Tag: platte clove

Featured Destination: Cross Contemporary Art Gallery

Jen Dragon is the director of Cross Contemporary Art in Saugerties, a gallery dedicated to showing mid-career artists with a connection to New York City, the Catskills and Hudson Valley regions. Dragon has background in online marketing, but she’s also had an extensive career in the arts – over the years she has curated numerous exhibits for non-profit spaces, and organized various community-wide art projects. Dragon holds a Bachelor of Fine Arts from Purchase College.

Winter IV by Katherine Bowling. Contributed photo.
Winter IV by Katherine Bowling. Contributed photo.

Simona David: Please, talk a little bit about your background, your education, and interest in art.

Jen Dragon: I studied at Purchase College in the early 1980s. And there I was trained as a printmaker and painter. I also had a scholarship to study fine arts in Italy for a year. I was trained there as a restaurateur of antique maps and prints. Afterwards, like many artists, I was drawn to the Catskills. Together with my ex-husband I bought a tavern to use as a studio – we fixed it ourselves; this was near the Phoenicia area. I lived there until about a year and a half ago.

SD: Talk about your curatorial experience, and your vision when it comes to putting together a new art show.

JD: I got into curating with non-profit spaces like the Kleinert / James Center for the Arts in Woodstock, and under-utilized spaces like this place at the Emerson Resort that at the time was not being used. It was a challenge, because I was interested in showing large abstract art, and in the country, like where we live, it’s very difficult to find houses that have really big high-ceilings. I was always on the look-out for a loft, a good space to show big paintings. A year ago I had the opportunity to take over a lease on a gallery in Saugerties. It’s tiny – it’s only 650 sq ft, but it has high ceilings, and it has a lot of wall space. And I am now able to show the kind of art that I have always been passionate about. I much prefer to be in the gallery and act as a docent introducing people to art rather than trying to rally everybody behind a large community arts project.

Reverse Painting with Silver by Catherine Howe. Contributed photo.
Reverse Painting with Silver by Catherine Howe. Contributed photo.

SD: Talk about the curatorial process: where do you start, what is your vision, and how do you get where you want to be with a project?   

JD: It’s interesting, because I get to live with an art show for about a month – each show is four week long. And I really get immersed in the artist’s work. At the end of each show I can probably write a dissertation on it. A lot of my choices are governed by the location of my gallery. Given the fact that I’m in Saugerties, which has extraordinary landscapes, I don’t feel like it’s appropriate to show urban art. The artists I tend to choose have an obsession with nature, and I also look for human drama. In sum, the criteria for choosing art have to do with where I am, but I also consider myself as some sort of an educator. It’s more about creating a beautiful show than being a salesman. I encourage the artists to really own the space, and create an installation.

SD: How do you look for artists, or is it the artists who approach you?

JD: I’m always looking at art. It’s important for artists to have their art seen. Because of my limitations, I can only show as many artists. But I keep a file, and I also refer artists to other places. A lot of time artists that I show are referred to me by other artists. The artists that I have been generally showing are in museum collections, or have shown in museums, and to show with me is a certain investment on their part. And they take very seriously who they want to be seen with. And they also refer people to me that they think that I would like. Sometimes I come up with something that I discover on my own. I have shown over eighteen artists so far. I’ve only done one group show.

SD: I like what you said before, that artists like to be seen in the company of other artists, and that’s why art communities are so important. We often judge people by their associations or affiliations, or by the company they keep. Are there any commonalities of themes or styles amongst the artists that you’ve shown? You did mention before that you looked at art centered on nature or human drama.

JD: Yes. I also have a sweet spot for printmaking. I was trained as a printmaker when I was in college in the 1980s, and what was trending back then were these Neo-Impressionist like prints. There were these intense, dynamic painters like Julien Schnabel, Gregory Amenoff, Richard Bosman – these guys were powerhouses. In retaliation to the abstract art, they were going back to figurative painting. And just like the German expressionists, they were also into printmaking. What I learned from artists like these is that the power of the wood cut supports the power of the painting. I knew I was doing something right with my gallery when I approached Gregory Amenoff and Richard Bosman, who were like my rock stars when I was a student, and they agreed to show their work with me.

Labrador Sea by Gregory Amenoff. Contributed photo.
Labrador Sea by Gregory Amenoff. Contributed photo.

SD: And I should add that when people think nature, they shouldn’t necessarily think representational art or landscape painting. It could be non-objective art as well. Take for instance Heather Hutchison, who you’ve shown in your gallery.      

JD: Yes. What’s fascinating about Heather Hutchison is that her subject matter is light, so she is probably more of a landscape painter than anyone else that I’ve shown. Even though it doesn’t look like landscape, and it looks like a box that is constantly changing colors because of the way the light is coming through it, Heather’s literal subject matter is the changing light itself.

Sleepy Golden by Heather Hutchinson. Contributed photo.
Sleepy Golden by Heather Hutchison. Contributed photo.
More Like the Weather by Heather Hutchinson. Contributed photo.
More Like the Weather by Heather Hutchison. Contributed photo.

SD: Her work has been shown in many prestigious locations like The Smithsonian in Washington D.C., and she’s also received numerous awards including The Pollock-Krasner Foundation Award.

JD: Yes. She’s also very active locally. She’s in the James / Kleinert Center for the Arts in Woodstock. Her husband Mark Kanter teaches at Columbia University. All the artists that I show are actually very active in the community. In addition to being educators and making art in their studios, these artists are also great art communicators.

SD: What kind of experience do you want your visitors to have when they visit your gallery?

JD: What’s really interesting about showing all these artists is that they work so well together – I can easily have a group show with any of them. Even though they have different styles, they all seem to have the same sort of fascination, the same sort of obsession with art. The common denominator is that they all create amazing spatial environments that the viewer can occupy. That’s my criterion for what I consider art. The mark making is also terribly important. A gestural mark is a brush work with intention, and a certain kind of velocity to it, and these kinds of creations need to form a space that you can inhabit. If art doesn’t have gesture, and it doesn’t have space, it becomes illustration, which is a fine thing, but it’s not deep enough for me. What I look for in art is the space, the intent, and the passion. What I find beautiful is the thing that changes me by looking at it, and changes my relationship to where I am.

SD: You hosted recently a show by Iain Machell. Let’s talk about that.    

JD: Iain Machell is the head of the Visual Arts Department at SUNY Ulster. Last summer he got a grant to study at Platte Clove arts residency near Saugerties. And created all these drawings, and paintings, and even some photographs enameled in metal, that were inspired by Platte Clove – he did it in a very short period of time as well. The show at Cross Contemporary Art Gallery included close to thirty pieces of art that Iain created at Platte Clove this past summer. It was an installation – some sort of meditation of ground and water and rocks and crevasses.

Platte Clove Lens Installation by Iain Machell. Contributed photo.
Platte Clove Lens Installation by Iain Machell. Contributed photo.

SD: I do want to mention that Platte Clove played such an important role in the formation of the Hudson River School of Painting in the 1820s. What is your next show?

JD: My December show is Shira Toren, an Israeli-American artist, who works in New York City, but also has a place in Great Barrington, MA. She does abstract paintings, and also makes prints. Her show is called “Eternal Return.” It opened December 5, and will remain on view through December 27.

Nebula 2 by Shira Toren. Contributed photo.
Nebula 2 by Shira Toren. Contributed photo.

SD: What are your plans for the holiday season?

JD: I have been invited to participate in The Decorator’s Holiday Show at the Senate House in Kingston. The Senate House Museum owns a large Victorian house that is being made available to interior designers to decorate it for the holidays. I am the only gallery that was invited to participate. The grand opening was December 4 as part of The Snowflake Festival. I am featuring artists that I have shown over the past year.

SD: What are the gallery’s hours?

JD: The gallery is open from Thursday to Monday from 12 noon to 5 pm. And also by appointment.   

For more information about Cross Contemporary Art Gallery, visit

http://www.crosscontemporaryart.com

81 Partition Street, Saugerties, NY 12477

(845) 399-9751

 

© 2015 Simona David

Weekend in the Catskills – 5/15/2015

Erpf Center

Erpf Center in Arkville, Delaware County, is hosting an opening reception this Saturday, May 16 at 2 p.m. discussing works by artists in residence at Platte Clove, a site administered by the Catskill Center in Greene County. Platte Clove, along with Kaaterskill Clove, was an inspiration to early American landscape painters affiliated with the Hudson River School of Painting, a movement initiated by Thomas Cole in 1825. For more information about this event, visit http://catskillcenter.org/events/2015/5/11/inspired-by-platte-clove.

Slabsides

Slabsides, home of naturalist writer John Burroughs in West Park, Ulster County, is hosting an Open House event “The Journals of John Burroughs,” this Saturday, May 16 from 11 a.m. to 4 p.m. At noon Vassar College student Maura Toomey will be talking about her three years of research, transcribing Burroughs’ hand written journals. Toomey transcribed twenty-two volumes, covering the period 1887 – 1901, and thus gaining insights into Burroughs’ understanding of the natural world. For more information, visit http://www.johnburroughsassociation.org/news/events/item/slabsides-day-open-house-and-the-journals-of-john-burroughs-may-16-2015.

Fisher Center

Fisher Center in Annandale-on-Hudson, Dutchess County, is hosting a classical music performance this Sunday, May 17 at 3 p.m. featuring members of the American Symphony Orchestra, Bard College Conservatory Orchestra, and Bard College Faculty conducted by Leon Botstein. The performance is dedicated to Mahler’s Symphony No. 9. Mahler wrote his last symphony in 1908 – 1909. Leonard Bernstein said about it that “It is terrifying, and paralyzing, as the strands of sound disintegrate … in ceasing, we lose it all. But in letting go, we have gained everything.” For more information about this performance, visit http://fishercenter.bard.edu/calendar/event.php?eid=128576.

Albany Symphony Orchestra

American Symphony Orchestra is hosting the American Music Festival: Migrations this Saturday, May 16 at 7:30 p.m. Migrations is a program dedicated to traditions surrounding American history. Michael Daugherty’s Trail of Tears Concerto for Flute and Orchestra with flutist Amy Porter will be performed, as well as works by Clint Needham and Andrea Reinkemeyer, and Derek Bermel’s Migration Series for Jazz Orchestra. For tickets, and more information visit http://www.albanysymphony.com/concerts_and_tickets/event_details.cfm?ID=172

Catskill Art Society

Catskill Art Society in Livingston Manor, Sullivan County, is hosting a Garden Day event this Saturday, May 16 from 10 a.m. to 4 p.m. Conversant speakers will address a variety of garden-related topics from community gardening to planting techniques, tips and more. For more information, visit http://catskillartsociety.org/events/gardenday.

Enjoy a gorgeous weekend in the Catskills!