The Zadock Pratt Museum in collaboration with Prattsville Art Center presents Prattsville Clews – A Case Study by Clover Archer, an online exhibition exploring micro or granular histories – small ordinary moments in everyday lives that fill in the vast amount of time around lifetime milestones or what is more generally considered “important.”
In the summer of 2019, as an artist in residence at the Prattsville Art Center, Clover Archer worked closely with the Zadock Pratt Museum to learn more about the history of the area. During this time, she met with Prattsville citizens who generously shared their family histories, stories, photographs, and memorabilia. While meeting with local residents, the artist made notations on large family tree charts documenting their stories as the Prattsvillian contributors reminisced. The artist calls these small human histories “clews.” Our contemporary word “clue” is derived from the word “clew,” originally meaning a ball of yarn or thread. In one Greek myth a “clew” or ball of yarn is used to lead the way out of a labyrinth, which is how we have come to understand the word to mean something that leads to a solution or an answer. Thinking of the labyrinth as a metaphor for life, the artist considers these granular histories to be the moments that lead us through the maze of our existence – guiding the way and filling the time between the more memorable and more commonly documented occasions. Based on this information, the artist has created a series of graphite drawings illustrating a small sampling of the clews that are connected to Prattsville. These small details are both particular to Prattsville and yet not geographically specific. Looking at these illustrations of the ordinary (i.e., a broom, a sled, a car, a cow, etc.), we all have associations with them – we see them as familiar and share the humanity of the small particulars. All drawings are 8 x 10 inches, graphite on paper, made in 2019 and 2020.
The project is funded in part by the National Endowment for the Arts, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature and by public funds from the Greene County Legislature through the Cultural Fund administered in Greene County by CREATE/Greene County Council on the Arts, the O’Connor Foundation, New York University, and others.
Visit the exhibition online at https://zadockprattmuseum.org/prattsville-clews-exhibition/
First published by The Overlook Press in 2017, The Quarry Fox earned rave reviews. From the New York Times: “A poignant and modern reminder of untamed creatures so close to home.”
From Library Journal: “This engaging portrait of the Catskill wilderness will appeal to nature enthusiasts of all stripes.”
Silver Hollow Audio will be releasing the audiobook edition of The Quarry Fox narrated by the author herself in June this year.
Leslie T. Sharpe is an author, editor, and educator. She began her editing career at Farrar, Straus & Giroux and is currently an editorial consultant specializing in literary nonfiction, literary fiction, and poetry. A member of PEN American Center, she is the author of Editing Fact and Fiction: A Concise Guide to Book Editing (Cambridge University Press, 1994), which is regarded as a “modern editing classic” and “On Writing Smart: Tips and Tidbits,” featured in The Business of Writing (Allworth, 2012). Leslie has been a regular contributor to Newsday’s “Urban ‘I’” column, and her essays and articles have appeared in a variety of publications including the Chicago Tribune, Christian Science Monitor, Global City Review, International Herald Tribune, New York Times, New York Tribune, Philadelphia Inquirer, San Francisco Chronicle, and Village Voice; The Villager; The Writer; and Psychology Today. She recently finished her memoir, Our Fractured, Perfect Selves, and her new book, The Quarry Fox and Other Critters of the Wild Catskills, a lyric narrative look at the wild animals of the Catskill Mountains, will be published by The Overlook Press in the spring of 2017. Her poems for children have appeared in Ladybug Magazine. Leslie has taught writing and editing at Columbia University, New York University and the City College of New York.
Earlier this month the art world was shaken by news that a banana duct-taped to a wall sold for $150,000 at Art Basel Miami. Maurizio Cattelan’s installation called Comedian, that included, yes!, a real banana taped to a wall, has become some kind of a sensation with some calling it conceptual art and others calling it a prank (read the background story here). The fact that someone would pay $150,000 for a banana taped to a wall calls into question the value of art and complicates an appraisal’s work even further.
Cattelan’s created three editions of his installation, two of whom sold for $120,000 to collectors identified by Artsy as Billy and Beatrice Cox of Miami, and Sarah Andelman, founder of Colette concept store in Paris, and part-time Catskills resident. Andelman’s vacation home in the Catskills was subject to a feature in Architectural Digest in the summer of 2018.
But is it art? The perishability of a mere banana contrasts significantly with what artists have traditionally sought in art – immortality. And how about artistic skills? Is it really any artistry involved in taping a banana to a wall?
Brands have capitalized on this commotion by creating their own duct-taped “art,” anything from a sandwich to a bottle of water, and more. All there is needed is a random object and duct tape, plus of course access to a wall. Read full story in Ad Age magazine.
Artnet has covered the topic and made it easy for readers to access the coverage all in one place: “To document for posterity how this humble piece of produce became a global phenomenon, we have pulled together all of our coverage in one place.”
Defining art has always been both challenging and disputed. In the 18th century, philosopher Moses Mendelssohn, grandfather of composer Felix Mendelssohn, argued that art is the carrying forward of the beautiful, obscurely recognized by feeling, until it becomes true and good; the aim of art is moral perfection, he claimed.
In What is Art? published in 1896, Leo Tolstoy argued that art is the transmission of an emotion felt by the artist (joy, exaltation, anger, sadness, etc.) – not all beauty, but all infectious emotion that the common man can experience. Tolstoy’s argument was an attack on formalism and the doctrine of art for art’s sake, an attack on unintelligibility and exclusiveness. He did not believe in professional artists, who, he thought, perverted art; instead he argued that all men can and should make art, thus proclaiming the universality of art.
In the 20th century, Roy Lichtenstein defiantly declared that organized perception is what art is all about. For Wassily Kandinsky, making art was an internal necessity that impelled the artist to create as a spiritual impulse and the audience to admire art as a spiritual hunger. It was that simple.
Tolstoy didn’t think that taste was the final arbiter of what was good and bad art; he defined taste as the capacity of an individual to be aesthetically pleased by certain works and displeased by others. He conceded however that taste can be educated, and artistic activities can be made accessible to all.
We wish you an artful New Year!
The Hyde Collection Art Museum in Glens Falls, Warren County, includes a wide array of artworks and antiques – paintings, sculptures, pottery, books and furniture – spanning from the early Renaissance to modern and contemporary era. The collection was established by Charlotte Pruyn Hyde and her husband Louis Fiske Hyde, who acquired art from the Renaissance to the 19th century. Later on, the collection expanded to include 20th century modern and contemporary works.
Housed in the Hydes’ 1912 American Renaissance mansion, the collection includes works by Italian Renaissance masters Domenico Tintoretto, Raphael, and Sandro Botticelli; Spanish Renaissance painter, sculptor and architect El Greco; Baroque painters Peter Paul Rubens and Rembrandt van Rijn; French Neo-Classical painter Ingres; French Impressionists Edgar Degas and Pierre-Auguste Renoir; Post-Impressionist painters like Paul Cézanne and Vincent Van Gogh, as well as modern painters such as Henri Matisse and Pablo Picasso. American masters including Winslow Homer are also represented in the collection. In addition to its permanent holdings, the museum hosts temporary exhibitions and other educational programs.
Because of its growing collection, in the 1980s the Museum expanded with a large Education Wing, comprised of three galleries, an auditorium, an art studio as well a storage and visitor amenities area, complementing the adjacent historic Hyde House.
In 2015 we interviewed Erin Coe, then executive director at The Hyde Collection – Coe is currently director of the Palmer Museum of Art at Penn State. In 2013, while at The Hyde Collection, Coe organized the acclaimed O’Keeffe and Lake George exhibition in association with the Georgia O’Keeffe Museum in Santa Fe, New Mexico, which brought together 58 paintings from public and private collections, created between 1918 and 1934, when O’Keeffe summered at Lake George in the company of Alfred Stieglitz and his family. In fact, Coe co-authored the book Modern Nature: Georgia O’Keeffe and Lake George, which presented groundbreaking scholarship that shed new light on O’Keeffe’s work.
Painters affiliated with the Hudson River School of Painting, founded by Thomas Cole in 1825 and considered the first authentic American art movement, had painted at Lake George, including Thomas Cole, Asher B. Durand, John F. Kensett, Sanford Gifford, and others. The Hyde Collection’s most significant Hudson River School painting in its permanent collection is a painting by Albert Bierstadt, who did not paint at Lake George, however. His Yosemite Valley oil on canvas, painted in 1865, is on display at The Hyde Collection in the Downstairs Guest Room. Because of his interest in the West, Bierstadt is often grouped with the Rocky Mountain School as well. In the 1850s, he studied in Düsseldorf, under the influence of the prestigious Düsseldorf Academy, characterized by detailed, plein air paintings in muted colors. Düsseldorf School exercised influence over the Hudson River School.
In the summer of 2015, The Hyde Collection hosted the exhibition The Late Drawings of Andy Warhol: 1973 – 1987, organized in partnership with The Andy Warhol Museum in Pittsburg. Drawing was critical to Warhol’s development as an artist from his early years as an art student to the last few days of his life in 1987. The show included fifty large drawings from the artist’s late period. It was a prolific time in Warhol’s life, when the artist used as inspiration celebrities, flowers, and ads, as seen in his most iconic works. Some of these drawings were shown for the first time at The Hyde Collection. The show drew visitors from all over the world and across the United States.
Currently on view is a modern art exhibition dedicated to Pablo Picasso, Georges Braque and Fernand Léger, which explores exclusively the three artists’ work as printmakers. Organized by Contemporary and Modern Print Exhibitions, the show includes Picasso’s print series Suite des Saltimbanques (1904-1905) and Le Cocu Magnifique (1968), Braque’s L’Ordre des Oiseaux (1962), and Léger’s Les Illuminations (1950). The exhibition will remain on view through January 5, 2020.
The museum is open Tuesday through Saturday from 10 a.m. to 5 p.m., and Sunday from 12 noon to 5 p.m.
For more information about The Hyde Collection, and current hours of operation, visit http://www.hydecollection.org/.
161 Warren Street, Glens Falls, NY 12801
The Zadock Pratt Museum’s 2019 History Award Recipients are: Janelle Conine Maurer, Donald B. Teator, Kevin Berner and Ginny Scheer, all recognized for their outstanding work in the local and regional history of the Tri-County area of Delaware, Greene and Schoharie Counties.
The Award Ceremony took place on September 28 at Villa Vosilla in Tannersville, New York.
This year marks the Zadock Pratt Museum’s sixtieth anniversary. Located in Zadock Pratt’s Greek Revival home built in 1828, the museum opened to the public in 1959 as a research and historic preservation center. The founders, which included Hilda Moseman and Brayton Thompkins, envisioned the place as an edifice to honor Pratt’s legacy, recognized by then as a national leader and the founder of Prattsville, one of America’s earliest planned communities. Severely damaged by Hurricane Irene in 2011, the museum recovered remarkably with great support from the community and generous benefactors, which included The A. Lindsay and Olive B. O’Connor Foundation and Nicholas J. Juried Foundation.
Learn more at zadockprattmuseum.org.