramics studio, where they both work and teach classes. Both artists have exhibited extensively in New York City and throughout the Catskills.

Ceramicist Peter Yamaoka in his studio
Ceramicist Peter Yamaoka in his studio. © Simona David

Peter’s vases are inspired by ancient Chinese motifs, Greek mythology, Mexican folklore, and the Catskills scenery. All his vases are both functional and decorative at the same time: “they’re sculptures,” Peter tells me. They withhold on top whimsical cities or mythological figures, an invitation to imagining and exploring. He also makes dioramas, fully employing the narrative feature of this form of art. All his vases and bowls are hand-made out of clay, then fired on an electrical kiln, and glazed in expressive, telling ways.

Gerda makes small porcelains inspired by animal life – primarily dogs and coyotes that we ordinarily see in the Catskills. Her anthropomorphic approach often leads to scenes of dancing dogs in a very human-like posture – portrayals that remind me of Matisse’s Dance. Victorian era practice of combining human heads and animal bodies or vice versa to awing effect in art also pops into my head. Gerda makes monotype prints on rice paper and canvas, similarly inspired by highly anthropomorphic pursuits. A large printing press occupies the central space of one of the studios.

On occasion Gerda makes woodblock prints. She currently works on a large scale wall piece using water based ink on paper and wood panel. A metal template is used to create a specific pattern that recurs throughout the composition. This particular work is done primarily in blue and gold hues. It will soon hang in a New York City apartment.

Peter and Gerda's Ceramics Garden
Peter and Gerda’s Ceramics Garden. © Simona David

Both Peter and Gerda are proud of their garden: the artists craft copious outdoor pieces that blend organically with the landscape. The tree of life reappears sporadically throughout the garden. Peter and Gerda have participated in the AMR Open Studios Tour ever since the tour first launched in 2012. Every summer they open both their studios and the garden, and demonstrate ceramics and printmaking techniques. Peter and Gerda’s studios are located at 777 Carroll Hinkley Road in Roxbury.

Ellen Wong

The recipient of many grants and fellowships, including the New York State Council on the Arts Decentralization Grant Program, as well as a National Endowment for the Arts Fellowship, Ellen Wong is an accomplished painter and educator whose works have been exhibited both in New York City and the Catskills, going back to the 1970s. Ellen studied in the Art Department at Brooklyn College with Philip Pearlstein, known for reviving realist figurative painting in the 1960s. Pearlstein’s departure from Abstract Expressionism back then made him a renegade in the art world. It’s that kind of artistic sensibility and daring attitude that Ellen learned from Pearlstein.

Landscape painting by Ellen Wong. Contributed photos.
Watercolor by Ellen Wong. Contributed photo.

Ellen herself was initially trained as an abstract painter, but in time she discovered that what she really wanted to do in life was landscape painting: “I noticed that every time I went somewhere I always brought with me my watercolors, and I always sketched where I was; somehow that’s how I got to understand, absorb or take in a new environment – I felt very sensitive to place,” she says. “And it was a good way for me to get to know a place. And I discovered that I had this desire to work outside, to work from life, and to work in watercolors, and that became in a way my primary medium,” she added.

Ellen’s studio is located at 121 Shephard Lane in Roxbury.

To learn more about Ellen, read our extensive interview with her at https://artinthecatskills.com/2014/10/18/featured-artist-ellen-wong/.

Tabitha Gilmore-Barnes

Tabitha Gilmore-Barnes is a professional weaver residing in Delaware County. She studied at the Fashion Institute of Technology (FIT), and the Center for Tapestry Arts in New York City. She designs both functional and aesthetic products using traditional American patterns. Her work can be seen in museums and gallery exhibits, and at various arts and crafts fairs throughout the region.

“Weaving is one of the oldest forms of a blend of art and function. The techniques of twisting fibers to make them stronger and durable started out probably in the earliest times of mankind history. From those twisted fibers men and women learned to do basketry, learned to create fabric, and also to use it for decoration. For instance, in a lot of the Native American pottery from the South-Western U.S. and Central and South America you will see that twisted fibers have been pressed up against the clay to create a pattern on that clay. It’s been made as an impression on the clay to make it look as it was woven. In reality, it is a three-dimensional structure that was never plated or twisted in itself,” explains Tabitha.

Weaver Tabitha Gilmore-Barnes
Weaver Tabitha Gilmore-Barnes. © Simona David

Tabitha says she loves the fact that weaving isn’t a forgotten art. She particularly enjoys the mathematical structure of setting up the loom, and is excited about what it takes to create fabric. Her favorite part is mixing the colors, and the texture of the yarns together. “To me that’s magical – how I get a piece of fabric: something out of nothing.”

Tabitha’s studio is located at 424 Carr George Road in Denver. To learn more about Tabitha, read our extensive interview with her at https://artinthecatskills.com/2015/01/31/featured-artist-tabitha-gilmore-barnes/.

Gary Mead

Poet and furniture designer Gary Mead grew up on a farm in New Kingston, and fell in love with wood as a teenager, when he began working in a sawmill. In 1979 he opened his own company Fruitful Furnishings, and for many years designed and built custom furniture for clients all over the country. “The woodworking passion would not leave me alone, so as I was running the mill and raising my three sons, I was working on my home in Arkville composing pantries, kitchen cabinets, furniture, floors, walls and ceilings from wood, practically turning my home into a museum of woods,” he says.

Gary’s artistic eye and his understanding of the wood led him in recent years to creating compositions from curved and more unusual wood. In 2011 he opened his art gallery, dedicated exclusively to wood. While some pieces are both functional and aesthetic, others are purely decorative. The floor in his gallery is representative of all the trees growing in the Catskill Mountains from walnut, beechnut, butternut, maple, cherry, and birch trees to various kinds of pine. All these have been used to designing durable tables, cabinets, and pantries. Gary proudly proclaims that all the compositions in his gallery are actually from woods within a fifty-mile radius from his galley. “I am excited to teach people about the wealth of wood we have right here in our back yard,” he says. He will be showing his gallery during the open studios tour on Saturday and Sunday, July 30 – 31. His studio is located at 1289 South Side Road in Margaretville.

Xylophone Table by Gary Mead
Xylophone Table by Gary Mead. © Simona David

The AMR Open Studios Tour takes place Saturday and Sunday, July 30 – 31, from 11 am to 5 pm both days. For maps and more information, visit http://www.amropenstudios.org/.

The AMR Open Studio Tour 2016 is funded by public funds from the New York State Council on the Arts Decentralization Grant Program, with the support of Governor Andrew Cuomo and the NYS Legislature, and is administered in Delaware County by The Roxbury Arts Group, and with fiscal support from The MARK Project and participating artists.

SPONSORED STORY

© 2016 Simona David

Not to Miss This Weekend: AMR Open Studios Tour 2015

This weekend, Saturday and Sunday, July 25 – 26, from 11 am to 5 pm over twenty artists in Roxbury, Halcottsville, Margaretville, Fleischmanns, Halcott Center, Arkville, and Pine Hill will open their studios to the public, and show their working spaces.

A good place to start the tour is the Wawaka (Halcottsville) Grange, which is true to its original function as a Grange and General Store. Refreshments, bathrooms, and handicap access are available at this location. The Catskill Mountain Quilters Guild group show as well as Katherine Somelofski, Kathleen Green and Oneida Hammond will exhibit their works at the Wawaka Grange this year. These are first time participants.

Ceramics bowl by Ros Welchman
Ceramics bowl by Ros Welchman. Contributed photo.

Ceramicist Ros Welchman, who has participated in the tour every year since it launched in 2012, will be opening her studio at 266 Halcottsville Rd. in Halcottsville. For forty years Welchman taught mathematics and education at Brooklyn College. Since retiring and moving to the Catskills, she returned to her early love for visual design and ceramics. Her professional interests in mathematics (especially geometry) and in teaching (especially problem-solving) have had a strong impact on her work. Welchman’s ceramics are hand-built with an emphasis on surface texture, often with patterns influenced by her travels.

Painter Lisbeth Firmin will be showing her work in the Commons Building in Margaretville. Multi-media artist Anthony Margiotta will be opening his studio in Halcott Center, and sculptor Ken Hiratsuka will be showing his barn and massive stone carvings at 34325 Rt. 28 between Margaretville and Andes.

In Roxbury painters Ellen Wong and Helene Manzo, photographer Frank Manzo, and ceramicists and printmakers Peter Yamaoka and Gerda Van Leeuwen will all be opening their studios and offering an intimate view of their works. Studio visits trigger questions that aren’t often asked in formal settings such as galleries and museums; this is an exchange that benefits both the viewer and the artist.

Artist Peter Yamaoka in his garden
Artist Peter Yamaoka in his garden. © Simona David

Weaver Tabitha Gilmore-Barnes, whose studio is located at 424 Carr George Rd. in Denver, is passionate about what it takes to make fabric. Tabitha has in her studio a professional loom, and happily demonstrates how to work the weft and create the density that is desired for a new piece. “To me that’s magical,” she says – “how I get a piece of fabric: something out of nothing. Weaving is one of the oldest forms of a blend of art and function,” Tabitha explains. “And it’s gratifying that it isn’t forgotten.”

Other participating artists this year include: Hedi Kyle, Midori Kato, Patrice Lorenz, Amy Masters, Gary Mead, John Sanders, Ted Sheridan, and Alix Travis.

Book structure by Hedi Kyle
Book structure by Hedi Kyle. Contributed photo.

For maps and more information, visit http://www.amropenstudios.org/. Look for AMR Open Studios on Facebook at https://www.facebook.com/AmrOpenStudios.

Look for the “OPEN STUDIO” signs and brochures with maps, available for pick up at business sponsors and community supporters in Arkville, Roxbury, and Margaretville.

The AMR Open Studio Tour 2015 is made possible with funds from the O’Connor Foundation and with public funds from the New York State Council on the Arts Decentralization Grant Program, with the support of Governor Andrew Cuomo and the NYS Legislature, and is administered in Delaware County by The Roxbury Arts Group.

© 2015 Simona David

SPONSORED STORY

Featured Destination: AMR Open Studios Tour 2015

Saturday and Sunday, July 25 – 26, 11 am to 5 pm, over twenty artists in Roxbury, Halcottsville, Margaretville, Arkville, and Pine Hill area will open their studios to the public, and show their working spaces. During the tour, artists working in all media will talk about their styles and techniques, and the process of making art. AMR (ArtTour Margaretville-Roxbury) Open Studios Tour, which launched in 2012, has been a great success, attracting a wide range of visitors summer after summer. Similar tours take place all over the country, as open studio tours have become quite popular among art lovers.

Peter Yamaoka and Gerda Van Leeuwen

Artists Peter Yamaoka and Gerda Van Leeuwen met in a Boston airport in the early 1980s as they were both traveling to and from Provincetown. They married three years later. Peter studied at the prestigious Rhode Island School of Design, while Gerda received a degree in art from the University of Utrecht in her native Netherlands. In college both Peter and Gerda studied painting. Later in their artistic careers, they specialized in printmaking: Peter chose lithographs, while Gerda directed her attention to etchings. Since moving to the Catskills in the early 1990s both artists switched to ceramics: Peter prefers voluminous mythology-inspired vases, while Gerda makes small porcelains inspired by animal life. In Tribeca Peter and Gerda operated a printmaking shop. In the Catskills, they opened a fully equipped ceramics studio, where they both work and teach classes. Gerda is also the executive director of the Longyear Gallery in Margaretville. Both artists have exhibited extensively in New York City and throughout the Catskills.

Artist Peter Yamaoka in his studio
Artist Peter Yamaoka in his studio. © Simona David

Peter’s vases are inspired by ancient Chinese motifs, Greek mythology, Mexican folklore, and the Catskills scenery. All his vases are both functional and decorative at the same time: “they’re sculptures,” Peter tells me. They withhold on top whimsical cities or mythological figures, an invitation to imagining and exploring. He also makes dioramas, fully employing the narrative feature of this form of art. All his vases and bowls are hand-made out of clay, then fired on an electrical kiln, and glazed in expressive, telling ways.

Yamaoka showing a vase inspired by Greek mythology
Yamaoka showing a vase inspired by Greek mythology. © Simona David

Gerda makes small porcelains inspired by animal life – primarily dogs and coyotes that we ordinarily see in the Catskills. Her anthropomorphic approach often leads to scenes of dancing dogs in a very human-like posture – portrayals that remind me of Matisse’s Dance. Victorian era practice of combining human heads and animal bodies or vice versa to awing effect in art also pops into my head. Gerda makes monotype prints on rice paper and canvas, similarly inspired by highly anthropomorphic pursuits. A large printing press occupies the central space of one of the studios.

Van Leeuwen showing animal inspired porcelains
Van Leeuwen showing animal inspired porcelains. © Simona David

On occasion Gerda makes woodblock prints. She currently works on a large scale wall piece using water based ink on paper and wood panel. A metal template is used to create a specific pattern that recurs throughout the composition. This particular work is done primarily in blue and gold hues. It will soon hang in a New York City apartment.

Woodblock prints by Van Leeuwen
Woodblock prints by Van Leeuwen. © Simona David

Both Peter and Gerda are proud of their garden: the artists craft copious outdoor pieces that blend organically with the landscape. The tree of life reappears sporadically throughout the garden. Peter and Gerda have participated in the AMR Open Studios Tour ever since the tour first launched in 2012. Every summer they open both their studios and the garden, and demonstrate ceramics and printmaking techniques.

Garden ceramics at Yamaoka and Van Leeuwen's studios
Garden ceramics at Yamaoka and Van Leeuwen’s studios. © Simona David

Peter and Gerda’s studio is located at 777 Carroll Hinkley Road in Roxbury.

Tabitha Gilmore-Barnes

Tabitha Gilmore-Barnes is a professional weaver residing in Delaware County. She studied at the Fashion Institute of Technology (FIT), and the Center for Tapestry Arts in New York City. She designs both functional and aesthetic products using traditional American patterns. Her work can be seen in museums and gallery exhibits, and at various arts and crafts fairs throughout the region.

“Weaving is one of the oldest forms of a blend of art and function. The techniques of twisting fibers to make them stronger and durable started out probably in the earliest times of mankind history. From those twisted fibers men and women learned to do basketry, learned to create fabric, and also to use it for decoration. For instance, in a lot of the Native American pottery from the South-Western U.S. and Central and South America you will see that twisted fibers have been pressed up against the clay to create a pattern on that clay. It’s been made as an impression on the clay to make it look as it was woven. In reality, it is a three-dimensional structure that was never plated or twisted in itself,” explains Tabitha.

Tabitha says she loves the fact that weaving isn’t a forgotten art. She particularly enjoys the mathematical structure of setting up the loom, and is excited about what it takes to create fabric. Her favorite part is mixing the colors, and the texture of the yarns together. “To me that’s magical – how I get a piece of fabric: something out of nothing.”

Tabitha’s studio is located at 424 Carr George Road in Denver.

To learn more about Tabitha, read our extensive interview with her at https://artinthecatskills.com/2015/01/31/featured-artist-tabitha-gilmore-barnes/.

Ellen Wong

The recipient of many grants and fellowships, including the New York State Council on the Arts Decentralization Grant Program, as well as a National Endowment for the Arts Fellowship, Ellen Wong is an accomplished painter and educator whose works have been exhibited both in New York City and the Catskills, going back to the 1970s. Ellen studied in the Art Department at Brooklyn College with Philip Pearlstein, known for reviving realist figurative painting in the 1960s. Pearlstein’s departure from Abstract Expressionism back then made him a renegade in the art world. It’s that kind of artistic sensibility and daring attitude that Ellen learned from Pearlstein.

Landscape by Wong
Catskills Landscape by Ellen Wong. Contributed photo.

Ellen herself was initially trained as an abstract painter, but in time she discovered that what she really wanted to do in life was landscape painting: “I noticed that every time I went somewhere I always brought with me my watercolors, and I always sketched where I was; somehow that’s how I got to understand, absorb or take in a new environment – I felt very sensitive to place,” she says. “And it was a good way for me to get to know a place. And I discovered that I had this desire to work outside, to work from life, and to work in watercolors, and that became in a way my primary medium,” she added.

Ellen’s studio is located at 121 Shephard Lane in Roxbury.

To learn more about Ellen, read our extensive interview with her at https://artinthecatskills.com/2014/10/18/featured-artist-ellen-wong/.

Other participating artists include: Lisbeth Firmin, Hedi Kyle, Ken Hiratsuka, Midori Kato, Patrice Lorenz, Frank and Helene Manzo, Anthony Margiotta, Amy Masters, Gary Mead, John Sanders, Ted Sheridan, Alix Travis, and Rosamond Welchman.

Poppies by Alix Hallman Travis
Poppies by Alix Travis. Contributed photo.

The AMR Open Studios Tour takes place Saturday and Sunday, July 25 – 26, from 11 am to 5 pm both days.

Halcottsville Grange will be a HUB for several artists who will demonstrate their craft to the public:  Alix Travis – coloring books, Rosamond Welchman – clay, Catskill Mountain Quilters Guild members – quilting, Katherine Somelofski – stained glass, Kathleen Green – painting and portraiture, and Oneida Hammond – painting.  The Grange HUB will be open 11 am to 5 pm on both days, and Margaretville High School Art Students Katlynn Shamro and Sage Finkle will serve as interns.

For maps and more information, visit http://www.amropenstudios.org/.

The AMR Open Studio Tour 2015 is made possible with funds from the O’Connor Foundation and with public funds from the New York State Council on the Arts Decentralization Grant Program, with the support of Governor Andrew Cuomo and the NYS Legislature, and is administered in Delaware County by The Roxbury Arts Group.

© 2015 Simona David

SPONSORED STORY

Featured Artist: Ellen Wong

Ellen Wong (2)
Artist Ellen Wong

The recipient of many grants and fellowships, including the New York State Council on the Arts Decentralization Grant Program, as well as a National Endowment for the Arts Fellowship, Ellen Wong is an accomplished painter and educator whose works have been exhibited both in New York City and the Catskills, going back to the 1970s. Wong studied in the Art Department at Brooklyn College with Philip Pearlstein, known for reviving realist figurative painting in the 1960s. Pearlstein’s departure from Abstract Expressionism back then made him a renegade in the art world. It’s that kind of artistic sensibility and daring attitude that Wong learned from Pearlstein.

Wong herself was initially trained as an abstract painter, but in time she discovered that what she really wanted to do in life was landscape painting: “I noticed that every time I went somewhere I always brought with me my watercolors, and I always sketched where I was; somehow that’s how I got to understand, absorb or take in a new environment – I felt very sensitive to place,” she says. “And it was a good way for me to get to know a place. And I discovered that I had this desire to work outside, to work from life, and to work in watercolors, and that became in a way my primary medium,” she added.

Wong paints mostly outdoors, in the field, but she’s done some studio work as well. For instance, “Local Gets Personal,” a series of bluish-purple Jersey cows on Catskills’ farmland, shown at the Roxbury Arts Group two years ago, was done mostly in the studio: “When I’m outside I take in so much, and for that show I wanted a highly culled sensibility of these places, and so I did do a lot of work in the studio.”

On the other hand, her current show at Longyear Gallery in Margaretville “The Road Show,” on view till October 20, was done entirely in plein air. “The Road Show” includes twenty-five oil paintings, watercolors and drawings depicting Catskill Mountains’ scenery in various seasons, although green panoramas predominate. Most of the paintings were done over the past two years, but the show also includes a few older winter and fall pieces. The biggest painting in the show is a 24” x 36” oil on canvass called “Grazing on the Far Meadow on Rt.30 across from Lucci and Randy’s”. Lots of roads: “Autumn in Margaretville” (oil on linen), “Not Just Any Road, Hardscrabble Road” (oil on panel), “Driving Along Red Rock Road Find Farm” (oil on linen), and Wong’s favorite spot in Roxbury – “Foggy Morning, Briggs Road Along the East Branch” (watercolor). The creamery also has a special place in Wong’s collection. Included in this show are “Stormy Weather at the Creamery” (watercolor on paper), and “Rounding the Curve at the Creamery” (graphite on paper).

Artist Ellen Wong
Artist Ellen Wong

“Frederic Church, a student of the Hudson River School of Painting, was like a Paganini on a violin, he could do these amazing things. When I had a research grant, and saw some of his oil sketches – the view of the Catskill Mountains from Olana, those works to me are infinitely exciting, and one of the things we must do as landscape painters is to retain that excitement,” articulates Wong.

Wong started painting in oils, and admits that she never painted with acrylic, but loves the immediacy of watercolors and drawing. “What I paint dictates what medium I use. When light is a critical element, I just like watercolors because of their quickness of capturing that light. When solidity or form is important, I feel that oil really lands itself for that,” she explains. And, she continues: “I think these are the things that I struggle with, how to labor over a painting, and not having it looked like it was labored, because you don’t want to see someone’s labor, you just want to see that moment in a way.”

Wong has painted the Catskill Mountains’ scenery for the past twenty-five years, but has never gotten tired of it. “The challenge of working from life is a challenge that never ends, and that propels me in a way, and I look for different things. When I first came to the Catskills, I was most impressed by the extraordinary vistas, in the tradition of the Hudson River School of Painting, but nowadays what draws me in is mostly any road – driving on any road, and observing how the light and shadows fall on that road. Over time I think I moved from the majestic view of the Catskill Mountains to the more banal aspects of living here. And some of my paintings document things that are no longer here, like some of the buildings that I depict in my earlier paintings.”

Asked how she wants people to react to her paintings, Wong says that she wants them to be moved, but “I don’t want the work to be sentimental, and I don’t want it to look like a photograph either, although I work from life.” “I also like when people experience familiarity and recognition in the places that I depict,” she adds.

When asked how she deals with the ever changing environment when working on a specific piece, Wong says: “Sometimes the painting changes, and it’s ironic, because I’m looking to capture a particular place in a particular moment in time, but if you think about capturing a moment, there are hours and hours of work to get that moment. In a way, the painting captures the nature of the changing weather.”

The artist’s journal further edifies the process of creating new artworks: “To paint landscape is to be a poet, changing forms, states, colors, sitting by the waterfall in the morning, in the delicate shadow of a little seedling on a rock, the details, the subtle nuances of shadows, trying to deal with rushing waterfall, … how to paint, how to draw, it becomes a technical challenge, and it takes me away from the experience of nature,” Ellen Wong, landscape painter.

© 2014 Simona David

Artist – Writer Talk “Nature as Muse”

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Artist – Writer Talk “Nature as Muse” – Saturday, October 11, 2014. An event organized by Writers in the Mountains in partnership with Longyear Gallery in Margaretville, New York.

(c) 2014 artinthecatskills.com