Tag: Roxbury NY

Paint The Town

As its first post-pandemic program, AMR Artists Inc. presents Paint The Town, a series of five events spanning over five months (from June to October), and taking place in a different town each month: Arkville – June 26; Roxbury – July 24; Halcottsville – August 14; Fleischmanns – September 5; and Margaretville – October 9. The fee for participating artists is $25 for all five dates. The artists can also sign up the day of the event.

This Saturday, July 24 from 10 am to 1 pm, artists will be painting at the Gould Church on Main Street in Roxbury. The location will be marked with colorful balloons to make it easy for visitors to find the artists. At 1 pm there will be a gathering to discuss the artworks produced throughout the day.

Photo Credit: Rebecca Andre

The organizers feel that this is an opportunity for the community to witness the creation of new works of art en plein air, and engage with the participating artists. 

Launched in 2012 as AMR Open Art Studios Tour, AMR Artists incorporated in 2020, the year of the pandemic, as a non-profit organization to better serve the community of artists active in the Arkville, Margaretville and Roxbury area of the Central Catskills, upstate New York.

This program is made possible in part with funds from the Community Foundation of South Central New York, and the Delaware County Department of Economic Development.

COVID restrictions apply. For updates and guidelines visit the website at https://www.amropenstudios.org/

Pandemic Art – Heartfelt Stories from The Catskills

by Simona David

“I have a feeling that in art the need to understand and the need to communicate are one,” remarked Hedda Sterne, revered Surrealist painter. 

Coming out of a 14-month once in a century pandemic, we take a moment to reflect on this monumental experience and make sense of the changes we have witnessed around us thus far.

Artists have extraordinary perceptual abilities, an attribute that Marshall McLuhan referred to as “integral awareness,” something that will guide us through the process of re-gaining meaning in a post-pandemic world. Societal forces play their role as well in influencing the artistic product from idea to execution and reception of the artwork in the field as the artist and his or her social surroundings are interdependent.

The pandemic took a year out of our otherwise normal life – everything was turned upside down. The unexpected circumstance changed our mindset, and forced us to adapt like never before. It also provided the sudden opportunity to slow down and re-think priorities. The post-pandemic world will look a lot different than the pre-pandemic one.

But how exactly does the art world respond to this colossal transformation in our life? In her seminal book “Meaning and Expression: Toward a Sociology of Art,” first published in Germany in 1967, Hanna Levy Deinhard exemplarily illustrated how humans are able to distinguish in a work of art its visual expression from its meaning. While visual expression however remains relatively constant over time, its meaning is subject to change. Deinhard strived to reconcile the everlasting contradiction in art between the artwork as a timeless object and the artwork as an expression of its time. 

With that in mind, we spoke with prominent Catskills artists to learn about their experience during the pandemic and how that might have impacted their creative life.


Brian Tolle (sculptor)

The pandemic and all the chaos that it created gave rise to a different mindset for many of us. On the one hand we were intensively connected to the world, unified in the global effort to control and contain the virus. On the other hand, were in lockdown, limited to our immediate cohabitants guarding ourselves from our families, friends, colleagues and neighbors. My time was spent obsessing over the news and worrying about my loved ones. That said there was little or no time for thinking about art. For the first time in my twenty-five-year career the mere thought of making ART felt gratuitous. However, I greatly respect and appreciate the work that so many artist friends produced during this most difficult time. I alas, did not, could not. What I did do was to reflect on what it meant to be an artist and art educator. My resolve for both pursuits is stronger than ever. Creative thinking is essential for the health and survival of humanity.    

Recently I have begun to focus my energies locally, inspired by the communities that I live among. My work has always been engaged with history and my sights are currently on the history of the Catskills; the place my partner and I call home. More specifically I am studying the history of Roxbury, where I have a studio. Of particular interest are the lives and careers of John Burroughs and Jay Gould, two men who grew up in this place at the same time but pursued very different careers. Burroughs the great naturalist and Gould the capitalist represent very different world views that continue to shape the nation and the world that we inhabit.


Amy Masters (painter)

In a Field, 24”x 24” oil on canvas, 2020

My most recent body of work centers around the idea of home and shelter. I had been exploring the iconic ‘house’ shape for many months, experimenting with its form and how accessible and recognizable it can be. When the pandemic forced so many of us inside and often isolated us, the house paintings took on a new and deeper meaning for me and pushed the work even further. The house became a symbol of safety; a shelter that protects but also isolates.


Gail Freund (painter, illustrator, and embroiderer)  

Catskill Beauty page from fabric Verso-Recto book, fabric paint and embroidery floss on linen, 8″ x 18″, 2020

It has been an unchartered time. Terribly sad, isolating, yet interesting. I was fortunate to have moved to the Catskills from New York City in 2016 and had already been familiar with leading a remote life in this beautiful region. Over the past year I had been missing social interaction and community, however. Pre-pandemic, I was working on a fabric book project called Verso-Recto at The Pine Hill Community Center. A few artists including Hedi Kyle and myself were meeting there regularly to work on our books. The pandemic put a stop to those meetings, but I continued to work independently at home. Because the book is heavily embroidered, I used to jokingly call it my “security blanket”. On the bright side, this was a rare occasion to literally have more time on my hands. Working on the book was meditative and handily portable. For three months last summer I had to take care of my 93-year-old mother in Long Island. It felt great to be able to bring this project with me.  


Lisbeth Firmin (painter)

Waiting, 16″ x 20″ oil on wood panel, 2020

When the pandemic first hit, when we shut down in March 2020, I was stunned and afraid like everybody else. We did not know anything about Covid, and the panic about that combined with the isolation bred fear and anxiety. I was working on a few paintings for my gallery on the Cape, and for a while I continued to do that. But after those paintings were finished, I just did not do that much. I would go to the studio – I was very lucky that I was able to do that. My building was empty, and I was the only one there. So, I would just go there and read the news, and sit and worry. All my workshops and exhibitions were cancelled. My art income was gone. Then in the fall, I started a new series of oils. I have painted through so many tough times. I will continue to do so.  


Tabitha Gilmore-Barnes (textile artist)

Verso-Recto Tapestry, Book Project with Catskilled Crafters, 2019 – 2020

2020-2021 has been a time of great challenge for me. My husband fell critically ill last fall and winter, and I had very little time to spend in the studio and create new work. In the midst of such upheaval, I have been blessed however to be visited by producer Jan Albert and filmmaker Kent Garrett who interviewed me for “Catskilled Crafters” as part of a series hosted by The Pine Hill Community Center called “Getting to Know Your Neighbors.” The presentation is posted on my website at VIDEO: Tabitha Gilmore-Barnes Studio Visit | Tabitha Gilmore-Barnes Studio where people can learn more about my work as a weaver.


Alan Powell (media artist)

Mutation, 3″ x 3″, video graphic 2020

In May of 2020 I was asked by a colleague from Buffalo, NY, Dorothea Braemer, to take part in a global project to document our dream during the Covid pandemic. Many of us were having intense dreams due to the stress of the pandemic and the isolation that we were feeling. There were about twenty initial participants from as far away as Bulgaria and Arizona. These dreams were to be produced as video projects. I put together a team of ten former and current students to work on a 30-minute narrative called “A vacation in Covidville”. The narrative centered on two young women taking a road trip during the Pandemic. One woman was a rock and roller looking for her next gig. The other woman was a revolutionary looking for a home for her revolution. They would stop at homes along the way. Each home housed a dream. In the fall of 2020, I made collages from the dreams and showed them in a popup exhibition that was hung in the store windows in the town of Stamford, NY. The ad-hoc collective included artists such as Nat Thomas, Elaine Mayes, Amy Masters, and others. One such dream is what I titled Corona Diary #15, posted on Vimeo along with other videos that I created in the past year.


Nursing Home Pantoum  
By Sharon Israel 

I call to hear my mother’s voice  
She eats so little, drinks Ensure    
So sorry I can’t visit now 
We say I love you at the end    

She eats so little, drinks Ensure
I keep disaster from my voice
We say I love you at the end
She worries that I’m not all right 

I keep disaster from my voice
I hear fear in every word
She worries that I’m not all right 
Everyone’s so strange here  

I hear fear in every word
I’m in a hospital, she thinks
Everyone’s so strange here
Nursing staff wear bunny suits. 

I’m in a hospital, she thinks
Friends disappear from the dining room 
Nursing staff wear bunny suits
The dead visit her in dreams 

Friends disappear from the dining room
I call to hear my mother’s voice
The dead visit her in dreams 
So sorry I can’t visit now 

This poem first appeared in the May 2020 issue of Chronogram magazine. The pantoum, a form from 15th century Malaysia, consists of four-line stanzas in which the second and fourth lines of each stanza serve as the first and third lines of the next stanza.  The last line is the same as the first.  Poet Sharon Israel used it in her poem for its repetitive and incantatory qualities. Her mother died on June 28th, 2021 at the age of 99 and a half.  

AMR Open Studios Tour Celebrates Its Eighth Anniversary This Summer

Art is at home in the Catskill Mountains. A tradition started by Thomas Cole and his disciples in the early 1800s has transformed the area into a place for pilgrimage where artists from all over the world come to create and be inspired. An influx of creatives moving out of Brooklyn in recent years has infused the area with energy and spearheaded the emergence of new projects and initiatives to create and show new works by artists at various levels in their careers and working in all disciplines.

AMR Artists, a newly formed artist coalition affiliated with the AMR (Andes-Margaretville-Roxbury) Open Art Studios Tour, which takes place every year the last weekend in July, has stepped up to the plate to offer new opportunities for artists. According to its mission statement, “The AMR Artists Coalition supports a vibrant cultural life for our community by promoting and advocating on behalf of the area’s artists and cultural institutions. The Coalition recognizes that a creative environment is an essential component of energetic civic life and sustained economic growth in the community.” The group’s motto is a quote by Albert Einstein: “Creativity is contagious, pass it on.”

Launched in 2012, AMR Open Art Studios Tour has grown into a major cultural attraction, as art tours have become more and more common all over the country. Studio visits trigger questions that aren’t often asked in formal settings such as galleries and museums, and allow for a more intimate interaction with the art work. As art historian George Philip LeBourdais eloquently articulated in a piece for Artsy magazine, “The studio is where strange magic happens, as much for the artist’s imagination as for the public’s. It’s the conjuring place of new concepts, styles, or forms. Sometimes it even comes to be seen as sacred, a place where visitors become pilgrims to the altar of art.”

Helene Manzo's Easel
Painter Helene Manzo’s Studio in Roxbury’s Historic District. © Simona David

AMR (Andes – Margaretville – Roxbury) Open Studios Tour 2019 will take place Saturday and Sunday, July 27 – 28 from 11 a.m. to 5 p.m. with close to thirty participating artists and artisans working in all disciplines – painters, sculptors, photographers, printmakers, ceramicists, furniture designers and textile artists. Located in a bucolic scenery, all studios will provide unique experiences for visitors to explore the area and learn directly from the artists.

Participating artists this year include: Lisbeth Firmin, Ellen Wong, Gail Freund, Tabitha Gilmore-Barnes, Gerda Van Leeuwen, Peter Yamaoka, Margaret Leveson, Helene Manzo, Frank Manzo, Gary Mayer, Gary Mead, Rosamond Welchman, and others.

Gail Freund, a new artist affiliated with the group, moved to the area in 2016 after having worked in New York City for over forty years in the fields of illustration, theater and jewelry. Formally trained at the Parsons School of Design, Freund has always drawn and painted. However, after moving to the Catskills, she became fully immersed into studying and depicting trees the likes of which she hadn’t quite seen while living in Manhattan. Her life in the Catskills allows far more time for studying and drawing nature scenes, she explains. Her approach is simple and direct.

Gail Freund Shows During the AMR Art Tour in 2018. Photo Credit Simona David
Gail Freund during AMR Open Studios Tour in 2018. © Simona David

The artist works in three disciplines: ink on paper, embroidery, and book art. Asked about her drawings, Freund explains: “I had to start somewhere, and ink on paper seemed simple and an easy way to get back into drawing.” The landscapes, all in black and white, are an invitation for the viewer to imagine a larger context than the one strictly depicted by the artist. Some of these are currently part of a show at the Catskill Watershed Corporation in Margaretville paradoxically called “Local Color: In Black and White.” The show will remain on view through July 5.

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Big Daddy at the American Visionary Museum in Baltimore. Source: Facebook

In 2017 Freund joined a group called Catskilled Crafters led by Wendy Brackman to create a project called The Ties That Bind, cutting and sewing together pieces of old ties donated by the community. The group created a piece called Big Daddy, currently on display at the American Visionary Museum in Baltimore in the Father Room as part of an exhibit called Parenting: An Art without a Manual, which will remain on view through September 1. NPR recently did a story on this, which ran on Father’s Day. The group sewed 1,462 hexagons into a nine-foot striped tie made out of hundreds of men’s ties and one wool suit. Brackman, who spearheaded the project, explains: “My dad was a bit of a dandy. He shaved every day, he looked good, he put himself together with his collar and wide ties.” Brackman is known as a performance artist (“Wacky Wendy”), as well as paper milliner (“Wacky Hat”).

Freund’s embroidery has gained attention due to its quirkiness and bold colors, but also extreme precision. Fascinated by road signs, the artist managed to capture some of the more vivid ones in a series shown recently at various locations throughout the area. One of these embroideries has received an award at the Woodstock Artists Association and Museum (WAAM) Spring Show, marking WAAM’s centennial. Asked about her interest in embroidery, the artist explains that she was looking for the perfect excuse to slow down and meditate, and that came in the form of making embroidery.

Gail Freund Award-Winning Embroidery at WAAM Small Works Show. Contributed Photo
Embroidery by Gail Freund, awarded at the WAAM’s Spring Show. Contributed Photo.

This year Freund is also working with a group of book artists led by Hedi Kyle to create fabric books, a multi-disciplinary project that will be shown in 2020. All artists are being given the same theme and size of the project, but each approach will be different. Kyle, who is coordinating the project, is a book conservator and educator, and co-founder of the Book Preservation Center at the New York Botanical Garden. As head conservator at the American Philosophical Society in Philadelphia, and as an adjunct professor in the Graduate Program for Book Arts and Printmaking at the University of the Arts, Kyle had trained and mentored a generation of conservators and book artists. The oldest artist in this group is Polly Vos, who is 94.

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Postcard Embroidery by Gail Freund. Contributed Photo.

Freund will be showing her works during the AMR (Andes-Margaretville-Roxbury) Open Art Studios Tour, sharing studio space with painter Deborah Ruggerio. Ruggerio’s studio is located at 54096 State Highway 30 in Roxbury.

Landscape painter Ellen Wong has participated in the AMR (Andes-Margaretville-Roxbury) Open Art Studios Tour every year since it launched in 2012; she describes the experience as a positive one, and a great opportunity to show and talk about the setting where her art comes to life. Wong has been painting the Catskills since the 1970s, when she opened her studio in Roxbury. Initially trained as an abstract painter, she discovered that what she really wanted to do was landscape: “I noticed that every time I went somewhere I always brought with me my watercolors, and I always sketched where I was; somehow that’s how I got to understand, absorb or take in a new environment – I felt very sensitive to place,” she explains. “Does the world need another landscape?” she muses, but then she adds: “I can’t help it.”

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Esopus After the Rain, 12″ x 16″, oil on canvas, 2019 by Ellen Wong. Contributed Photo.

The recipient of many grants and fellowships, including the New York State Council on the Arts Decentralization Grant Program, as well as a National Endowment for the Arts Fellowship, Wong studied in the Art Department at Brooklyn College with Philip Pearlstein, known for reviving realist figurative painting in the 1960s. Pearlstein’s departure from Abstract Expressionism back then made him a renegade in the art world. It’s that kind of artistic sensibility and daring attitude that Wong had learned from Pearlstein.

Capturing the beauty of the environment but also the ordinary and the banal turns her experiences into markers for posterity. “I want to have a signature,” Wong explains. I want people to say “Oh, that’s Ellen Wong,” whenever they see my paintings. I like to ask deep questions, not necessarily seeking answers, but just asking questions that lead me to a path of my own. “I’d like to go deeper. Does painting the environment, water, for instance, which is life in my paintings, lead one to think of Flint, Michigan, for instance?”

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Wong’s Studio in Roxbury. Contributed Photo.

Wong follows a dictum by Lois Dodd: “paint where you are.” That leads the artist to creating a space uniquely hers. She now reads Ninth Street Women: Lee Krasner, Elaine de Kooning, Grace Hartigan, Joan Mitchell, and Helen Frankenthaler: Five Painters and the Movement That Changed Modern Art, a book by Mary Gabriel that chronicles the lives of these women not as muses but as artists themselves. Ninth Street is a block away from where Wong herself lives in New York City. She reflects on how abstract expressionism was a revolt against portraiture and landscape. But changes in society always call for a different language.

Wong’s studio, which will be open during the AMR Open Art Studios Tour, is located at 121 Shephard Lane in Roxbury.

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Studio 190. Contributed Photo.

New this year, the AMR Art Tour is partnering with Studio 190 in Walton to show works by artists affiliated with this group as part of the two-day event. Studio 190 is a collaborative art program within The Arc of Delaware County, encouraging self-expression, exploration, creativity and teamwork, and providing support for artists to work in a professional studio, equipped with all the necessary tools and guidance from visiting artists.

Leah Schmidt, the program coordinator, explains that up to 35 artists have been taking part in this program so far. They work in different disciplines, although painting is the predominant activity. Some of the artists attend the program every day, while others participate in only one block per week, depending on their skills and dedication, although the most important achievement is to maintain a level of enjoyment so that all the participants have a meaningful experience.

Since 2017 the program has continued to grow under the guidance of art consultants and accomplished artists and educators such as Alan Powell, who have been working with Studio 190 to help branch out more into the community and ensure recognition for the art created in the studio. Under Powell’s guidance the group created the “Selfie” project inviting each participant’s creativity into portraying their own vision of how they see themselves and making personalized works that then can be shared with the community. The project is documented through the group’s Instagram feed as well as its website.

The “Selfie” project as well as other works will be shown during the AMR (Andes-Margaretville-Roxbury) Open Art Studios Tour on Saturday and Sunday, July 27 – 28 at the Community Church located at 904 Main Street in Fleischmanns.

For maps and more information, visit http://www.amropenstudios.org/ and www.facebook.com/amropenstudios/.

The AMR – Andes, Margaretville, Roxbury – Open Studios Tour 2019 is funded by the Delaware County Department of Economic Development – Tourism Advisory Board, and the A. Lindsay and Olive B. O’Connor Foundation, and by 28 participating artists and 44 community business sponsors. Additional community support comes from the Longyear Gallery (Margaretville) and the MARK Project (Arkville).

SPONSORED STORY

© 2019 Simona David

Cy Wagner at Liberal Arts Roxbury

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Liberal Arts Roxbury (LAR). © 2019 Simona David

Liberal Arts Roxbury (LAR), a newly opened art gallery downtown Roxbury, is hosting Cy Wagner: Black Lines & Quadrants, a solo art show dedicated to local painter Cy Wagner (1926 – 2016), who spent the last two decades of his life exploring various artistic subjects and styles, ranging from still life to Pop art and geometric abstraction. Wagner, an architect and urban planner, drew inspiration from the works of Rauschenberg and other abstract painters, and produced a significant number of acrylics and drawings which he grouped in thematic series, like the two currently on view at LAR. These are works produced in the late 1980s – early 1990s, after Wagner retired from the National Capital Planning Commission in Washington D.C., and began commuting between New York City and Roxbury, in the Catskill Mountains.

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Santa Fe, 48″ x 48″, acrylic on canvas, 1989 by Cy Wagner. Photo © 2019 Simona David

Cy Wagner: Black Lines & Quadrants is the first gallery exhibition of Wagner’s work. The show, which includes around two dozen large acrylic paintings as well as drawings (some of whom already sold), will remain on view through mid-June. Liberal Arts Roxbury is open Saturdays from 11 am to 5 pm, and by appointment. The gallery is located at 53525 State Hwy 30 in Roxbury, NY, the site of the former Orphic Gallery.

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Cy Wagner: Black Lines & Quadrants. © 2019 Simona David

To learn more about the show, visit https://www.liberalartsroxbury.com/.

To learn more about the artist, visit https://www.cyrushenrywagner.com/.

 

Impressions from the AMR Open Studios Tour 2018

© 2018 Simona David

 

New Writers’ Residency Opens in Roxbury

Roxbury, an international destination in recent years given its wildly popular attractions The Roxbury Motel and Plattekill Mountain, is now home to a Writers’ Residency, newly opened by writer Annie DeWitt and photographer Jerome Jakubiec. The three-day residency program includes accommodations, meals, workshops and manuscript review by DeWitt, who teaches writing at Columbia University and is the author of White Nights in Split Town City, greatly reviewed by The New York Times.

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© Simona David

The residency, which opened on July 11, hosted an inaugural Editors’ Panel on July 13, featuring Jonny Diamond, editor in chief of LitHub, and Tracy O’Neill, author of the acclaimed novel The Hopeful and editor of the literary journal Epiphany. Diamond and O’Neill talked about the submission process to literary journals.

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Tracy O’Neill and Jonny Diamond © Simona David

Asked about her aspirations with the residency, DeWitt said: “We couldn’t be more delighted with the outcome of this summer’s inaugural residency. It has fueled our creative energies to put so much of ourselves into a project and community that we love. We see Roxbury Writers’ Residency as an ambitious project with a dual focus: providing writers at all stages of their careers with a supportive vibrant atmosphere within which to create, think and question as well as to provide Delaware County with a wellspring into New York City’s creative excellence by offering free programming such as our Editors’ Panel to all Delaware County residents which furthers artistic dialogue. We want to help put Delaware County on the map as the thriving artistic community and rural paradise that it is.”

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Annie DeWitt © Simona David

Roxbury, the birthplace of financier Jay Gould, has long had a literary tradition going back to the days of naturalist writer John Burroughs, Gould’s contemporary, and Walter R. Brooks, who wrote Freddy the Pig series in Roxbury. Writers in the Mountains, a literary non-profit organization serving the Catskills and Hudson Valley area for over a quarter-century, is also headquartered in Roxbury. Writers in the Mountains offers creative writing workshops year-round and hosts a series of literary events throughout the region.

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© Simona David

Roxbury Writers’ Residency program, founded by DeWitt and Jakubiec, gives participants the opportunity to work in a secluded location on a 27-acre farm, and receive feedback from top-notch professionals. Writers can enroll in the three-day standard program, or book a room and design their own schedule. Jakubiec, who is the author of I Actually Wore This: Clothes We Can’t Believe We Bought published by Rizzoli, offers author portrait sessions on sight, thus immortalizing the experience.

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© Simona David

“Our hopes for the future are many,” explains DeWitt. “Short term, we are looking into funding through the MARK Project to be able to build additional artist cabins as well as provide scholarship assistance to residents. Long term, we have our eye on building a barn and studio space. Fashioning it from the existing blue prints for the original dairy barn which was torn down and filling it with artist studios ~ a metal workshop, a digital photography room, a dark room, and a performance space with the hope of expanding the residency to attract artists across various media and disciplines. We’re also horse enthusiasts and we would like to eventually bring that unique angle to our residents,” she adds.

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© Simona David

Roxbury’s charming appeal and bucolic scenery have in fact attracted a wide range of creatives for years – artists, writers, an Oscar winning filmmaker, fashion and theater professionals, and other creatives have made Roxbury their home. How Art Is Made: In the Catskills by this author features some of these creatives, including sculptor Brian Tolle, and painters Adam Cohen and Ellen Wong, whose studios are located in Roxbury. This burgeoning artistic community can only benefit from the newly opened writers’ retreat with the potential expansion into a full arts colony similar perhaps to Byrdcliffe in Woodstock or Sugar Maples in Maplecrest. In recent years Mount Tremper Arts opened to offer performing artists a space to rehearse and explore new ideas.

 

To learn more about Roxbury Writers’ Residency, visit https://www.roxburywritersresidency.com/.