Novelist Annie DeWitt and photographer Jerome Jakubiec spoke about their widely praised books “White Nights in Split Town City” and “I Actually Wore This: Clothes We Can’t Believe We Bought” at Roxbury General on Small Business Saturday, Nov. 25 this year.
The Los Angeles Review of Books depicts “White Nights in Split Town City” as “the story of what it means to feel desired and plugged into what surrounds us, and how this informs our identities from a very young age.” The book was released by Tyrant Books in August 2016.
The New Yorker describes “I Actually Wore This” as “Funny and surprisingly touching, revealing much about our moments of bold, optimistic self-assertion and their aftermath.” The book was released by Rizzoli in March 2017.
Both books are available at Roxbury General along with a vast array of merchandise from clothing and ceramics to sweets and holiday decorations.
The Irish Hunger Memorial, a public art project designed by sculptor Brian Tolle in Battery Park City, re-opened to the public late last summer after undergoing major renovations to address damage caused by water infiltration in the aftermath of Hurricane Sandy. Originally built in the early 2000s, the monument opened for the first time on July 16, 2002. Roberta Smith from The New York Times described the monument as a “typically postmodern blend of existing art styles — Realism, Conceptual Art and Earth Art — bound together by historical fact and physical accuracy.”
A methodical thinker, Tolle had spent plenty of time in Ireland doing research for this project which occupies half of acre overlooking the Statue of Liberty, and Ellis Island. The centerpiece is an 1820s stone cottage brought from Ireland. Also, stones from Ireland’s 32 counties and Irish flora were incorporating into the project, a reminder of the Great Irish Famine of 1845-52.
Tolle had installed two miles of historical references on the base of the Memorial, in the form of a lightning shadow. The text, lit from behind with the shadow cast on glass, is changed and updated periodically, so visitors approaching the Memorial on one day might happen to read a Quaker soup recipe that was used to help starving people in Ireland in 1847, and on another day statistics about the amount of dog food consumed in the United States. The artist believes that this textural engagement with the Memorial ultimately shapes visitors’ visceral experience as they move through the monument itself.
Tolle, who teaches a course on public art at Parsons, is alert to the fact that art shown in a museum or a gallery space is dedicated to a captive audience, an audience of interested gallery or museum goers. When it comes to public art, the artist explains: “There is no way of controlling, nor would you want to control the audience in a public space, so you never know who is going to come across a project, and how they might respond to it.” With that in mind, the artist envisioned a memorial that trusts the intelligence of the audience in interpreting the event of the famine and its historic significance.
By its very nature, public art is free and accessible to anyone. When it blends well with its surroundings, it gives meaning and shapes the identity of the space. Public art is also a reminder of the shared community values and aspirational goals.
Tolle will lead a special tour of the Irish Hunger Memorial this Saturday, October 28 from 2 to 3 pm, and discuss the history of the Memorial, as well as its recent renovation. A staff horticulturalist will be on hand to discuss the Memorial’s native Irish plantings as well.
Launched in 2012, AMR Open Studios Tour has grown into a major art destination, forging new and unexpected connections between artists, and their patrons from near and far. Given its success in previous years, in 2017 AMR – Artists Making aRt ™ – Open Studios Tours 2017 expanded to include some 40 artists from Margaretville, Roxbury, Stamford, Delhi, and surrounding areas. The tours took place on two different weekends in July: Saturday and Sunday, July 8 – 9 in Stamford-Delhiart community, and Saturday and Sunday, July 29-30 in Margaretville-Roxburyart community. Both weekends attracted a myriad of visitors, many artists as well as collectors from the Catskills, New York City, and abroad.
On the first weekend, watercolorist June Lanigan who, at 91, continues to paint and make collages, showed recent works and discussed what moves her these days. Although Lanigan works in other media as well (i.e., oil, and acrylic), she is most fond of watercolors; and everywhere she goes she brings along a sketchbook to take in the environment. The portrait of a flapper draws my attention in Lanigan’s immense home that she shares with her family while painting in the Catskills. Lanigan is the founder of MURAL Gallery in Hobart, and has had a long connection with the area.
Both Lanigan’s daughters Tracy Jacknow and Toni Layden-Rodgers as well as her grandson Jess Zimmerman are painters; each has a distinctive style, and is attracted to different subject matters. Jacknow, for instance, paints abstract and impressionistic like landscapes, while Layden-Rodgers is interested in domestic scenes, still lifes, and portraits, whereas Zimmerman paints bold, urban scenes.
Jacknow is married to stained glass artist Barry Jacknow, whose work is inspired by the Art Deco movement, and the work of architect and designer Frank Lloyd Wright. Stained glass has had a long tradition in New York going back to Louis Comfort Tiffany’s Art Nouveau lamps and decorative objects that became synonym with sophistication. Jacknow sources his stained glass locally in Stamford, and works meticulously to create patterns and contrast colors for most effect.
My next stop was at Robert Schneider and Susan Goetz’s mansion in Stamford. Husband and wife, Schneider and Goetz had studied at the Art Students League of New York, and also privately with accomplished painters. While Schneider specializes in landscape, Goetz dedicates most of her time to still life and portrait. Her studio is filled with family portraits and domestic scenes signifying opulence and good taste. Goetz was commissioned by West Point’s class of 1931 to paint a series of portraits which included Presidents Eisenhower, Reagan, and Bush, and Justice Sandra Day O’Connor. Goetz comes from a family of artists – her father Richard Goetz, who passed away in 1991, was an accomplished painter as well. A portrait of her mother by famous painter Nelson Shanks illuminates the hallway.
Both Goetz and her husband Schneider were featured in American Artist in November 2007.
Schneider, who is very much fascinated by the Hudson River School of Painting, captures through his plein airs spectacular views of the Catskill Mountains and the Hudson Valley as well as the Leatherstocking region where the family has spent a lot of time. Schneider was featured at the Fenimore Art Museum in Cooperstown in 2016 in a one man show called “A New York View.”
My last stop that weekend was at Solveig Comer’s ceramics studio in South Kortright. Located in the basement of a former church, the studio has three electric kilns, and lots of fine porcelain for many bowls and cups to come. The artist patiently explains the difference between using an electric kiln versus a gas one, and the differences in output each creates. It is a laborious process, but Comer doesn’t seem to mind.
The second weekend was a marathon of exhibits, demonstrations, conversations, and parties centered around Roxbury which had a stellar participation this year with the likes of Adam Cohen and Brian Tolle opening their studios as part of the AMR Tour for the first time.
Brian Tolle showed several of his works at Roxbury Abbey including three Levittown style houses made of platinum silicone rubber. Also, visible in his studio was a head sculpture of Benjamin Franklin, as seen by Brian Tolle. In 2016 Tolle exhibited at the Pennsylvania Academy of Fine Arts in Philadelphia as part of “Commander in Chief” art show dedicated to American presidents.
In addition to works by Tolle, Roxbury Abbey also hosted that weekend a group show curated by Ace Ehrlich who brought several artists from the city just for the event, including German artist Thorsten Brinkmann.
The youngest participant in the tour was Sophia Maduri, who showed her work at the Grange in Halcottsville, and sold her first drawing right there – the beginning of a career. My book “How Art Is Made: In the Catskills” was also for sale at the Grange, and provided more context for some of the artworks shown during the tour, a symbiotic relationship.
Also in Roxbury painters Esther De Jong and Michael Guilmet opened their studio for the first time. De Jong showed some of her oil paintings and pencil drawings, while Guilmet displayed two dozen oil paintings in various styles, and depicting various subject matters – winter landscapes, abstract compositions, and lots of portraits, many of those on commission. Recently De Jong and Guilmet curated an exhibition at Orphic Gallery in Roxbury that included some of the best artworks produced in the region from painters like Adam Cohen, Ann Lee Fuller, and Christopher Durham.
Lisbeth Firmin was one of several artists participating in Margaretville area – her studio is located in the Commons Building. This year Firmin showed some of her urban landscape paintings as well as monotypes produced while studying at Scuola Internationale di Grafica in Venice this past spring. Later this month Firmin will lead a one-week drawing workshop at MURAL Gallery in Hobart, designed as an intensive combination of lectures, demonstrations, and studio exercises.
AMR Open Studio Tour 2018 will include even more artists and activities to showcase the abundance of artistic endeavors our region is known for.
This weekend, Saturday and Sunday, July 30 – 31, from 11 am to 5 pm over twenty artists in Roxbury, Halcottsville, Margaretville, Fleischmanns, Halcott Center, Arkville, and Andes will open their studios to the public, and show their working spaces.
A good place to start the tour is the Wawaka (Halcottsville) Grange, which is true to its original function as a Grange and General Store. Refreshments, bathrooms, and handicap access are available at this location. Several artists will be showing at the Grange, including painters Sophia Maduri and Oneida Hammond.
Alix Travis, one of the founding members of the tour, will once again open her studio located at 103 Bragg Hollow Road in Halcottsville. An established plein air painter, Alix has received several awards and recognitions, including signature status in the Pennsylvania Watercolor Society and the NY Plein Air Painters. In 2014 she published The Catskill Coloring Book, which includes twenty-six of her plein air watercolor paintings. This weekend, during the open studios tour, Alix will paint en plein air, and will demonstrate some of her techniques.
Urban realist painter Lisbeth Firmin will be showing her oil paintings and monotype prints at her studio located in the Commons Building in Margaretville. Lisbeth is known for works such as Fifth Avenue (1995), and Woman on a Train (2014). Just recently she opened a new show at Rice – Polak Gallery in Provincetown, MA where she has been exhibiting for many years. Lisbeth asserts that her work is really not about the colors, but about the light and shadow in the composition.
Multi-media artist Alan Powell and painter Lesley Powell will be showing their work at 993 Main Street in Fleischmanns, and painter Anthony Margiotta will open his studio located at 355 Route 3 in Halcott Center. Margiotta, who does not have formal training as an artist, draws inspiration from his surroundings, whether be the woods of the Catskill Mountains or the urban scenes of New York City.
In Arkville, painter and printmaker Amy Masters, and architect and printmaker Ted Sheridan will be opening their studios located at 222 Chris Long Road. Over the past year or so Amy has been working on a series of monotype prints inspired by feathers. The fragility and the uniqueness of this object has captivated her, and she has decided to set and explore various shapes and tones that come with the printmaking process. Her husband Ted Sheridan will be showing a series of metallic prints capturing the oxidation process, and in so doing, retaining the most spectacular shapes and forms on paper.
Poet and furniture designer Gary Mead will be showing his gallery at 1289 South Side Road in Margaretville, and sculptor Ken Hiratsuka will be opening his barn at 34325 State Hwy 28 in Andes.
Heading back over to Roxbury, you’ll have the opportunity to stop by weaver Tabitha Gilmore-Barnes, whose studio is located at 424 Carr George Road in Denver. Tabitha has in her studio a professional loom, and happily demonstrates how to work the weft and create the density that is desired for a new piece. Weaving is one of the oldest forms of a blend of art and function,” she explains. “And it’s gratifying that it isn’t forgotten.”
In Roxbury painters Ellen Wong and Helene Manzo, photographer Frank Manzo, ceramicists and printmakers Peter Yamaoka and Gerda Van Leeuwen, and sculptor John Sanders will all show new works produced over the past year. Studio visits trigger questions that aren’t often asked in formal settings such as galleries and museums, and provide access to an intimate space that the artist doesn’t often share with others.
For maps and more information, visit http://www.amropenstudios.org. As you drive around this weekend, look for the “OPEN STUDIO” signs and brochures with maps available for pick up at various business sponsors and community supporters.
The AMR Open Studio Tour 2016 is funded by public funds from the New York State Council on the Arts Decentralization Grant Program, with the support of Governor Andrew Cuomo and the NYS Legislature, and is administered in Delaware County by The Roxbury Arts Group, and with fiscal support from The MARK Project and participating artists.